Enabling Creativity and Innovation

[Excerpt] The capacity to harness intellectual and social capital and to convert it into novel and useful things has become the critical organizational requirement of the age. Organizations need to frame tools, methods, and approaches that boost creativity and innovation, particularly in the public sector. Creativity is as scarce as it is important—many organizations are simply short of it. In tandem with innovation, which creates unexpected value, creativity is now recognized as central to organizational performance. Creativity does not materialize exclusively in a person’s head but in interaction with a social context. It flourishes in organizations that support open ideas; the rest stifle creativity with rules and provide no slack for change. To be sure, most managers do not suppress creativity on purpose. Yet, in the pursuit of productivity, efficiency, and control, they frequently undermine it. The agenda for change is great

The Impact of Mindfulness Meditation on Students\u27 Creativity

Researchers have suggested a link between mindfulness meditation and increased creativity. Specifically, meditation seems to promote improved divergent thinking (Colzato et al., 2012). I sought to better understand mindfulness meditation and creativity by addressing the differential effects of brief meditation on divergent and convergent thinking, as well as investigating decreased anxiety and increased executive control as potential mechanistic mediators of this relationship. In a laboratory experiment 40 Butler University undergraduate students participated in either a sham or mindfulness meditation exercise, followed by several creativity assessments as well as measures of anxiety and executive control. The findings show that mindfulness meditation was significantly related to improved performance on a divergent thinking task, but the results regarding the proposed mechanisms were inconclusive, leaving open questions regarding what exactly is mediating this relationship

Creating well-being: Increased creativity and proNGF decrease following Quadrato Motor Training

Mind-body practices (MBP) are known to induce electrophysiological and morphological changes, whereas reports related to changes of neurotrophins are surprisingly scarce. Consequently, in the current paper, we focused on the Quadrato motor training (QMT), a newly developed whole-body movement-basedMBP, which has been reported to enhance creativity. Here we report the effects of 4 weeks of daily QMT on creativity and proNGF level in two interrelated studies. In Study A, we examined the effects of QMT compared with a walking training (WT) in healthy adults, utilizing the alternate uses task. In contrast with the WT, QMT resulted in increased creativity. In addition, the change in creativity negatively correlated with the change in proNGF levels. In Study B, we examined QMT effects on creativity and additional metacognitive functions in children, using a nonintervention group as control. Similar to Study A, following QMT, we found a negative correlation of proNGF with creativity, as well as working memory updating and planning ability. Together, the current results point to the relationship between increased creativity and decreased proNGF following MBP.Thus, the current research emphasizes the importance of widening the scope of examination of “MBP in motion” in relation to metacognition and well-being

Freedom’s New Fight

Reviewing, Lawrence Lessig, Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity (2004

The effectiveness of the creativity trigger module in achieving higher levels of creative thinking among prospective teachers

The unoptimised level of creative thinking is seen as an issue among Semester 8 prospective teachers in Malaysian Teacher-Education Institutes (IPG). This could impede their teaching of creative thinking as one of the four components of 21st century skills in schools. In relation to this, this study sets out to investigate prior creativity levels of IPG prospective teachers and develop the Creativity Trigger Module (CTM) as a training module for enhancing their creativity. The Torrance Tests of Creative Thinking (TTCT) was used to compare the prior creativity levels of four respondent groups and test the effectiveness of the CTM on five dimensions of figural creativity, namely fluency, originality, elaboration, resistance to premature closure, abstractness of titles, and their overall creativity. A two-stage cluster sampling technique identified two IPGs with 68 respondents in the state of Johor namely, IPG-Kampus Tun Hussein Onn, Batu Pahat (IPGKTHO) as the control group site (34 respondents), and IPG- Kampus Temenggong Ibrahim, Johor Bahru (IPGKTI) as the treatment group site (34 respondents). Mathematics (MT) and Design and Technology (RBT) are the only two specialist subject combinations that provided enough sample size at both test sites. A quasi-experimental research design was used and this involved intact classes. Data analysis was carried out as follows: ANOVA, ANCOVA, and Wilcoxon Signed Rank Test analysis for TTCT scores while data analysis based on the NVivo software was used for the focus group interviews. Findings on prior creativity levels showed average or low creativity levels among all 4 test groups with IPGKTHO and RBT options having significantly higher posttest marks as compared to IPGKTI and MT option respectively. The CTM was found to improve significantly respondents’ posttest marks for the treatment group in all the five dimensions of figural creativity and, their overall creativity. Feedback from respondents revealed positive support for the CTM. In conclusion, the prior creativity of IPG prospective teachers was at an unoptimised level before treatment but the CTM has been successfully developed as an effective resource for enhancing the creative thinking levels among IPG prospective teachers

