Video enhancement : content classification and model selection

The purpose of video enhancement is to improve the subjective picture quality. The field of video enhancement includes a broad category of research topics, such as removing noise in the video, highlighting some specified features and improving the appearance or visibility of the video content. The common difficulty in this field is how to make images or videos more beautiful, or subjectively better. Traditional approaches involve lots of iterations between subjective assessment experiments and redesigns of algorithm improvements, which are very time consuming. Researchers have attempted to design a video quality metric to replace the subjective assessment, but so far it is not successful. As a way to avoid heuristics in the enhancement algorithm design, least mean square methods have received considerable attention. They can optimize filter coefficients automatically by minimizing the difference between processed videos and desired versions through a training. However, these methods are only optimal on average but not locally. To solve the problem, one can apply the least mean square optimization for individual categories that are classified by local image content. The most interesting example is Kondo’s concept of local content adaptivity for image interpolation, which we found could be generalized into an ideal framework for content adaptive video processing. We identify two parts in the concept, content classification and adaptive processing. By exploring new classifiers for the content classification and new models for the adaptive processing, we have generalized a framework for more enhancement applications. For the part of content classification, new classifiers have been proposed to classify different image degradations such as coding artifacts and focal blur. For the coding artifact, a novel classifier has been proposed based on the combination of local structure and contrast, which does not require coding block grid detection. For the focal blur, we have proposed a novel local blur estimation method based on edges, which does not require edge orientation detection and shows more robust blur estimation. With these classifiers, the proposed framework has been extended to coding artifact robust enhancement and blur dependant enhancement. With the content adaptivity to more image features, the number of content classes can increase significantly. We show that it is possible to reduce the number of classes without sacrificing much performance. For the part of model selection, we have introduced several nonlinear filters to the proposed framework. We have also proposed a new type of nonlinear filter, trained bilateral filter, which combines both advantages of the original bilateral filter and the least mean square optimization. With these nonlinear filters, the proposed framework show better performance than with linear filters. Furthermore, we have shown a proof-of-concept for a trained approach to obtain contrast enhancement by a supervised learning. The transfer curves are optimized based on the classification of global or local image content. It showed that it is possible to obtain the desired effect by learning from other computationally expensive enhancement algorithms or expert-tuned examples through the trained approach. Looking back, the thesis reveals a single versatile framework for video enhancement applications. It widens the application scope by including new content classifiers and new processing models and offers scalabilities with solutions to reduce the number of classes, which can greatly accelerate the algorithm design

The Effect of Applying 2D Enhancement Algorithms on 3D Video Content

abstract: Enhancement algorithms are typically applied to video content to increase their appeal to viewers. Such algorithms are readily available in the literature and are already widely applied in, for example, commercially available TVs. On the contrary, not much research has been done on enhancing stereoscopic 3D video content. In this paper, we present research focused on the effect of applying enhancement algorithms used for 2D content on 3D side-by-side content. We evaluate both offline enhancement of video content based on proprietary enhancement algorithms and real-time enhancement in the TVs. This is done using stereoscopic TVs with active shutter glasses, viewed both in their 2D and 3D viewing mode. The results of this research show that 2D enhancement algorithms are a viable first approach to enhance 3D content. In addition to video quality degradation due to the loss of spatial resolution as a consequence of the 3D video format, brightness reduction inherent to polarized or shutter glasses similarly degrades video quality. We illustrate the benefit of providing brightness enhancement for stereoscopic displays.View the article as published at https://www.hindawi.com/journals/jece/2014/601392

Evaluation of the color image and video processing chain and visual quality management for consumer systems

With the advent of novel digital display technologies, color processing is increasingly becoming a key aspect in consumer video applications. Today’s state-of-the-art displays require sophisticated color and image reproduction techniques in order to achieve larger screen size, higher luminance and higher resolution than ever before. However, from color science perspective, there are clearly opportunities for improvement in the color reproduction capabilities of various emerging and conventional display technologies. This research seeks to identify potential areas for improvement in color processing in a video processing chain. As part of this research, various processes involved in a typical video processing chain in consumer video applications were reviewed. Several published color and contrast enhancement algorithms were evaluated, and a novel algorithm was developed to enhance color and contrast in images and videos in an effective and coordinated manner. Further, a psychophysical technique was developed and implemented for performing visual evaluation of color image and consumer video quality. Based on the performance analysis and visual experiments involving various algorithms, guidelines were proposed for the development of an effective color and contrast enhancement method for images and video applications. It is hoped that the knowledge gained from this research will help build a better understanding of color processing and color quality management methods in consumer video

