Evaluation framework for automatic singing transcription

In this paper, we analyse the evaluation strategies used in previous works on automatic singing transcription, and we present a novel, comprehensive and freely available evaluation framework for automatic singing transcription. This framework consists of a cross-annotated dataset and a set of extended evaluation measures, which are integrated in a Matlab toolbox. The presented evaluation measures are based on standard MIREX note-tracking measures, but they provide extra information about the type of errors made by the singing transcriber. Finally, a practical case of use is presented, in which the evaluation framework has been used to perform a comparison in detail of several state-of-the-art singing transcribers.Universidad de Málaga. Campus de Excelencia Internacional Andalucía Tech. This work has been funded by the Ministerio de Economía y Competitividad of the Spanish Government under Project No. TIN2013-47276-C6-2-R and by the Junta de Andalucía under Project No. P11-TIC-7154

HSD: A hierarchical singing annotation dataset

Commonly music has an obvious hierarchical structure, especially for the singing parts which usually act as the main melody in pop songs. However, most of the current singing annotation datasets only record symbolic information of music notes, ignoring the structure of music. In this paper, we propose a hierarchical singing annotation dataset that consists of 68 pop songs from Youtube. This dataset records the onset/offset time, pitch, duration, and lyric of each musical note in an enhanced LyRiCs format to present the hierarchical structure of music. We annotate each song in a two-stage process: first, create initial labels with the corresponding musical notation and lyrics file; second, manually calibrate these labels referring to the raw audio. We mainly validate the labeling accuracy of the proposed dataset by comparing it with an automatic singing transcription (AST) dataset. The result indicates that the proposed dataset reaches the labeling accuracy of AST datasets

Toward Leveraging Pre-Trained Self-Supervised Frontends for Automatic Singing Voice Understanding Tasks: Three Case Studies

Automatic singing voice understanding tasks, such as singer identification, singing voice transcription, and singing technique classification, benefit from data-driven approaches that utilize deep learning techniques. These approaches work well even under the rich diversity of vocal and noisy samples owing to their representation ability. However, the limited availability of labeled data remains a significant obstacle to achieving satisfactory performance. In recent years, self-supervised learning models (SSL models) have been trained using large amounts of unlabeled data in the field of speech processing and music classification. By fine-tuning these models for the target tasks, comparable performance to conventional supervised learning can be achieved with limited training data. Therefore, in this paper, we investigate the effectiveness of SSL models for various singing voice recognition tasks. We report the results of experiments comparing SSL models for three different tasks (i.e., singer identification, singing voice transcription, and singing technique classification) as initial exploration and aim to discuss these findings. Experimental results show that each SSL model achieves comparable performance and sometimes outperforms compared to state-of-the-art methods on each task. We also conducted a layer-wise analysis to further understand the behavior of the SSL models.Comment: Submitted to APSIPA 202

Singing information processing: techniques and applications

Por otro lado, se presenta un método para el cambio realista de intensidad de voz cantada. Esta transformación se basa en un modelo paramétrico de la envolvente espectral, y mejora sustancialmente la percepción de realismo al compararlo con software comerciales como Melodyne o Vocaloid. El inconveniente del enfoque propuesto es que requiere intervención manual, pero los resultados conseguidos arrojan importantes conclusiones hacia la modificación automática de intensidad con resultados realistas. Por último, se propone un método para la corrección de disonancias en acordes aislados. Se basa en un análisis de múltiples F0, y un desplazamiento de la frecuencia de su componente sinusoidal. La evaluación la ha realizado un grupo de músicos entrenados, y muestra un claro incremento de la consonancia percibida después de la transformación propuesta.La voz cantada es una componente esencial de la música en todas las culturas del mundo, ya que se trata de una forma increíblemente natural de expresión musical. En consecuencia, el procesado automático de voz cantada tiene un gran impacto desde la perspectiva de la industria, la cultura y la ciencia. En este contexto, esta Tesis contribuye con un conjunto variado de técnicas y aplicaciones relacionadas con el procesado de voz cantada, así como con un repaso del estado del arte asociado en cada caso. En primer lugar, se han comparado varios de los mejores estimadores de tono conocidos para el caso de uso de recuperación por tarareo. Los resultados demuestran que \cite{Boersma1993} (con un ajuste no obvio de parámetros) y \cite{Mauch2014}, tienen un muy buen comportamiento en dicho caso de uso dada la suavidad de los contornos de tono extraídos. Además, se propone un novedoso sistema de transcripción de voz cantada basada en un proceso de histéresis definido en tiempo y frecuencia, así como una herramienta para evaluación de voz cantada en Matlab. El interés del método propuesto es que consigue tasas de error cercanas al estado del arte con un método muy sencillo. La herramienta de evaluación propuesta, por otro lado, es un recurso útil para definir mejor el problema, y para evaluar mejor las soluciones propuestas por futuros investigadores. En esta Tesis también se presenta un método para evaluación automática de la interpretación vocal. Usa alineamiento temporal dinámico para alinear la interpretación del usuario con una referencia, proporcionando de esta forma una puntuación de precisión de afinación y de ritmo. La evaluación del sistema muestra una alta correlación entre las puntuaciones dadas por el sistema, y las puntuaciones anotadas por un grupo de músicos expertos

Modelling Professional Singers: A Bayesian Machine Learning Approach with Enhanced Real-time Pitch Contour Extraction and Onset Processing from an Extended Dataset.

Singing signals are one of the input data that computer systems need to analyse, and singing is part of all the cultures in the world. However, although there have been several studies on audio signal processing during the last three decades, it is still an active research area because most of the available algorithms in the literature require improvement due to the complexity of audio/music signals. More efforts are needed for analysing sounds/music in a real-time environment since the algorithms should work only on the past data, while in an offline system, all the required data are available. In addition, the complexity of the data will be increased if the audio signals come from singing due to the unique features of singing signals (such as vocal system, vibration, pitch drift, and tuning approach) that make the signals different and more complicated than those from an instrument. This thesis is mainly focused on analysing singing signals and better understanding how trained- professional singers sing the pitch frequency and duration of the notes according to their position in a piece of music and the singing technique applied. To do this, it is discovered that by incorporating singing features, such as gender and BPM, a real-time pitch detection algorithm can be found to estimate fundamental frequencies with fewer errors. In addition, two novel algorithms were proposed, one for smoothing pitch contours and another for estimating onset, offset, and the transition between notes. These two algorithms showed better results as compared to several other state-of-the-art algorithms. Moreover, a new vocal dataset that included several annotations for 2688 singing files was published. Finally, this thesis presents two models for calculating pitches and the duration of notes according to their positions in a piece of music. In conclusion, optimizing results for pitch-oriented Music Information Retrieval (MIR) algorithms necessitates adapting/selecting them based on the unique characteristics of the signals. Achieving a universal algorithm that performs exceptionally well on all data types remains a formidable challenge given the current state of technology