Text-based Editing of Talking-head Video

Editing talking-head video to change the speech content or to remove filler words is challenging. We propose a novel method to edit talking-head video based on its transcript to produce a realistic output video in which the dialogue of the speaker has been modified, while maintaining a seamless audio-visual flow (i.e. no jump cuts). Our method automatically annotates an input talking-head video with phonemes, visemes, 3D face pose and geometry, reflectance, expression and scene illumination per frame. To edit a video, the user has to only edit the transcript, and an optimization strategy then chooses segments of the input corpus as base material. The annotated parameters corresponding to the selected segments are seamlessly stitched together and used to produce an intermediate video representation in which the lower half of the face is rendered with a parametric face model. Finally, a recurrent video generation network transforms this representation to a photorealistic video that matches the edited transcript. We demonstrate a large variety of edits, such as the addition, removal, and alteration of words, as well as convincing language translation and full sentence synthesis

On Inter-referential Awareness in Collaborative Augmented Reality

For successful collaboration to occur, a workspace must support inter-referential awareness - or the ability for one participant to refer to a set of artifacts in the environment, and for that reference to be correctly interpreted by others. While referring to objects in our everyday environment is a straight-forward task, the non-tangible nature of digital artifacts presents us with new interaction challenges. Augmented reality (AR) is inextricably linked to the physical world, and it is natural to believe that the re-integration of physical artifacts into the workspace makes referencing tasks easier; however, we find that these environments combine the referencing challenges from several computing disciplines, which compound across scenarios. This dissertation presents our studies of this form of awareness in collaborative AR environments. It stems from our research in developing mixed reality environments for molecular modeling, where we explored spatial and multi-modal referencing techniques. To encapsulate the myriad of factors found in collaborative AR, we present a generic, theoretical framework and apply it to analyze this domain. Because referencing is a very human-centric activity, we present the results of an exploratory study which examines the behaviors of participants and how they generate references to physical and virtual content in co-located and remote scenarios; we found that participants refer to content using physical and virtual techniques, and that shared video is highly effective in disambiguating references in remote environments. By implementing user feedback from this study, a follow-up study explores how the environment can passively support referencing, where we discovered the role that virtual referencing plays during collaboration. A third study was conducted in order to better understand the effectiveness of giving and interpreting references using a virtual pointer; the results suggest the need for participants to be parallel with the arrow vector (strengthening the argument for shared viewpoints), as well as the importance of shadows in non-stereoscopic environments. Our contributions include a framework for analyzing the domain of inter-referential awareness, the development of novel referencing techniques, the presentation and analysis of our findings from multiple user studies, and a set of guidelines to help designers support this form of awareness

Multi-Frame Rate Rendering

Multi-frame rate rendering is a parallel rendering technique that renders interactive parts of a scene on one graphics card while the rest of the scene is rendered asynchronously on a second graphics card. The resulting color and depth images of both render processes are composited, by optical superposition or digital composition, and displayed. The results of a user study confirm that multi-frame rate rendering can significantly improve the interaction performance. Multi-frame rate rendering is naturally implemented on a graphics cluster. With the recent availability of multiple graphics cards in standalone systems the method can also be implemented on a single computer system where memory bandwidth is much higher compared to off-the-shelf networking technology. This decreases overall latency and further improves interactivity. Multi-frame rate rendering was also investigated on a single graphics processor by interleaving the rendering streams for the interactive elements and the rest of the scene. This approach enables the use of multi-frame rate rendering on low-end graphics systems such as laptops, mobile phones, and PDAs. Advanced multi-frame rate rendering techniques reduce the limitations of the basic approach. The interactive manipulation of light sources and their parameters affects the entire scene. A multi-GPU deferred shading method is presented that splits the rendering task into a rasterization and lighting pass and assigns the passes to the appropriate image generators such that light manipulations at high frame rates become possible. A parallel volume rendering technique allows the manipulation of objects inside a translucent volume at high frame rates. This approach is useful for example in medical applications, where small probes need to be positioned inside a computed-tomography image. Due to the asynchronous nature of multi-frame rate rendering artifacts may occur during migration of objects from the slow to the fast graphics card, and vice versa. Proper state management allows to almost completely avoid these artifacts. Multi-frame rate rendering significantly improves the interactive manipulation of objects and lighting effects. This leads to a considerable increase of the size for 3D scenes that can be manipulated compared to conventional methods.Multi-Frame Rate Rendering ist eine parallele Rendertechnik, die interaktive Teile einer Szene auf einer separaten Graphikkarte berechnet. Die Abbildung des Rests der Szene erfolgt asynchron auf einer anderen Graphikkarte. Die resultierenden Farb- und Tiefenbilder beider Darstellungsprozesse werden mittels optischer Überlagerung oder digitaler Komposition kombiniert und angezeigt. Die Ergebnisse einer Nutzerstudie zeigen, daß Multi-Frame Rate Rendering die Interaktion für große Szenen deutlich beschleunigt. Multi-Frame Rate Rendering ist üblicherweise auf einem Graphikcluster zu implementieren. Mit der Verfügbarkeit mehrerer Graphikkarten für Einzelsysteme kann Multi-Frame Rate Rendering auch für diese realisiert werden. Dies ist von Vorteil, da die Speicherbandbreite um ein Vielfaches höher ist als mit üblichen Netzwerktechnologien. Dadurch verringern sich Latenzen, was zu verbesserter Interaktivität führt. Multi-Frame Rate Rendering wurde auch auf Systemen mit einer Graphikkarte untersucht. Die Bildberechnung für den Rest der Szene muss dazu in kleine Portionen aufgeteilt werden. Die Darstellung erfolgt dann alternierend zu den interaktiven Elementen über mehrere Bilder verteilt. Dieser Ansatz erlaubt die Benutzung von Multi-Frame Rate Rendering auf einfachen Graphiksystemen wie Laptops, Mobiltelefonen and PDAs. Fortgeschrittene Multi-Frame Rate Rendering Techniken erweitern die Anwendbarkeit des Ansatzes erheblich. Die interaktive Manipulation von Lichtquellen beeinflußt die ganze Szene. Um diese Art der Interaktion zu unterstützen, wurde eine Multi-GPU Deferred Shading Methode entwickelt. Der Darstellungsvorgang wird dazu in einen Rasterisierungs- und Beleuchtungsschritt zerlegt, die parallel auf den entsprechenden Grafikkarten erfolgen können. Dadurch kann die Beleuchtung mit hohen Bildwiederholraten unabhängig von der geometrischen Komplexität der Szene erfolgen. Außerdem wurde eine parallele Darstellungstechnik für die interaktive Manipulation von Objekten in hochaufgelösten Volumendaten entwickelt. Dadurch lassen sich zum Beispiel virtuelle Instrumente in hochqualitativ dargestellten Computertomographieaufnahmen interaktiv positionieren. Aufgrund der inhärenten Asynchronität der beiden Darstellungsprozesse des Multi-Frame Rate Rendering Ansatzes können Artifakte während der Objektmigration zwischen den Graphikkarten auftreten. Eine intelligente Zustandsverwaltung in Kombination mit Prediktionstechniken kann diese Artifakte fast gänzlich verhindern, so dass Benutzer diese im allgemeinen nicht bemerken. Multi-Frame Rate Rendering beschleunigt die interaktive Manipulation von Objekten und Beleuchtungseffekten deutlich. Dadurch können deutlich umfangreichere virtuelle Szenarien bearbeitet werden als mit konventionellen Methoden

