Simulator Sickness and Spectacular Destruction: Survival Research Laboratories\u27 Theater of Operations

The Strategic Air Command in Omaha, Nebraska is closed for business. Described in the December 29, 1991 New York Times as the nerve center of the United States\u27 nuclear strike force, the SAC once employed 260,000 people at 66 bases; its underground command post incarnated Hollywood visions of cold war paranoia, omniscient computers, and wall-sized maps sprinkled with blinking lights, like the one in Stanley Kubrick\u27s Dr. Strangelove

Exploring the Impact of Artificial Intelligence on the Accounting Profession

Artificial intelligence is no longer the robots and computers of science fiction from Hollywood movies. The ideas of developing machines that can “learn” are centuries old. The capacities of the computers and software of today create and exhibit intelligence, but also bring with it concerns along with much promise. In the accounting field artificial intelligence has been taking on more and more tasks. Already, there is software that has automated many accounting, tax, bookkeeping, and auditing processes. If machines are assuming a greater role, where do we, the professionals strike a balance? What does the future of the accounting profession look like with the growth of artificial intelligence?

Buggy Whips and Broadcast Flags: The Need for a New Politics of Expression

In response to growing fears from the entertainment industry over online file-sharing of valuable content, the Federal Communications Commission ( FCC ) enacted sweeping regulations over the production of electronic devices in the name of protecting digital television broadcasts. Although the FCC\u27s broadcast flag regulation was struck down on jurisdictional grounds, Hollywood has not given up the push for strict control. If Hollywood successfully acquires broadcast flag protection there could be far-reaching implications for innovation and development of new digital technologies. While content providers have important reasons to protect copyrighted material, there is too much at stake to merely acquiesce to their demands in the name of piracy prevention

Jewish Revenge: Haredi Action in the Zionist Sphere

This is a pre-copyedited version of an article accepted for publication in (journal title, volume and issue numbers, and year) following peer review. The definitive publisher-authenticated version is available from Wayne State University Press.Jewish ultra-Orthodox (Haredi) cinema in Israel has become increasingly prominent in recent years. Emerging as a highly controversial, secluded, and gender-segregated form of “amateur cinema,” it is currently seeing gradual professionalization. This article discusses Haredi cinema in the context of the Haredi community’s relationship with the Israeli state and the doctrine of Zionism. Appropriating generic conventions of mainstream Hollywood cinema, yet keeping within the secluded Haredi space, this form of minority cinema functions as an alternative (virtual) sphere in which a complex set of negotiations occurs between Jewish ultra-Orthodox ideals and those of the surrounding Israeli society and Zionism. It is reflective of and engaged in the production of recent social and discursive transformations within the Haredi community in Israel. We examine this phenomenon through a focused analysis of the male action genre, specifically the popular series Jewish Revenge (Yehuda Grovais, 2000–2010). As we demonstrate, the mode of representation and the narratives of these films bring models of masculinities and notions of heroism under scrutiny. The Zionist narrative, the national body, and the (imaginary) place of the Haredi within it are being reconfigured through the prism of body politics and fantasies of transgression

The Industry and the Unions: An Overview

[Excerpt] This overview chapter provides a framework for the chapters that follow by broadly describing the arts, entertainment, and electronic media (AEEM) industry and the problems confronting it. The overview is presented in four sections focused on: first, the economic structure of the industry; second, unions and bargaining structure; third, the impact of technological changes; and fourth, historical responses on the part of unions and the labor relations system to technological change

Epistemic NP Modifiers

The paper considers participles such as "unknown", "identified" and "unspecified", which in sentences such as "Solange is staying in an unknown hotel" have readings equivalent to an indirect question "Solange is staying in a hotel, and it is not known which hotel it is." We discuss phenomena including disambiguation of quantifier scope and a restriction on the set of determiners which allow the reading in question. Epistemic modifiers are analyzed in a DRT framework with file (information state) discourse referents. The proposed semantics uses a predication on files and discourse referents which is related to recent developments in dynamic modal predicate calculus. It is argued that a compositional DRT semantics must employ a semantic type of discourse referents, as opposed to just a type of individuals. A connection is developed between the scope effects of epistemic modifiers and the scope-disambiguating effect of "a certain".Comment: Final pre-publication version, 27 pages, Postscript. Final version appears in the proceedings of SALT VI

Sony, Cyber Security, and Free Speech: Preserving the First Amendment in the Modern World

Reprinted from 16 U.C. Davis Bus. L.J. 309 (2016). This paper explores the Sony hack in 2014 allegedly launched by the North Korean government in retaliation over Sony’s production of The Interview and considers the hack’s chilling impact on speech in technology. One of the most devastating cyber attacks in history, the hack exposed approximately thirty- eight million files of sensitive data, including over 170,000 employee emails, thousands of employee social security numbers and unreleased footage of upcoming movies. The hack caused Sony to censor the film and prompted members of the entertainment industry at large to tailor their communication and conform storylines to societal standards. Such censorship cuts the First Amendment at its core and exemplifies the danger cyber terror poses to freedom of speech by compromising Americans’ privacy in digital mediums. This paper critiques the current methods for combatting cyber terror, which consist of unwieldy federal criminal laws and controversial information sharing policies, while proposing more promising solutions that unleash the competitive power of the free market with limited government regulation. It also recommends legal, affordable and user-friendly tools anyone can use to secure their technology, recapture their privacy and exercise their freedom of speech online without fear of surreptitious surveillance or retaliatory exposure

California Wellness Foundation - 2001 Annual Report

Contains board chair and president's message, profiles of grantees of the Work and Health Initiative, grant guidelines, grants list, and lists of board members and staff

Class Notes

News about Linfield alumn

Digital Cinema : Opportunities and Challenges

This paper considers how the film industry might effect the transition from film to digital product. Using public sources to predict the eventual technological solutions which will prevail is problematic as no independent academic analysis appears to have been carried out. Technology companies are clearly wedded to their own solutions, pointing out flaws in competing technologies while downplaying the shortcomings of their own. Industry wide bodies that have been set up to promote d-cinema or establish standards, understandably tend to avoid taking sides and promote all solutions equally[i]. Rather than contributing further to the debate about the qualities of competing technologies or the creative merits or demerits of digital product, this paper will focus on the search for new business models in an industry wedded for over one hundred years to an analogue process. In the sections which follow it will consider- the strategies of the companies at the forefront of the technology; the financial implications associated with change; and how different territories might adapt in order to accommodate this transition. [i] Anna Wilde Mathews, Digital cinema's time is nearing. Detailed specifications are supposed to be ready early next year. The Wall Street Journal, May 25 2003