House of Golden Records: Portugal's Independent Record Stores (1998-2020)

In this article, we explore the importance of Portuguese independent record stores by highlighting their role as catalysts of scenes and sociabilities, specifically in the major cities of Lisbon and Porto. We examine how these stores can be understood not only as spaces of consumption, but also as places where rituals are enacted and communities of taste are built. We focus on several levels of analysis: the emergence of a new economic rationale based on curation and collecting, the vinyl revival and the stores' complex relationship with the technological and digital revolution. The methodology used is ethnographic analysis, with observations carried out in ten stores, complemented by interviews with owners and customers. We demonstrate that record stores began to offer not only objects for purchase, but experiences associated with cultural objects and new cultural practices based on the valorization of the object and craftsmanship, as well as the phenomenon of curation in the cultural world. We then analyse independent record stores as spaces of resistance against the dematerialization of music. The emergence of a new aspirational economy is explored, based on curation and on being in the present, rebuffing the Veblenian rationale of ostentation. In music scenes, curation demands legitimacy, so in the independent record stores studied, curation strategies are developed on three levels: spatial, individual and local. In the third section, we examine independent record stores as spaces of rituals because they combine the existence of a totem, the relevance of a space loaded with symbolic density and the presence of social actors who carry out the rituals in this symbolic space-that is, social actors with subcultural capital in the music scene(s). In the last section, we dissect the relationship between independent record stores and their local context, exploring issues of local curation, in particular, the legitimacy associated with belonging to a specific place

KAPTUR: exploring the nature of visual arts research data and its effective management.

KAPTUR (2011-2013), funded by JISC and led by the Visual Arts Data Service (VADS), is a highly collaborative project involving four institutional partners: the Glasgow School of Arts; Goldsmiths, University of London; University for the Creative Arts; and the University of the Arts London. The preservation and publication of research data is seen as positive and all UK Research Councils now require it as a condition of funding (RCUK 2012). As a result a network of data repositories are emerging (DataCite 2012a), some funded by Research Councils, others by institutions themselves. However, research data management practice within the visual arts appears ad hoc. None of the specialist arts institutions within the UK has implemented research data management policies (DCC 2011a), nor established research data management systems. KAPTUR seeks to investigate the nature of visual arts research data, making recommendations for its effective management; develop a model of best practice applicable to both specialist arts institutions and arts departments in multidisciplinary institutions; and apply, test and refine the model with the four institutional partners. This paper will explore the nature of visual arts research data and how effective data management can ensure its long term usage, curation and preservation

Curation as a new literacy practice

Curating, as a verb, incorporates many sub-components and actions; it suggests at least the following: collecting, cataloguing, arranging and assembling for exhibition, displaying. As well as the institutional and professional contexts for such work through the centuries and across cultures, many people have made personal collections of texts and artefacts that have stood for them in the world, in some ways, as representing a nexus of relationships, affiliations and markers of identity (Miller, 2008). As with so many aspects of life and cultural practices we should not expect people’s use of digital media to do anything other than change significantly the ways in which curation operates. Indeed it has been suggested that curation itself is now a metaphorical new literacy practice which incorporates the collection, production and exhibition of markers of identity through time in both digital production and social media (Potter, 2012). Such curated media collections and performances are provisional and contingent, permanent or transient and involve varying degrees of agency on the part of the end user, along with risk, opportunity and personal efficacy. For all ages this involves engaging and developing skills and dispositions which enable agency in some way; curatorship is to curation as authorship is to writing. New or adapted skill sets in new media are nascent in people of all ages but suggest certain ways of being and learning for younger people in formal or informal settings of learning. For the purposes of this special issue in E-learning and Digital Media we are defining curation/curatorship in new media as a distinctive new literacy practice and we are exploring through the articles the ways in which this impacts on, or is evidenced in, activity in a variety of spaces

Aggregating Content and Network Information to Curate Twitter User Lists

Twitter introduced user lists in late 2009, allowing users to be grouped according to meaningful topics or themes. Lists have since been adopted by media outlets as a means of organising content around news stories. Thus the curation of these lists is important - they should contain the key information gatekeepers and present a balanced perspective on a story. Here we address this list curation process from a recommender systems perspective. We propose a variety of criteria for generating user list recommendations, based on content analysis, network analysis, and the "crowdsourcing" of existing user lists. We demonstrate that these types of criteria are often only successful for datasets with certain characteristics. To resolve this issue, we propose the aggregation of these different "views" of a news story on Twitter to produce more accurate user recommendations to support the curation process

Data cultures of mobile dating and hook-up apps : emerging issues for critical social science research

The ethical and social implications of data mining, algorithmic curation and automation in the context of social media have been of heightened concern for a range of researchers with interests in digital media in recent years, with particular concerns about privacy arising in the context of mobile and locative media. Despite their wide adoption and economic importance, mobile dating apps have received little scholarly attention from this perspective – but they are intense sites of data generation, algorithmic processing, and cross-platform data-sharing; bound up with competing cultures of pro- duction, exploitation and use. In this paper, we describe the ways various forms of data are incorporated into, and emerge from, hook-up apps’ business logics, socio-technical arrangements, and cultures of use to produce multiple and intersecting data cultures. We propose a multi-layered research agenda for critical and empirical inquiry into this field, and suggest appropriate conceptual and methodological frameworks for exploring the social and political challenges of data cultures

WormBase: a comprehensive resource for nematode research

WormBase (http://www.wormbase.org) is a central data repository for nematode biology. Initially created as a service to the Caenorhabditis elegans research field, WormBase has evolved into a powerful research tool in its own right. In the past 2 years, we expanded WormBase to include the complete genomic sequence, gene predictions and orthology assignments from a range of related nematodes. This comparative data enrich the C. elegans data with improved gene predictions and a better understanding of gene function. In turn, they bring the wealth of experimental knowledge of C. elegans to other systems of medical and agricultural importance. Here, we describe new species and data types now available at WormBase. In addition, we detail enhancements to our curatorial pipeline and website infrastructure to accommodate new genomes and an extensive user base

An Exploratory Sequential Mixed Methods Approach to Understanding Researchers’ Data Management Practices at UVM: Findings from the Qualitative Phase

The objective of this article is to report on the first qualitative phase of an exploratory sequential mixed methods research design focused on researcher data management practices and related institutional research data services. The aim of this study is to understand data management behaviors of faculty at the University of Vermont (UVM), a higher-research activity Research University, in order to guide the development of campus research data management services. The population of study was all faculty who received National Science Foundation (NSF) grants between 2011 and 2014 who were required to submit a data management plan (DMP); qualitative data was collected in two forms: (1) semi-structured interviews and (2) document analysis of data management plans. From a population of 47 researchers, six were included in the interview sample, representing a broad range of disciplines and NSF Directorates, and 35 data management plans were analyzed. Three major themes were identified through triangulation of qualitative data sources: data management activities, including data dissemination and data sharing; institutional research support and infrastructure barriers; and perceptions of data management plans and attitudes towards data management planning. The themes articulated in this article will be used to design a survey for the second quantitative phase of the study, which will aim to more broadly generalize data management activities at UVM across all disciplines