Volume 34, Number 1 - December 1954

Volume 34, Number 1 - December 1954. 33 pages including covers and advertisements. Editorials Reverend Chu-Công, Joseph, Communists and Christmas in Viet-nam McLarney, James J., Mr. Spindly Tousignant, Louis, The Beauty of Simplicity McLarney, James J., Redress and Grievance McLarney, James J., Ques

Albuquerque Morning Journal, 06-07-1915

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E-Pad: Large Display Pointing in a Continuous Interaction Space around a Mobile Device

International audienceRelative pointing through using tactile mobile device (such as tablets of phones) on a large display is a viable interaction technique (that we call Pad in this paper) which permits accurate pointing. However, limited device size has consequences on interaction. Such systems are known to often require clutching, which degrades performances. We present E-Pad, an indirect relative pointing interaction technique which takes benefit of the mobile tactile surface combined with its surrounding space. A user can perform continuous relative pointing starting on the pad then continuing in the free space around the pad, within arm's reach. As a first step toward E-Pad, we first introduce extended continuous relative pointing gestures and conduct a preliminary study to determine how people move their hand around the mobile device. We then conduct an experiment that compares the performance of E-Pad and Pad. Our findings indicate that E-Pad is faster than Pad and decreases the number of clutches without compromising accuracy. Our findings also suggest an overwhelming preference for E-Pad

Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form

This essay examines Fritz Lang's portrayal and use of justice in his first Hollywood film, Fury (1936) a film in which the main character, Joe Wilson (played by Spencer Tracy) is mistakenly arrested for a crime he did not commit. Lang was one of many notable German émigrés who fled Nazi Germany for America and eventually Hollywood. He returned on several occasions to the theme of justice, which is my starting point for this article. Before analysing Fury in detail, in particular its final trial scene, the article compares the film briefly to other Lang films about the law such as Beyond a Reasonable Doubt. Lang's conception of justice differs from the dominant Hollywood view of the law, a realisation that is discussed in relation to other depictions of the law in Hollywood (such as Twelve Angry Men, To Kill a Mockingbird). In Lang's cinema, the law is not a fixed, stable and trustworthy institution, but rather one that is gullible and open to abuse. Lang places more faith in notions of personal moral justice, which win out in the end in Fury. This article also contextualises Fury and the work of Fritz Lang within existing discussions of the law and film, from which Lang is largely and notably absent

Thaai thathaiyai Ngai thaai : Narratives of Rituals, Agency, and Resistance in the KLFA (Mau Mau) Struggle for Kenya\u27s Independence

The purpose of this project is to examine the role of rituals in the Mau Mau struggle for Kenya\u27s independence. Traditionally, research on the Mau Mau has focused on the political and socio-economic aspects of Kenya\u27s anti-colonial struggle. As a result, the place of spirituality and, in particular, the role of rituals in the Mau Mau struggle has largely been ignored in existing literature. Initially, when KLFA rituals were studied at the height of the Mau Mau struggle, the task was undertaken by colonial anthropologists and psychologists who were often unable to escape the snare of racist and Eurocentric prejudices in their analyses. Subsequent revisionist studies have attempted to be more objective in their analyses, but the focus has mainly been on the elements and details surrounding the actual ceremonies, at the expense of how these rituals impacted individual freedom fighters. Using oral history interviews of seventeen former Mau Mau freedom fighters, this project looks at how rituals impacted individual freedom fighters and shaped their views of, and contributions to, the struggle for Kenya\u27s independence. The study uncovers six Mau Mau rituals including drinking the oath, clutching soil at death, seeking a seer, singing, praying, and wearing locked hair. Relying on African Indigenous Knowledges to frame and interpret the collected narratives, this study particularly uses Nommo -- the creative and generative power of the spoken word--to demonstrate that the Mau Mau struggle effectively utilized the utterances made during ritual ceremonies to generate courage, perseverance, strength, commitment, and other values that were invaluable to the struggle. Ultimately, the study establishes that experiences of rituals were integral to shaping the participation of freedom fighters in the Mau Mau struggle for Kenya\u27s independence

Albuquerque Morning Journal, 07-19-1915

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"Hegelian Buddhist Hypertextual Media Inhabitation, or, Criticism in the Age of Electronic Immersion"

What can it mean to criticize when you are inside the work itself? In a immersive electronic or digital environment critic is not distanced on a platform based on firm principles. Yet criticism self-awareness and commentary remain possible. This essay examines various techniques for dealing with immersive environments critically