Culture, worldview and transformative philosophy of mathematics education in Nepal: a cultural-philosophical inquiry

This thesis portrays my multifaceted and emergent inquiry into the protracted problem of culturally decontextualised mathematics education faced by students of Nepal, a culturally diverse country of south Asia with more than 90 language groups. I generated initial research questions on the basis of my history as a student of primary, secondary and university levels of education in Nepal, my Master’s research project, and my professional experiences as a teacher educator working in a university of Nepal between 2004 and 2006. Through an autobiographical excavation of my experiences of culturally decontextualised mathematics education, I came up with several emergent research questions, leading to six key themes of this inquiry: (i) hegemony of the unidimensional nature of mathematics as a body of pure knowledge, (ii) unhelpful dualisms in mathematics education, (iii) disempowering reductionisms in curricular and pedagogical aspects, (iv) narrowly conceived ‘logics’ that do not account for meaningful lifeworld-oriented thinking in mathematics teaching and learning, (v) uncritical attitudes towards the image of curriculum as a thing or object, and (vi) narrowly conceived notions of globalisation, foundationalism and mathematical language that give rise to a decontextualised mathematics teacher education program.With these research themes at my disposal my aim in this research was twofold. Primarily, I intended to explore, explain and interpret problems, issues and dilemmas arising from and embedded in the research questions. Such an epistemic activity of articulation was followed by envisioning, an act of imagining futures together with reflexivity, perspectival language and inclusive vision logics.In order to carry out both epistemic activities – articulating and envisioning – I employed a multi-paradigmatic research design space, taking on board mainly the paradigms of criticalism, postmodernism, interpretivism and integralism. The critical paradigm offered a critical outlook needed to identify the research problem, to reflect upon my experiences as a mathematics teacher and teacher educator, and to make my lifetime’s subjectivities transparent to readers, whereas the paradigm of postmodernism enabled me to construct multiple genres for cultivating different aspects of my experiences of culturally decontextualised mathematics education. The paradigm of interpretivism enabled me to employ emergence as the hallmark of my inquiry, and the paradigm of integralism acted as an inclusive meta-theory of the multi-paradigmatic design space for portraying my vision of an inclusive mathematics education in Nepal.Within this multi-paradigmatic design space, I chose autoethnography and small p philosophical inquiry as my methodological referents. Autoethnography helped generate the research text of my cultural-professional contexts, whereas small p philosophical inquiry enabled me to generate new knowledge via a host of innovative epistemologies that have the goal of deepening understanding of normal educational practices by examining them critically, identifying underpinning assumptions, and reconstructing them through scholarly interpretations and envisioning. Visions cultivated through this research include: (i) an inclusive and multidimensional image of the nature of mathematics as an im/pure knowledge system, (ii) the metaphors of thirdspace and dissolution for conceiving an inclusive mathematics education, (iii) a multilogical perspective for morphing the hegemony of reductionism-inspired mathematics education, (iv) an inclusive image of mathematics curriculum as montage that provides a basis for incorporating different knowledge systems in mathematics education, and (v) perspectives of glocalisation, healthy scepticism and multilevel contextualisation for constructing an inclusive mathematics teacher education program

Beyond Agenda 2030: Future-Oriented Mechanisms in Localising the Sustainable Development Goals (SDGs)

Given the complex nature of the UN’s Sustainable Development Goals (SDGs), there are increasing calls for new inclusive and bottom-up governance mechanisms in building a relationship between governments and their citizens, in particular, the youth, to localise the 2030 Agenda. But such successful bottom-up multi-stakeholder engagement tools have yet to emerge in practice. Hence, of specific interest in this study is exploring bottom-up approaches useful for localising the SDGs and harnessing real transformative change to leave no one behind by 2030. Using a case study from the UK, we present a novel integrated mechanism to achieve this. An integrated Social Innovation (SI) and Scenarios Thinking (ST) mechanism remains a valuable bottom-up tool capable of empowering citizens, including the youth and decision-makers in delivering coherent SDGs plans, policies, and programmes. The study reveals that although the SDGs are distinct, they are also interconnected. A scenario development workshop with youth with no prior knowledge of the SDGs showed a common thread of policy measures for different SDG future images. Standard policy measures amongst different SDGs call for an equitable society at all levels; that all energy sources be from clean and renewable sources; investment in low-carbon technologies and research; and financial support for promoting sustainable transportation and consumption measures. This study highlights that we need to change how we think and talk about SDGs and recommends socially innovative steps to embrace cross-sectoral and nexus thinking as the backdrop of the citizen science concept. We conclude that the SDGs should not become a performative exercise or failed social experiment. And any practical localisation from the UN’s Member States across the northern and southern hemispheres will require robust measures addressing future-oriented systemic thinking, inclusivity and good governance, together with standards for community resilience and sustainability

A Critical Examination of Internationalisation of the Curriculum and Global Citizenship Education in One University in Ghana

Internationalisation of the Curriculum and global citizenship formation have become important goals in higher education around the world. As such, universities are increasingly positioning their mission statements along the narrative of becoming global and producing graduates who can navigate globalising societies and professions. As a case study, this research examines curriculum internationalisation and Global Citizenship Education in one university in Ghana. Employing a theoretical framework of a Critical Global Pedagogy, I engage with the views and experiences of students, lecturers and institutional heads on dimensions of curriculum internationalisation and Global Citizenship Education that manifest in the institution’s policy and curriculum. The findings highlight complexities at the intersection of the colonial foundations of the case study institution, contemporary power dynamics that characterise the institution’s internationalisation practices as well as the dilemma around pursuing global engagement whilst ensuring local relevance. Connected to this, three key recommendations are made from the findings. The first is the need for a clear institutional policy definition and direction on what curriculum internationalisation and global citizenship formation means for the institution as part of its broader vision of becoming world-class and research-intensive. There is also the imperative around striking a balance between embedding the curriculum of the institution within its historical and socio-cultural specificities as they pertain to the Ghanaian and wider African context whilst at the same time ensuring that the curriculum is globally engaged. Lastly, I propose a decolonial approach to curriculum internationalisation and global citizenship formation, building on African epistemological and ontological traditions. This draws directly from the South African communitarian concept of Ubuntu, around which community building, mutualism and cooperation can be pursued. I argue that Ubuntu can be leveraged to foster African citizenship in students and transposed to the global level as part of the expansive notion of global citizenship

