Current Challenges and Visions in Music Recommender Systems Research

Music recommender systems (MRS) have experienced a boom in recent years, thanks to the emergence and success of online streaming services, which nowadays make available almost all music in the world at the user's fingertip. While today's MRS considerably help users to find interesting music in these huge catalogs, MRS research is still facing substantial challenges. In particular when it comes to build, incorporate, and evaluate recommendation strategies that integrate information beyond simple user--item interactions or content-based descriptors, but dig deep into the very essence of listener needs, preferences, and intentions, MRS research becomes a big endeavor and related publications quite sparse. The purpose of this trends and survey article is twofold. We first identify and shed light on what we believe are the most pressing challenges MRS research is facing, from both academic and industry perspectives. We review the state of the art towards solving these challenges and discuss its limitations. Second, we detail possible future directions and visions we contemplate for the further evolution of the field. The article should therefore serve two purposes: giving the interested reader an overview of current challenges in MRS research and providing guidance for young researchers by identifying interesting, yet under-researched, directions in the field

Computational Analysis of Greek folk music of the Aegean islands

Αν και έχουν αναπτυχθεί νεότερα και πιο ανεπτυγμένα μοντέλα υπολογιστικής μουσικής ανάλυσης με στόχο την αύξηση διαθέσιμης πληροφορίας στον κλάδο της μουσικολογίας, υπάρχει πολύ λίγη έρευνα στην υπολογιστική ανάλυση δημοτικής μουσικής γενικότερα και ελληνικής δημοτικής μουσικής ειδικότερα. Στόχος της παρούσας εργασίας είναι η διερεύνηση ποικίλων τύπων μουσικών χαρακτηριστικών και προτύπων στη δημοτική μουσική των νησιών του Αιγαίου και η παροχή χρήσιμης πληροφορίας σχετικά με τη δομή και το περιεχόμενο του εν λόγω είδους. Επιπρόσθετα, με στόχο τη σύγκριση μουσικών αποσπασμάτων χορών Συρτού και Μπάλου, αλλά και γεωγραφικών περιοχών από τις οποίες προέρχονται, 73 αποσπάσματα συγκεντρώθηκαν συνολικά σε μια βάση δεδομένων και αναλύθηκαν. Η εξαγωγή χαρακτηριστικών και η ανάλυση προτύπων ανέδειξαν μελωδικές και ρυθμικές διαφορές τόσο ανάμεσα στα δύο είδη χορών όσο και στις διάφορες νησιωτικές περιοχές, ενώ υπήρξαν επίσης ποικίλες ομοιότητες σε όλο το σύνολο των δεδομένων.While newer, advanced computational music analysis models have been developed with the intentions of increasing available information in this field, very little research exists on the computational analysis of folk music in general and Greek folk music in specific. The aim of this study was to examine various types of musical features and patterns in the folk music of the Aegean islands and provide useful information about the structure and the content of this music style. In addition, to compare the tunes of Syrtos and Mpalos dances, but also the various island regions from which they originate, a total of 73 tunes were included in the constructed dataset and the analyses. Feature extraction and pattern analysis revealed that there are indeed melodic and temporal differences both between the two dance types and between the island regions, while there were also various important similarities throughout the whole dataset

The Music Sound

A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music