Fusion of Visual and Thermal Images Using Genetic Algorithms

Biometric technologies such as fingerprint, hand geometry, face and iris recognition are widely used to identify a person's identity. The face recognition system is currently one of the most important biometric technologies, which identifies a person by comparing individually acquired face images with a set of pre-stored face templates in a database

Fusion of Visual and Thermal Images Using Genetic Algorithms

Demands for reliable person identification systems have increased significantly due to highly security risks in our daily life. Recently, person identification systems are built upon the biometrics techniques such as face recognition. Although face recognition systems have reached a certain level of maturity, their accomplishments in practical applications are restricted by some challenges, such as illumination variations. Current visual face recognition systems perform relatively well under controlled illumination conditions while thermal face recognition systems are more advantageous for detecting disguised faces or when there is no illumination control. A hybrid system utilizing both visual and thermal images for face recognition will be beneficial. The overall goal of this research is to develop computational methods that improve image quality by fusing visual and thermal face images. First, three novel algorithms were proposed to enhance visual face images. In those techniques, specifical nonlinear image transfer functions were developed and parameters associated with the functions were determined by image statistics, making the algorithms adaptive. Second, methods were developed for registering the enhanced visual images to their corresponding thermal images. Landmarks in the images were first detected and a subset of those landmarks were selected to compute a transformation matrix for the registration. Finally, A Genetic algorithm was proposed to fuse the registered visual and thermal images. Experimental results showed that image quality can be significantly improved using the proposed framework

A study on user preference of high dynamic range over low dynamic range video

The increased interest in High Dynamic Range (HDR) video over existing Low Dynamic Range (LDR) video during the last decade or so was primarily due to its inherent capability to capture, store and display the full range of real-world lighting visible to the human eye with increased precision. This has led to an inherent assumption that HDR video would be preferable by the end-user over LDR video due to the more immersive and realistic visual experience provided by HDR. This assumption has led to a considerable body of research into efficient capture, processing, storage and display of HDR video. Although, this is beneficial for scientific research and industrial purposes, very little research has been conducted in order to test the veracity of this assumption. In this paper, we conduct two subjective studies by means of a ranking and a rating based experiment where 60 participants in total, 30 in each experiment, were tasked to rank and rate several reference HDR video scenes along with three mapped LDR versions of each scene on an HDR display, in order of their viewing preference. Results suggest that given the option, end-users prefer the HDR representation of the scene over its LDR counterpart

Evaluation and improvement of the workflow of digital imaging of fine art reproduction in museums

Fine arts refer to a broad spectrum of art formats, ie~painting, calligraphy, photography, architecture, and so forth. Fine art reproductions are to create surrogates of the original artwork that are able to faithfully deliver the aesthetics and feelings of the original. Traditionally, reproductions of fine art are made in the form of catalogs, postcards or books by museums, libraries, archives, and so on (hereafter called museums for simplicity). With the widespread adoption of digital archiving in museums, more and more artwork is reproduced to be viewed on a display. For example, artwork collections are made available through museum websites and Google Art Project for art lovers to view on their own displays. In the thesis, we study the fine art reproduction of paintings in the form of soft copy viewed on displays by answering four questions: (1) what is the impact of the viewing condition and original on image quality evaluation? (2) can image quality be improved by avoiding visual editing in current workflows of fine art reproduction? (3) can lightweight spectral imaging be used for fine art reproduction? and (4) what is the performance of spectral reproductions compared with reproductions by current workflows? We started with evaluating the perceived image quality of fine art reproduction created by representative museums in the United States under controlled and uncontrolled environments with and without the presence of the original artwork. The experimental results suggest that the image quality is highly correlated with the color accuracy of the reproduction only when the original is present and the reproduction is evaluated on a characterized display. We then examined the workflows to create these reproductions, and found that current workflows rely heavily on visual editing and retouching (global and local color adjustments on the digital reproduction) to improve the color accuracy of the reproduction. Visual editing and retouching can be both time-consuming and subjective in nature (depending on experts\u27 own experience and understanding of the artwork) lowering the efficiency of artwork digitization considerably. We therefore propose to improve the workflow of fine art reproduction by (1) automating the process of visual editing and retouching in current workflows based on RGB acquisition systems and by (2) recovering the spectral reflectance of the painting with off-the-shelf equipment under commonly available lighting conditions. Finally, we studied the perceived image quality of reproductions created by current three-channel (RGB) workflows with those by spectral imaging and those based on an exemplar-based method