Analysis of storage requirements of big data system for radio and television users

he Huang, Guangdong Innovative Technical College, date of birth: August 1973, nationality: Han nationality, household registration: Guangzhou, Guangdong Province, education: Master of software engineering, lecturer in software, main research direction: big data technology, software development, etc. Author email: [email protected] Abstract: through the application of big data, grasp the characteristics of radio and television user groups and viewing behavior habits, understand the actual characteristics and needs of customers, and provide personalized, accurate and intelligent recommendation services. Provide users with a more direct, convenient and personalized user experience to retain customers and reduce the loss of customers. Based on the demand analysis of media content and user service, combined with the big data platform architecture and data governance process, this paper introduces the typical applications of radio and television big data platform and the mechanism of continuous data rolling, and thinks about how to promote the digitalization of radio and television industry

Management of Radio and Television Stations in Nigeria

Broadcasting is very important in Africa because majority of Africans get their information, education and entertainment chiefly from radio and television. Because of this vital role of broadcasting in developing countries, radio and television mediums have become the most controlled for both technical and political reasons. The study aimed at critically examining the role of government in the management and control of radio and television stations in Nigeria, its policy thrust and impact on editorial and programming independence. The study also examined how government strict monopoly affects programming content which in turn also affects political, social and cultural development of the country. The study relied mostly on historical data generated through documentary sources for analysis. The study found out that mass media policy which affects media management in Nigeria has been a sensitive, undecided and unconcluded phenomenon, not only because of diversity of the Nigerian society but also because of the failure of majority of Nigerians and their leaders to visualize the role of their mass media in the development of Nigeria. Mass media development in Nigeria has not only been painstakingly slow and erratic but has also followed the western pattern. The study therefore recommends that government must regard the media industry as an agglomeration of stakeholders all of whom are important to the business. It is improper to assume that all that is important to the formulation of media policies are government and journalists with a total disregard to the role of end-users

New Strategies for an Old Medium: The Weekly Radio Addresses of Reagan and Clinton

While a rich literature exists on presidential communications (including the public/rhetorical presidency and the presidential/press relationship), only recently have presidential scholars begun to analyze weekly radio addresses as an important primary unit of analysis (Rowland and Jones 2002; Sigelman and Whissell 2002a, 2002b). This article analyzes how the use of radio has fit into the overall development of White House communication strategies during the television age, and takes an in-depth look at how Reagan and Clinton used weekly radio addresses to communicate with both the American public and the news media. Specifically, the issues considered here include the strategy development among White House communication advisors (why did the Reagan and Clinton administrations believe this was an important means of communication?), the policies emphasized in the weekly radio addresses (what did the president talk about?), and the frequency of news coverage concerning the weekly radio addresses (does consistent news coverage occur during the 24-hour news cycle following the address, and if so, in which media sources?)

The influence of neo-liberal assumptions on media treatment of political economy in Ireland

This thesis examines how neo-liberal assumptions frame the way in which matters of political economy are represented and discussed in Irish media The structure of the thesis is fourfold. The first part gives an overview of what is meant by neo-hberalism and drawing, in particular, on the work of neo-liberals Hayek and Friedman outlines its significance in terms of political economy, political practice and ideology. The second part presents an overview of analytical approaches to media analysis, and describes this study’s theoretical and methodological application of a sociologically engaged, critical discourse analysis framework. The third, and most substantive, part analyses, and compares, the print, radio and television content of different Irish media. This section examines print media coverage of two European Union summits, print media coverage of the launch of the National Development Plan and the Special Savings Incentive Scheme, editorial comment about the privatisation of Telecom Eireann, and radio and television discussion (from November 2001) about the “downturn” in the economy. Based on the empirical findings, part four offers a theoretically informed account of neo-liberal influence in an Irish media and socio-political context

How Comedy Television is Written and Developed.

