Color Constancy Beyond Bags of Pixels

Estimating the color of a scene illuminant often plays a central role in computational color constancy. While this problem has received significant attention, the methods that exist do not maximally leverage spatial dependencies between pixels. Indeed, most methods treat the observed color (or its spatial derivative) at each pixel independently of its neighbors. We propose an alternative approach to illuminant estimation-one that employs an explicit statistical model to capture the spatial dependencies between pixels induced by the surfaces they observe. The parameters of this model are estimated from a training set of natural images captured under canonical illumination, and for a new image, an appropriate transform is found such that the corrected image best fits our model.Engineering and Applied Science

Estimating varying illuminant colours in images

Colour Constancy is the ability to perceive colours independently of varying illumi-nation colour. A human could tell that a white t-shirt was indeed white, even under the presence of blue or red illumination. These illuminant colours would actually make the reflectance colour of the t-shirt bluish or reddish. Humans can, to a good extent, see colours constantly. Getting a computer to achieve the same goal, with a high level of accuracy has proven problematic. Particularly if we wanted to use colour as a main cue in object recognition. If we trained a system on object colours under one illuminant and then tried to recognise the objects under another illuminant, the system would likely fail. Early colour constancy algorithms assumed that an image contains a single uniform illuminant. They would then attempt to estimate the colour of the illuminant to apply a single correction to the entire image. It’s not hard to imagine a scenario where a scene is lit by more than one illuminant. If we take the case of an outdoors scene on a typical summers day, we would see objects brightly lit by sunlight and others that are in shadow. The ambient light in shadows is known to be a different colour to that of direct sunlight (bluish and yellowish respectively). This means that there are at least two illuminant colours to be recovered in this scene. This thesis focuses on the harder case of recovering the illuminant colours when more than one are present in a scene. Early work on this subject made the empirical observation that illuminant colours are actually very predictable compared to surface colours. Real-world illuminants tend not to be greens or purples, but rather blues, yellows and reds. We can think of an illuminant mapping as the function which takes a scene from some unknown illuminant to a known illuminant. We model this mapping as a simple multiplication of the Red, Green and Blue channels of a pixel. It turns out that the set of realistic mappings approximately lies on a line segment in chromaticity space. We propose an algorithm that uses this knowledge and only requires two pixels of the same surface under two illuminants as input. We can then recover an estimate for the surface reflectance colour, and subsequently the two illuminants. Additionally in this thesis, we propose a more robust algorithm that can use vary-ing surface reflectance data in a scene. One of the most successful colour constancy algorithms, known Gamut Mappping, was developed by Forsyth (1990). He argued that the illuminant colour of a scene naturally constrains the surfaces colours that are possible to perceive. We couldn’t perceive a very chromatic red under a deep blue illuminant. We introduce our multiple illuminant constraint in a Gamut Mapping context and are able to further improve it’s performance. The final piece of work proposes a method for detecting shadow-edges, so that we can automatically recover estimates for the illuminant colours in and out of shadow. We also formulate our illuminant estimation algorithm in a voting scheme, that probabilistically chooses an illuminant estimate on both sides of the shadow edge. We test the performance of all our algorithms experimentally on well known datasets, as well as our new proposed shadow datasets

Image Restoration Using Online Photo Collections

We present an image restoration method that leverages a large database of images gathered from the web. Given an input image, we execute an efficient visual search to find the closest images in the database; these images define the input's visual context. We use the visual context as an image-specific prior and show its value in a variety of image restoration operations, including white balance correction, exposure correction, and contrast enhancement. We evaluate our approach using a database of 1 million images downloaded from Flickr and demonstrate the effect of database size on performance. Our results show that priors based on the visual context consistently out-perform generic or even domain-specific priors for these operations.Engineering and Applied Science

Video content analysis for intelligent forensics

The networks of surveillance cameras installed in public places and private territories continuously record video data with the aim of detecting and preventing unlawful activities. This enhances the importance of video content analysis applications, either for real time (i.e. analytic) or post-event (i.e. forensic) analysis. In this thesis, the primary focus is on four key aspects of video content analysis, namely; 1. Moving object detection and recognition, 2. Correction of colours in the video frames and recognition of colours of moving objects, 3. Make and model recognition of vehicles and identification of their type, 4. Detection and recognition of text information in outdoor scenes. To address the first issue, a framework is presented in the first part of the thesis that efficiently detects and recognizes moving objects in videos. The framework targets the problem of object detection in the presence of complex background. The object detection part of the framework relies on background modelling technique and a novel post processing step where the contours of the foreground regions (i.e. moving object) are refined by the classification of edge segments as belonging either to the background or to the foreground region. Further, a novel feature descriptor is devised for the classification of moving objects into humans, vehicles and background. The proposed feature descriptor captures the texture information present in the silhouette of foreground objects. To address the second issue, a framework for the correction and recognition of true colours of objects in videos is presented with novel noise reduction, colour enhancement and colour recognition stages. The colour recognition stage makes use of temporal information to reliably recognize the true colours of moving objects in multiple frames. The proposed framework is specifically designed to perform robustly on videos that have poor quality because of surrounding illumination, camera sensor imperfection and artefacts due to high compression. In the third part of the thesis, a framework for vehicle make and model recognition and type identification is presented. As a part of this work, a novel feature representation technique for distinctive representation of vehicle images has emerged. The feature representation technique uses dense feature description and mid-level feature encoding scheme to capture the texture in the frontal view of the vehicles. The proposed method is insensitive to minor in-plane rotation and skew within the image. The capability of the proposed framework can be enhanced to any number of vehicle classes without re-training. Another important contribution of this work is the publication of a comprehensive up to date dataset of vehicle images to support future research in this domain. The problem of text detection and recognition in images is addressed in the last part of the thesis. A novel technique is proposed that exploits the colour information in the image for the identification of text regions. Apart from detection, the colour information is also used to segment characters from the words. The recognition of identified characters is performed using shape features and supervised learning. Finally, a lexicon based alignment procedure is adopted to finalize the recognition of strings present in word images. Extensive experiments have been conducted on benchmark datasets to analyse the performance of proposed algorithms. The results show that the proposed moving object detection and recognition technique superseded well-know baseline techniques. The proposed framework for the correction and recognition of object colours in video frames achieved all the aforementioned goals. The performance analysis of the vehicle make and model recognition framework on multiple datasets has shown the strength and reliability of the technique when used within various scenarios. Finally, the experimental results for the text detection and recognition framework on benchmark datasets have revealed the potential of the proposed scheme for accurate detection and recognition of text in the wild