Cross-language Speech Dependent Lip-synchronization

Understanding videos of people speaking across international borders is hard as audiences from different demographies do not understand the language. Such speech videos are often supplemented with language subtitles. However, these hamper the viewing experience as the attention is shared. Simple audio dubbing in a different language makes the video appear unnatural due to unsynchronized lip motion. In this paper, we propose a system for automated cross-language lip synchronization for re-dubbed videos. Our model generates superior photorealistic lip-synchronization over original video in comparison to the current re-dubbing method. With the help of a user-based study, we verify that our method is preferred over unsynchronized videos.</p

How visual cues to speech rate influence speech perception

Spoken words are highly variable and therefore listeners interpret speech sounds relative to the surrounding acoustic context, such as the speech rate of a preceding sentence. For instance, a vowel midway between short /ɑ/ and long /a:/ in Dutch is perceived as short /ɑ/ in the context of preceding slow speech, but as long /a:/ if preceded by a fast context. Despite the well-established influence of visual articulatory cues on speech comprehension, it remains unclear whether visual cues to speech rate also influence subsequent spoken word recognition. In two ‘Go Fish’-like experiments, participants were presented with audio-only (auditory speech + fixation cross), visual-only (mute videos of talking head), and audiovisual (speech + videos) context sentences, followed by ambiguous target words containing vowels midway between short /ɑ/ and long /a:/. In Experiment 1, target words were always presented auditorily, without visual articulatory cues. Although the audio-only and audiovisual contexts induced a rate effect (i.e., more long /a:/ responses after fast contexts), the visual-only condition did not. When, in Experiment 2, target words were presented audiovisually, rate effects were observed in all three conditions, including visual-only. This suggests that visual cues to speech rate in a context sentence influence the perception of following visual target cues (e.g., duration of lip aperture), which at an audiovisual integration stage bias participants’ target categorization responses. These findings contribute to a better understanding of how what we see influences what we hear

Parallel Reference Speaker Weighting for Kinematic-Independent Acoustic-to-Articulatory Inversion

Acoustic-to-articulatory inversion, the estimation of articulatory kinematics from an acoustic waveform, is a challenging but important problem. Accurate estimation of articulatory movements has the potential for significant impact on our understanding of speech production, on our capacity to assess and treat pathologies in a clinical setting, and on speech technologies such as computer aided pronunciation assessment and audio-video synthesis. However, because of the complex and speaker-specific relationship between articulation and acoustics, existing approaches for inversion do not generalize well across speakers. As acquiring speaker-specific kinematic data for training is not feasible in many practical applications, this remains an important and open problem. This paper proposes a novel approach to acoustic-to-articulatory inversion, Parallel Reference Speaker Weighting (PRSW), which requires no kinematic data for the target speaker and a small amount of acoustic adaptation data. PRSW hypothesizes that acoustic and kinematic similarities are correlated and uses speaker-adapted articulatory models derived from acoustically derived weights. The system was assessed using a 20-speaker data set of synchronous acoustic and Electromagnetic Articulography (EMA) kinematic data. Results demonstrate that by restricting the reference group to a subset consisting of speakers with strong individual speaker-dependent inversion performance, the PRSW method is able to attain kinematic-independent acoustic-to-articulatory inversion performance nearly matching that of the speaker-dependent model, with an average correlation of 0.62 versus 0.63. This indicates that given a sufficiently complete and appropriately selected reference speaker set for adaptation, it is possible to create effective articulatory models without kinematic training data

Towards Automatic Face-to-Face Translation

In light of the recent breakthroughs in automatic machine translation systems, we propose a novel approach that we term as "Face-to-Face Translation". As today's digital communication becomes increasingly visual, we argue that there is a need for systems that can automatically translate a video of a person speaking in language A into a target language B with realistic lip synchronization. In this work, we create an automatic pipeline for this problem and demonstrate its impact on multiple real-world applications. First, we build a working speech-to-speech translation system by bringing together multiple existing modules from speech and language. We then move towards "Face-to-Face Translation" by incorporating a novel visual module, LipGAN for generating realistic talking faces from the translated audio. Quantitative evaluation of LipGAN on the standard LRW test set shows that it significantly outperforms existing approaches across all standard metrics. We also subject our Face-to-Face Translation pipeline, to multiple human evaluations and show that it can significantly improve the overall user experience for consuming and interacting with multimodal content across languages. Code, models and demo video are made publicly available. Demo video: https://www.youtube.com/watch?v=aHG6Oei8jF0 Code and models: https://github.com/Rudrabha/LipGANComment: 9 pages (including references), 5 figures, Published in ACM Multimedia, 201

Harnessing AI for Speech Reconstruction using Multi-view Silent Video Feed

Speechreading or lipreading is the technique of understanding and getting phonetic features from a speaker's visual features such as movement of lips, face, teeth and tongue. It has a wide range of multimedia applications such as in surveillance, Internet telephony, and as an aid to a person with hearing impairments. However, most of the work in speechreading has been limited to text generation from silent videos. Recently, research has started venturing into generating (audio) speech from silent video sequences but there have been no developments thus far in dealing with divergent views and poses of a speaker. Thus although, we have multiple camera feeds for the speech of a user, but we have failed in using these multiple video feeds for dealing with the different poses. To this end, this paper presents the world's first ever multi-view speech reading and reconstruction system. This work encompasses the boundaries of multimedia research by putting forth a model which leverages silent video feeds from multiple cameras recording the same subject to generate intelligent speech for a speaker. Initial results confirm the usefulness of exploiting multiple camera views in building an efficient speech reading and reconstruction system. It further shows the optimal placement of cameras which would lead to the maximum intelligibility of speech. Next, it lays out various innovative applications for the proposed system focusing on its potential prodigious impact in not just security arena but in many other multimedia analytics problems.Comment: 2018 ACM Multimedia Conference (MM '18), October 22--26, 2018, Seoul, Republic of Kore