Analysis of Visualisation and Interaction Tools Authors

This document provides an in-depth analysis of visualization and interaction tools employed in the context of Virtual Museum. This analysis is required to identify and design the tools and the different components that will be part of the Common Implementation Framework (CIF). The CIF will be the base of the web-based services and tools to support the development of Virtual Museums with particular attention to online Virtual Museum.The main goal is to provide to the stakeholders and developers an useful platform to support and help them in the development of their projects, despite the nature of the project itself. The design of the Common Implementation Framework (CIF) is based on an analysis of the typical workflow ofthe V-MUST partners and their perceived limitations of current technologies. This document is based also on the results of the V-MUST technical questionnaire (presented in the Deliverable 4.1). Based on these two source of information, we have selected some important tools (mainly visualization tools) and services and we elaborate some first guidelines and ideas for the design and development of the CIF, that shall provide a technological foundation for the V-MUST Platform, together with the V-MUST repository/repositories and the additional services defined in the WP4. Two state of the art reports, one about user interface design and another one about visualization technologies have been also provided in this document

Efficient geometric sound propagation using visibility culling

Simulating propagation of sound can improve the sense of realism in interactive applications such as video games and can lead to better designs in engineering applications such as architectural acoustics. In this thesis, we present geometric sound propagation techniques which are faster than prior methods and map well to upcoming parallel multi-core CPUs. We model specular reflections by using the image-source method and model finite-edge diffraction by using the well-known Biot-Tolstoy-Medwin (BTM) model. We accelerate the computation of specular reflections by applying novel visibility algorithms, FastV and AD-Frustum, which compute visibility from a point. We accelerate finite-edge diffraction modeling by applying a novel visibility algorithm which computes visibility from a region. Our visibility algorithms are based on frustum tracing and exploit recent advances in fast ray-hierarchy intersections, data-parallel computations, and scalable, multi-core algorithms. The AD-Frustum algorithm adapts its computation to the scene complexity and allows small errors in computing specular reflection paths for higher computational efficiency. FastV and our visibility algorithm from a region are general, object-space, conservative visibility algorithms that together significantly reduce the number of image sources compared to other techniques while preserving the same accuracy. Our geometric propagation algorithms are an order of magnitude faster than prior approaches for modeling specular reflections and two to ten times faster for modeling finite-edge diffraction. Our algorithms are interactive, scale almost linearly on multi-core CPUs, and can handle large, complex, and dynamic scenes. We also compare the accuracy of our sound propagation algorithms with other methods. Once sound propagation is performed, it is desirable to listen to the propagated sound in interactive and engineering applications. We can generate smooth, artifact-free output audio signals by applying efficient audio-processing algorithms. We also present the first efficient audio-processing algorithm for scenarios with simultaneously moving source and moving receiver (MS-MR) which incurs less than 25% overhead compared to static source and moving receiver (SS-MR) or moving source and static receiver (MS-SR) scenario

Research on real-time physics-based deformation for haptic-enabled medical simulation

This study developed a multiple effective visuo-haptic surgical engine to handle a variety of surgical manipulations in real-time. Soft tissue models are based on biomechanical experiment and continuum mechanics for greater accuracy. Such models will increase the realism of future training systems and the VR/AR/MR implementations for the operating room