The traditional teaching-learning method versus multimedia technology. Using the Wilcoxon test and the Gauss repartition

This article highlights the ways of applying various statistic methods with the purpose of comparing modern teaching methods, which are based on the implementation of information technology, with the traditional teaching methods, tested, for a period of two years, in parallel groups: experimental and control groups.. Thus, the Wilcoxon(T) test is used for processing data in case of exams and a creativity task within the experimental and the control groups. This test applies in case of comparing ordinal dependent values and is used with the purpose of determining the correlation of indexes, within one and the same selection, measured in two distinct situations. Outlining the results is done with the help of Guassian comparative curves for both groups (experimental and control).test; creativity task; experimental group; control group; Wilcoxon test; Gauss distribution

Exploring the effects of outdoor activities and connectedness with nature on cognitive styles and creativity : a thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Psychology at Massey University, Wellington, New Zealand

Listed in 2017 Dean's List of Exceptional ThesesThe natural environment’s potential to improve education, work, and lifestyles is receiving increasing attention by policy makers and practitioners. Psychological research has demonstrated that stress reduction, attention restoration, and increased creativity can result from exposure to nature. Such evidence notwithstanding, the precise psychological mechanisms explaining these effects remain unclear. This thesis provides a systematic examination of how contact with nature might affect humans. Four studies were conducted. Study 1 reports two meta-analyses (N = 10701, k = 100) involving: (i) 66 studies using preand post-test designs, and (ii) 32 experimental studies that include a control group. Although outdoor activities have been found overall to affect personal and social outcomes positively, there has been limited research into the effects on cognitive variables of exposure to outdoor environments. To address this gap in the literature, I aim to investigate whether contact with nature (in two dimensions–the psychological attachment to nature and the physical exposure to it) is associated with processes related to creativity (i.e., cognitive styles and divergent thinking creativity). Study 2 (N = 138) tests the relationship between connectedness with nature and cognitive styles and reports a significant positive association between connectedness with nature and both innovative and holistic thinking styles. Building on this finding, Study 3 (N = 185) not only replicates the results of Study 2 by controlling for wellbeing processes, but includes a new creativity test to examine the link between connectedness with nature and creative processes (connectedness with nature is found to be positively linked with divergent-thinking creativity). As these three studies employ cross-sectional data where causality cannot be inferred, the last study involves an experimental design. Study 4 (N = 93) manipulates active versus passive engagement with nature and examines the mediating impact of connectedness with nature on the link between outdoor activities and divergentthinking creativity. Some theoretical explanations as to how nature might affect our creativity are proposed. Potential limitations and suggestions for future research are discussed. The findings are intended to provide supporting evidence for the relationship between nature and creativity, and hopefully inform educational pedagogy and lifestyle choices likely to enhance creativity

Creative thinking as orchestrated by semantic processing vs. cognitive control brain networks.

Creativity is primarily investigated within the neuroscientific perspective as a unitary construct. While such an approach is beneficial when trying to infer the general picture regarding creativity and brain function, it is insufficient if the objective is to uncover the information processing brain mechanisms by which creativity occurs. As creative thinking emerges through the dynamic interplay between several cognitive processes, assessing the neural correlates of these operations would enable the development and characterization of an information processing framework from which to better understand this complex ability. This article focuses on two aspects of creative cognition that are central to generating original ideas. "Conceptual expansion" refers to the ability to widen one's conceptual structures to include unusual or novel associations, while "overcoming knowledge constraints" refers to our ability to override the constraining influence imposed by salient or pertinent knowledge when trying to be creative. Neuroimaging and neuropsychological evidence is presented to illustrate how semantic processing and cognitive control networks in the brain differentially modulate these critical facets of creative cognition