PlugSonic: a web- and mobile-based platform for binaural audio and sonic narratives

PlugSonic is a suite of web- and mobile-based applications for the curation and experience of binaural interactive soundscapes and sonic narratives. It was developed as part of the PLUGGY EU project (Pluggable Social Platform for Heritage Awareness and Participation) and consists of two main applications: PlugSonic Sample, to edit and apply audio effects, and PlugSonic Soundscape, to create and experience binaural soundscapes. The audio processing within PlugSonic is based on the Web Audio API and the 3D Tune-In Toolkit, while the exploration of soundscapes in a physical space is obtained using Apple's ARKit. In this paper we present the design choices, the user involvement processes and the implementation details. The main goal of PlugSonic is technology democratisation; PlugSonic users - whether institutions or citizens - are all given the instruments needed to create, process and experience 3D soundscapes and sonic narrative; without the need for specific devices, external tools (software and/or hardware), specialised knowledge or custom development. The evaluation, which was conducted with inexperienced users on three tasks - creation, curation and experience - demonstrates how PlugSonic is indeed a simple, effective, yet powerful tool

Design and evaluation of a web-and mobile-based binaural audio platform for cultural heritage

PlugSonic is a suite of web- and mobile-based applications for the curation and experience of 3D interactive soundscapes and sonic narratives in the cultural heritage context. It was developed as part of the PLUGGY EU project (Pluggable Social Platform for Heritage Awareness and Participation) and consists of two main applications: PlugSonic Sample, to edit and apply audio effects, and PlugSonic Soundscape, to create and experience 3D soundscapes for headphones playback. The audio processing within PlugSonic is based on the Web Audio API and the 3D Tune-In Toolkit, while the mobile exploration of soundscapes in a physical space is obtained using Apple’s ARKit. The main goal of PlugSonic is technology democratisation; PlugSonic users-whether cultural institutions or citizens-are all given the instruments needed to create, process and experience 3D soundscapes and sonic narratives; without the need for specific devices, external tools (software and/or hardware), specialised knowledge or custom development. The aims of this paper are to present the design and development choices, the user involvement processes as well as a final evaluation conducted with inexperienced users on three tasks (creation, curation and experience), demonstrating how PlugSonic is indeed a simple, effective, yet powerful tool

Success and failure of grassroots innovations for addressing climate change: the case of the Transition Movement

Grassroots innovations emerge as networks generating innovative solutions for climate change adaptation and mitigation. However, it is unclear if grassroots innovations can be successful in responding to climate change. Little evidence exists on replication, international comparisons are rare, and research tends to overlook discontinued responses in favour of successful ones. We take the Transition Movement as a case study of a rapidly spreading transnational grassroots network, and include both active and non-active local transition initiatives. We investigate the replication of grassroots innovations in different contexts with the aim to uncover general patterns of success and failure, and identify questions for future research. An online survey was carried out in 23 countries (N=276). The data analysis entailed testing the effect of internal and contextual factors of success as drawn from the existing literature, and the identification of clusters of transition initiatives with similar internal and contextual factor configurations. Most transition initiatives consider themselves successful. Success is defined along the lines of social connectivity and empowerment, and external environmental impact. We find that less successful transition initiatives might underestimate the importance of contextual factors and material resources in influencing success. We also find that their diffusion is linked to the combination of local-global learning processes, and that there is an incubation period during which a transition initiative is consolidated. Transition initiatives seem capable of generalising organisational principles derived from unique local experiences that seem to be effective in other local contexts. However, the geographical locations matter with regard to where transition initiatives take root and the extent of their success, and ‘place attachment’ may have a role in the diffusion of successful initatives. We suggest that longitudinal comparative studies can advance our understanding in this regard, as well as inform the changing nature of the definition of success at different stages of grassroots innovation development, and the dynamic nature of local and global linkages

The Construction of Locative Situations: the Production of Agency in Locative Media Art Practice

This thesis is a practice led enquiry into Locative Media (LM) which argues that this emergent art practice has played an influential role in the shaping of locative technologies in their progression from new to everyday technologies. The research traces LM to its origins at the Karosta workshops, reviews the stated objectives of early practitioners and the ambitions of early projects, establishing it as a coherent art movement located within established traditions of technological art and of situated art practice. Based on a prescient analysis of the potential for ubiquitous networked location-awareness, LM developed an ambitious program aimed at repositioning emergent locative technologies as tools which enhance and augment space rather than surveil and control. Drawing on Krzysztof Ziarek\u27s treatment of avant-garde art and technology in The Force of Art , theories of technology drawn from Science and Technology Studies (STS) and software studies, the thesis builds an argument for the agency of Locative Media. LM is positioned as an interface layer which in connecting the user to the underlying functionality of locative technologies offers alternative interpretations, introduces new usage modes, and ultimately shifts the understanding and meaning of the technology. Building on the Situationist concept of the constructed situation, with reference to an ongoing body of practice, an experimental practice-based framework for LM art is advanced which accounts for its agency and, it is proposed, preserves this agency in a rapidly developing field