In this analysis, I plan to describe how I developed and wrote three episodes of a comedy web series. In the beginning of my paper, I will discuss the importance of my cultural background and how it shaped my appreciation of a wide variety of artistic expression. I then will discuss the contrast of art I experienced in my academic compared to my domestic life. I will then focus on the importance of television and film in my life. Specifically, I will discuss how I was influenced by popular television at a young age. I will discuss viewing sinister films at led to my appreciation for dark comedy. In my view dark comedy, more than other genre, puts a spotlight on society ills. My web series is titled The Force. In addition, I will also describe how my aesthetics of my favorite comedy shows assisted in my development of the screenplays. In the final section, I will discuss what I plan to do after I graduate with a Television, Radio, Film degree from Syracuse University. I will elaborate on how this project has influenced me to become more interested in the creative opportunities in the television industry

THE PARATEXT IN THE AGE OF ITS TECHNOLOGICAL REPRODUCIBILITY: EXAMINING PARATEXTUALITY IN MODERN MASS MEDIA

This project complicates and expands upon the Genettian concept of paratext, focusing on paratextual functionality and meaning-making practices related to the development of American mass media during the 19th, 20th, and 21st centuries. Utilizing Ellen McCracken’s “interior” and “exterior” pathways as a basis for paratextual vector analysis, this dissertation examines paratextual functionality in four case studies focusing on the late 19th-century newspaper advertising of John Wanamaker, the WWII-era radio serial Captain Midnight, the 1950s television program The Disneyland Story, and the comment section of Breitbart News during the second decade of the 21st century

The BBC, Austerity and Broadcasting the 1948 Olympic Games

Based on original archive research, including papers held in the BBC Written Archives Centre, and interviews with those involved, this paper analyses the historical importance for the BBC of the 1948 Games as the first publicly televised Olympics. In particular, the paper addresses the management of operations by the Head of Outside Broadcasting at the BBC, Seymour Joly de Lotbiniere. De Lotbiniere had been an important figure in the development of outside broadcasting commentaries during the inter-war period and was given the task of organising the radio and television coverage of the London Games in 1948. The paper examines the technical, operational and ideological issues raised by the event for the BBC and its legacy for the development of live televised outside broadcasts from sport. The analysis suggests the BBC’s ability to host international broadcasters became a matter of prestige and its forays into television a sign of its emerging post-War modernity

Growth and Upheaval in the Network Media Economy, 1984-2018

This report examines the development of the media economy over the past thirtyfour years. Since beginning this project nearly a decade ago, we have focused on as comprehensive as possible selection of the biggest telecoms, internet and media industries (based on revenue), including: mobile wireless and wireline telecoms; internet access; cable, satellite & IPTV; broadcast television, specialty and pay television services and over-the-internet video subscription and download services; radio; newspapers; magazines; music; internet advertising; social media; operating systems; browsers, etc. This year, we have made some fairly dramatic changes in terms of what we cover, and the breadth of our analysis. For the first time, this report takes some preliminary steps to capture a broader range of audiovisual media services that are delivered over the internet beyond online video subscription and download services and internet advertising, including: online gaming, app store and music downloads

Digital Radio Policy in Canada: Fragmentation or Evolution of the Medium

In December 2006, the Canadian Radio-Television and Telecommunications Commission (CRTC) issued its review of Digital Radio Policy. This replaced the transitional digital radio policy of 1995, and sought to implement a framework designed to support multi-platform digital radio broadcasting in an increasingly complex technological environment for the medium. Drawing on policy analysis, interviews and expert group perspectives, this paper traces the background to the legislative provision for digital radio development in Canada. While Canada was an early adopter of the Eureka-147 or Digital Audio Broadcasting (DAB), the policy of DAB as a replacement technology approach proved to be mistaken. Subsequent extensive regulatory intervention to protect Canadian interests similarly proved ineffective against the dominant influence of US interests on Canadian broadcasting, evidenced most recently by the entry of satellite- delivered subscription radio services of XM Radio and Sirius. It is argued that the approach adopted in Canada’s new digital radio policy needs to be set against the background in which the future of radio is now much less obvious and clear than it was ten years ago. Instead of a relatively straightforward transition from analog to digital audio broadcasting (DAB), there is now a wide selection of both competing alternative and complementary technological options for digital audio delivery. As such, radio can be seen to be either facing the danger of fragmentation or in fact surviving by infiltrating into new platforms and becoming more polymorphic. The paper offers a critical appraisal of whether, given previous experience and lessons learned, Canada’s regulatory approach is the appropriate one and potentially a model for other sectors and other markets