Understanding Social Structures from Contemporary Literary Fiction using Character Interaction Graph -- Half Century Chronology of Influential Bengali Writers

Social structures and real-world incidents often influence contemporary literary fiction. Existing research in literary fiction analysis explains these real-world phenomena through the manual critical analysis of stories. Conventional Natural Language Processing (NLP) methodologies, including sentiment analysis, narrative summarization, and topic modeling, have demonstrated substantial efficacy in analyzing and identifying similarities within fictional works. However, the intricate dynamics of character interactions within fiction necessitate a more nuanced approach that incorporates visualization techniques. Character interaction graphs (or networks) emerge as a highly suitable means for visualization and information retrieval from the realm of fiction. Therefore, we leverage character interaction graphs with NLP-derived features to explore a diverse spectrum of societal inquiries about contemporary culture's impact on the landscape of literary fiction. Our study involves constructing character interaction graphs from fiction, extracting relevant graph features, and exploiting these features to resolve various real-life queries. Experimental evaluation of influential Bengali fiction over half a century demonstrates that character interaction graphs can be highly effective in specific assessments and information retrieval from literary fiction. Our data and codebase are available at https://cutt.ly/fbMgGEMComment: 8 pages, 11 figures, 6 pages appendi

Creativity and Culture in Copyright Theory

Creativity is universally agreed to be a good that copyright law should seek to promote, yet copyright scholarship and policymaking have proceeded largely on the basis of assumptions about what it actually is. When asked to discuss the source of their inspiration, individual artists describe a process that is intrinsically ineffable. Rights theorists of all varieties have generally subscribed to this understanding, describing creativity in terms of an individual liberty whose form remains largely unspecified. Economic theorists of copyright work from the opposite end of the creative process, seeking to divine the optimal rules for promoting creativity by measuring its marketable byproducts. But these theorists offer no particular reason to think that marketable byproducts are either an appropriate proxy or an effective stimulus for creativity (as opposed to production), and more typically refuse to engage the question. The upshot is that the more we talk about creativity, the more it disappears from view. At the same time, the mainstream of intellectual property scholarship has persistently overlooked a broad array of social science methodologies that provide both descriptive tools for constructing ethnographies of creative processes and theoretical tools for modeling them

TiFi: Taxonomy Induction for Fictional Domains [Extended version]

Taxonomies are important building blocks of structured knowledge bases, and their construction from text sources and Wikipedia has received much attention. In this paper we focus on the construction of taxonomies for fictional domains, using noisy category systems from fan wikis or text extraction as input. Such fictional domains are archetypes of entity universes that are poorly covered by Wikipedia, such as also enterprise-specific knowledge bases or highly specialized verticals. Our fiction-targeted approach, called TiFi, consists of three phases: (i) category cleaning, by identifying candidate categories that truly represent classes in the domain of interest, (ii) edge cleaning, by selecting subcategory relationships that correspond to class subsumption, and (iii) top-level construction, by mapping classes onto a subset of high-level WordNet categories. A comprehensive evaluation shows that TiFi is able to construct taxonomies for a diverse range of fictional domains such as Lord of the Rings, The Simpsons or Greek Mythology with very high precision and that it outperforms state-of-the-art baselines for taxonomy induction by a substantial margin

Introduction to adapting the nineteenth century: Revisiting, revising and rewriting the past

Copyright @ 2010 Neo-Victorian Studies. This is an open access journal. The journal's open access policy is restricted to educational and non-commercial use in accordance with Creative Commons: Attribution Non-Commercial No Derivatives license.No abstract available

Serial Cities: Australian Literary Cities and the Rhetoric of Scale

A review essay of New South Books' 'City Series': Sophie Cunningham, Melbourne (2011)Matthew Condon, Brisbane (2010)Paul Daley, Canberra (2012)Delia Falconer, Sydney (2010)Kerryn Goldsworthy, Adelaide (2011)Eleanor Hogan, Alice Springs (2012)Tess Lea, Darwin (2014)Peter Timms, In Search of Hobart (2012)David Whish-Wilson, Perth (2013

Faster than a speeding bullet, more powerful than a locomotive, able to rule by sense of smell! Superhuman Kingship in the Prophetic Books

An exploration of the Hebrew Bible's prophetic literature vis-à-vis Science Fiction and Science Fiction theor

Helen Oyeyemi and Border Identities: Contesting Western Representations of Immigrants through Transnational Literature

Oyeyemi is a Nigerian-British writer whose writing, like other immigrant authors\u27, participates in a dialogue about and contestation of essentialized immigrant and ethnic identities that are a result of global and local processes. Her writing produces counter-narratives in which immigrant identities are multiple, conflicting, intersectional, and most of all self-represented. This paper explores readings of Oyeyemi accompanied by the following: an examination of globalization and flows of migration; the connections of national epistemologies through media to processes like migration: how literary canon has excluded transnational fiction from the mainstream, thereby decreasing the ability of multi-ethnic and im/migrant writers to represent themselves successfully; and finally the literary shift into a more nuanced understanding of multiculturalism, diaspora, nations, and borders through persistent critiques and re-interpretations by minority writers