The structure of the Plutarchan book

This study focuses not on individual Lives or pairs of Lives, but on the book as a whole and its articulation across the full corpus. It argues that the Plutarchan book consists of up to four distinct sections: prologue, first Life, second Life, synkrisis. Each of these sections has a fairly consistent internal structure, and each has a distinct set of strategies for opening, for closure, and for managing the transition from one section to the next. Prologues provide an introduction to both Lives, and are clearly delineated from them, even though in our manuscripts they appear as part of the first Life; in fact, there is often a stronger break between prologue and first Life than there is between the two Lives themselves. Prologues usually begin with generalized reflections, to be followed only later by the naming of the subjects and a statement of their similarities. Most Lives begin with a thematically organized section (the ‘proemial opening’), which surveys the subject's life as a whole, not just their youth, and which is marked off with varying degrees of distinctness from the narrative that follows. Crucially, proemial openings do not narrate and the logic of their structure is not chronological. Closure in many Lives is signalled by ‘circularity’ and sometimes by a closural or transitional phrase, though first Lives are different here from second Lives. Synkriseis are structured both by a series of themes on which the two subjects are compared, and by a two-part, agonistic structure in which first one of the subjects is preferred, then the other. Synkriseis may also recall the prologue; both prologue and synkrisis operate at the level of the book, and between them frame and weld together the two Lives.</jats:p

Liberate your avatar; the revolution will be social networked

This paper brings together the practice-based creative research of artists Charlotte Gould and Paul Sermon, culminating in a collaborative interactive installation that investigates new forms of social and political narrative in multi-user virtual environments. The authors' artistic projects deal with the ironies and stereotypes that are found within Second Life in particular. Paul Sermon’s current creative practice looks specifically at the concepts of presence and performance within Second Life and 'first life', and attempts to bridge these two spaces through mixed reality techniques and interfaces. Charlotte Gould’s Ludic Second Life Narrative radically questions the way that users embody themselves in on-line virtual environments and identifies a counter-aesthetic that challenges the conventions of digital realism and consumerism. These research activities and outcomes come together within a collaborative site-specific public installation entitled Urban Intersections for ISEA09, focusing on contested virtual spaces that mirror the social and political history of Belfast. The authors' current collaborative practice critically investigates social, cultural and creative interactions in Second Life. Through these practice-based experiments the authors' argue that an enhanced social and cultural discourse within multi-user virtual environments will inevitably lead to growth, cohesion and public empowerment, and like all social networking platforms, contribute to greater social and political change in first life

Trust and Trustworthiness in Anonymous Virtual Worlds

Virtual communities like Second Life represent an economic factor with increasing potential, but may induce behavior that deviates from real world experience. We introduce a new experimental design that is based on the trust game (Berg, Dickhaut, and McCabe 1995), but eliminates the problem of multiple virtual identities. We conduct one treatment of the experiment in the virtual world Second Life and compare the results to the First Life control treatment that we conduct on our university Campus. In Second Life, we find significantly lower investment levels, but significantly higher average returns than in our First Life treatment or in the literature. The lower investments may be due to the fact that the return schedules observed in Second Life are significantly more erratic than in First Life.investment game, online community

STA Travel Island: Marketing First Life Travel Services in Second Life

The case, through the experience of a recent college graduate thrusted in the decision-making spotlight, describes the attempt by the largest student travel agency in the world - STA Travel - to evaluate whether and how to establish a presence in Second Life. Second Life was a fast emerging Massive Multiplayer Online Role-Playing Game (MMORPG) that was garnering increasing attention from companies around the world. The STA Travel Island case is appropriate for information systems, marketing, or strategy classes as it explores issues of new technology adoption, value creation and appropriation with Information Systems and with emerging technologies, and project feasibility and management