Experiments in Sound and Music Quantum Computing

This chapter is an introduction to quantum computing in sound and music. This is done through a series of examples of research applying quantum computing and principles to musical systems. By this process, the key elements that differentiate quantum physical systems from classical physical systems will be introduced and what this implies for computation, sound, and music. This will also allow an explanation of the two main types of quantum computers being utilized inside and outside of academia

On Unconventional Computing for Sound and Music

Advances in technology have had a significant impact on the way in which we produce and consume music. The music industry is most likely to continue progressing in tandem with the evolution of electronics and computing technology. Despite the incredible power of today’s computers, it is commonly acknowledged that computing technology is bound to progress beyond today’s conventional models. Researchers working in the relatively new field of Unconventional Computing (UC) are investigating a number of alternative approaches to develop new types of computers, such as harnessing biological media to implement new kinds of processors. This chapter introduces the field of UC for sound and music, focusing on the work developed at Plymouth University’s Interdisciplinary Centre for Computer Music Research (ICCMR) in the UK. From musical experiments with Cellular Automata modelling and in vitro neural networks, to quantum computing and bioprocessing, this chapter introduces the substantial body of scientific and artistic work developed at ICCMR. Such work has paved the way for ongoing research towards the development of robust general-purpose bioprocessing components, referred to as biomemristors, and interactive musical biocomputers

INTERACTIVE MUSICAL BIOCOMPUTER: AN UNCONVENTIONAL APPROACH TO RESEARCH IN UNCONVENTIONAL COMPUTING

Vol 28, Nr. 1, pp. 7-2

Exploring a Multidimensional Representation of Documents and Queries (extended version)

In Information Retrieval (IR), whether implicitly or explicitly, queries and documents are often represented as vectors. However, it may be more beneficial to consider documents and/or queries as multidimensional objects. Our belief is this would allow building "truly" interactive IR systems, i.e., where interaction is fully incorporated in the IR framework. The probabilistic formalism of quantum physics represents events and densities as multidimensional objects. This paper presents our first step towards building an interactive IR framework upon this formalism, by stating how the first interaction of the retrieval process, when the user types a query, can be formalised. Our framework depends on a number of parameters affecting the final document ranking. In this paper we experimentally investigate the effect of these parameters, showing that the proposed representation of documents and queries as multidimensional objects can compete with standard approaches, with the additional prospect to be applied to interactive retrieval

Information in the Context of Philosophy and Cognitive Sciences

This textbook briefly maps as many as possible areas and contexts in which information plays an important role. It attempts an approach that also seeks to explore areas of research that are not commonly associated, such as informatics, information and library science, information physics, or information ethics. Given that the text is intended especially for students of the Master's Degree in Cognitive Studies, emphasis is placed on a humane, philosophical and interdisciplinary approach. It offers rather directions of thought, questions, and contexts than a complete theory developed into mathematical and technical details

International Interdisciplinary Conference; Quantum music (and beyond): music and new technologies in the 21st century

Организатори : Музиколошки институт САНУ (Београд) и Центар за промоцију науке (Београд