A Quantum-Classical Network for Beat-Making Performance

In recent years, quantum computing has emerged as the next frontier in computational and information technologies. Even though it has found potential applications in solving complex problems in fields such as chemistry, machine learning, and cryptography, among other fields, there has been little research conducted on its applications for music and acoustic technologies. This paper will discuss the use of a quantum internet protocol in the context of networked music performance in which quantum computing could play a role in processing musical data via a cloud-based music software application. We also propose an example model for a beat-making performance network using a smart music playlist application deployed on a simulated quantum internet. In the proposed system design and architecture, several beat-makers located remotely from each other are connected live over a simulated quantum internet in a distributed networked music performance. Each beat-maker node transmits and receives audio sample time slices of beat patterns from one another to use in their local performances. This model provides a proof of concept for implementing quantum algorithms, standards, and protocols in music software and network applications when a quantum internet becomes available

A quantum vocal theory of sound

Concepts and formalism from acoustics are often used to exemplify quantum mechanics. Conversely, quantum mechanics could be used to achieve a new perspective on acoustics, as shown by Gabor studies. Here, we focus in particular on the study of human voice, considered as a probe to investigate the world of sounds. We present a theoretical framework that is based on observables of vocal production, and on some measurement apparati that can be used both for analysis and synthesis. In analogy to the description of spin states of a particle, the quantum-mechanical formalism is used to describe the relations between the fundamental states associated with phonetic labels such as phonation, turbulence, and supraglottal myoelastic vibrations. The intermingling of these states, and their temporal evolution, can still be interpreted in the Fourier/Gabor plane, and effective extractors can be implemented. The bases for a quantum vocal theory of sound, with implications in sound analysis and design, are presented

Advances in Signal and Image Processing in Biomedical Applications

Our bodies are continually passing on information about our prosperity. This information can be collected using physiological instruments that measure beat, circulatory strain, oxygen drenching levels, blood glucose, nerve conduction, mind activity, and so on. For the most part, such estimations are taken at unequivocal spotlights in time and noted on a patient’s outline. Working with conventional bio-estimation apparatuses, the sign can be figured by programming to give doctors continuous information and more noteworthy bits of knowledge to help in clinical evaluations. By utilizing progressively modern intends to break down what our bodies are stating, we can conceivably decide the condition of a patient’s wellbeing through increasingly noninvasive measures

The Limits Of DIS: Final Report

Two reports on the computational capabilities of formal DIS networks in simulating real physical events and the demands placed on DIS in the future as projected by the DIS user community.; Contents: 50514 01 Purpose -- Background -- Phase 1 -- Phase 2 --Appendices -- A On the limitation of DIS by Thomas L. Clarke -- Appendix B Useful communications in distributed interactive simulation by Scott H. Smith --Appendix C Useful communications in distributed interactive simulation (viewgraphs) by Scott H. Smith