Robustness of Features and Classification Models on Degraded Data Sets in Music Classification

There exists a large number of supervised music classification tasks: Recognition of music genres and emotions, playing instruments, harmonic and melodic properties, temporal and rhythmic characteristics, etc. In recent years, many studies were published in that field, which are either focused on complex feature engineering or application and tuning of classification algorithms. How- ever, less work is done on the evaluation of model robustness, and music data sets are often limited to music with some common characteristics, so that the question about the generalisation ability of proposed models usually remains unanswered. In this study, we examine and compare the classification perfor- mance of audio features and classification models when applied for recognition of genres and instruments on music data sets which were degraded by means of techniques available in the Audio Degradation Toolbox including attenuation, compression, live and vinyl recording degradations, and addition of noise

Audio Mixing using Image Neural Style Transfer Networks

Image style transfer networks are used to blend images, producing images that are a mix of source images. The process is based on controlled extraction of style and content aspects of images, using pre-trained Convolutional Neural Networks (CNNs). Our interest lies in adopting these image style transfer networks for the purpose of transforming sounds. Audio signals can be presented as grey-scale images of audio spectrograms. The purpose of our work is to investigate whether audio spectrogram inputs can be used with image neural transfer networks to produce new sounds. Using musical instrument sounds as source sounds, we apply and compare three existing image neural style transfer networks for the task of sound mixing. Our evaluation shows that all three networks are successful in producing consistent, new sounds based on the two source sounds. We use classification models to demonstrate that the new audio signals are consistent and distinguishable from the source instrument sounds. We further apply t-SNE cluster visualisation to visualise the feature maps of the new sounds and original source sounds, confirming that they form different sound groups from the source sounds. Our work paves the way to using CNNs for creative and targeted production of new sounds from source sounds, with specified source qualities, including pitch and timbre

Basic Filters for Convolutional Neural Networks Applied to Music: Training or Design?

When convolutional neural networks are used to tackle learning problems based on music or, more generally, time series data, raw one-dimensional data are commonly pre-processed to obtain spectrogram or mel-spectrogram coefficients, which are then used as input to the actual neural network. In this contribution, we investigate, both theoretically and experimentally, the influence of this pre-processing step on the network's performance and pose the question, whether replacing it by applying adaptive or learned filters directly to the raw data, can improve learning success. The theoretical results show that approximately reproducing mel-spectrogram coefficients by applying adaptive filters and subsequent time-averaging is in principle possible. We also conducted extensive experimental work on the task of singing voice detection in music. The results of these experiments show that for classification based on Convolutional Neural Networks the features obtained from adaptive filter banks followed by time-averaging perform better than the canonical Fourier-transform-based mel-spectrogram coefficients. Alternative adaptive approaches with center frequencies or time-averaging lengths learned from training data perform equally well.Comment: Completely revised version; 21 pages, 4 figure