Color image quality measures and retrieval

The focus of this dissertation is mainly on color image, especially on the images with lossy compression. Issues related to color quantization, color correction, color image retrieval and color image quality evaluation are addressed. A no-reference color image quality index is proposed. A novel color correction method applied to low bit-rate JPEG image is developed. A novel method for content-based image retrieval based upon combined feature vectors of shape, texture, and color similarities has been suggested. In addition, an image specific color reduction method has been introduced, which allows a 24-bit JPEG image to be shown in the 8-bit color monitor with 256-color display. The reduction in download and decode time mainly comes from the smart encoder incorporating with the proposed color reduction method after color space conversion stage. To summarize, the methods that have been developed can be divided into two categories: one is visual representation, and the other is image quality measure. Three algorithms are designed for visual representation: (1) An image-based visual representation for color correction on low bit-rate JPEG images. Previous studies on color correction are mainly on color image calibration among devices. Little attention was paid to the compressed image whose color distortion is evident in low bit-rate JPEG images. In this dissertation, a lookup table algorithm is designed based on the loss of PSNR in different compression ratio. (2) A feature-based representation for content-based image retrieval. It is a concatenated vector of color, shape, and texture features from region of interest (ROI). (3) An image-specific 256 colors (8 bits) reproduction for color reduction from 16 millions colors (24 bits). By inserting the proposed color reduction method into a JPEG encoder, the image size could be further reduced and the transmission time is also reduced. This smart encoder enables its decoder using less time in decoding. Three algorithms are designed for image quality measure (IQM): (1) A referenced IQM based upon image representation in very low-dimension. Previous studies on IQMs are based on high-dimensional domain including spatial and frequency domains. In this dissertation, a low-dimensional domain IQM based on random projection is designed, with preservation of the IQM accuracy in high-dimensional domain. (2) A no-reference image blurring metric. Based on the edge gradient, the degree of image blur can be measured. (3) A no-reference color IQM based upon colorfulness, contrast and sharpness

One Transform To Compute Them All: Efficient Fusion-Based Full-Reference Video Quality Assessment

The Visual Multimethod Assessment Fusion (VMAF) algorithm has recently emerged as a state-of-the-art approach to video quality prediction, that now pervades the streaming and social media industry. However, since VMAF requires the evaluation of a heterogeneous set of quality models, it is computationally expensive. Given other advances in hardware-accelerated encoding, quality assessment is emerging as a significant bottleneck in video compression pipelines. Towards alleviating this burden, we propose a novel Fusion of Unified Quality Evaluators (FUNQUE) framework, by enabling computation sharing and by using a transform that is sensitive to visual perception to boost accuracy. Further, we expand the FUNQUE framework to define a collection of improved low-complexity fused-feature models that advance the state-of-the-art of video quality performance with respect to both accuracy, by 4.2\% to 5.3\%, and computational efficiency, by factors of 3.8 to 11 times!Comment: Version

Digital Multimedia Forensics and Anti-Forensics

As the use of digital multimedia content such as images and video has increased, so has the means and the incentive to create digital forgeries. Presently, powerful editing software allows forgers to create perceptually convincing digital forgeries. Accordingly, there is a great need for techniques capable of authenticating digital multimedia content. In response to this, researchers have begun developing digital forensic techniques capable of identifying digital forgeries. These forensic techniques operate by detecting imperceptible traces left by editing operations in digital multimedia content. In this dissertation, we propose several new digital forensic techniques to detect evidence of editing in digital multimedia content. We begin by identifying the fingerprints left by pixel value mappings and show how these can be used to detect the use of contrast enhancement in images. We use these fingerprints to perform a number of additional forensic tasks such as identifying cut-and-paste forgeries, detecting the addition of noise to previously JPEG compressed images, and estimating the contrast enhancement mapping used to alter an image. Additionally, we consider the problem of multimedia security from the forger's point of view. We demonstrate that an intelligent forger can design anti-forensic operations to hide editing fingerprints and fool forensic techniques. We propose an anti-forensic technique to remove compression fingerprints from digital images and show that this technique can be used to fool several state-of-the-art forensic algorithms. We examine the problem of detecting frame deletion in digital video and develop both a technique to detect frame deletion and an anti-forensic technique to hide frame deletion fingerprints. We show that this anti-forensic operation leaves behind fingerprints of its own and propose a technique to detect the use of frame deletion anti-forensics. The ability of a forensic investigator to detect both editing and the use of anti-forensics results in a dynamic interplay between the forger and forensic investigator. We use develop a game theoretic framework to analyze this interplay and identify the set of actions that each party will rationally choose. Additionally, we show that anti-forensics can be used protect against reverse engineering. To demonstrate this, we propose an anti-forensic module that can be integrated into digital cameras to protect color interpolation methods

Visibility and distortion measurement for no-reference dehazed image quality assessment via complex contourlet transform

Recently, most dehazed image quality assessment (DQA) methods mainly focus on the estimation of remaining haze, omitting the impact of distortions from the side effect of dehazing algorithms, which lead to their limited performance. Addressing this problem, we proposed a learning both Visibility and Distortion Aware features no-reference (NR) Dehazed image Quality Assessment method (VDA-DQA). Visibility aware features are exploited to characterize clarity optimization after dehazing, including the brightness, contrast, and sharpness aware feature extracted by complex contourlet transform (CCT). Then, distortion aware features are employed to measure the distortion artifacts of images, including the normalized histogram of local binary pattern (LBP) from the reconstructed dehazed image and the statistics of the CCT sub-bands corresponding to chroma and saturation map. Finally, all the above features are mapped into the quality scores by the support vector regression (SVR). Extensive experimental results on six public DQA datasets verify the superiority of proposed VDA-DQA in terms of the consistency with subjective visual perception, and outperforms the state-of-the-art methods.The source code of VDA-DQA is available at https://github.com/li181119/VDA-DQA

Variational models for color image processing in the RGB space inspired by human vision Mémoire d'Habilitation a Diriger des Recherches dans la spécialité Mathématiques

La recherche que j'ai développée jusqu'à maintenant peut être divisée en quatre catégories principales : les modèles variationnels pourla correction de la couleur basée sur la perception humaine, le transfert d'histogrammes, le traitement d'images à haute gammedynamique et les statistiques d'images naturelles en couleur. Les sujets ci-dessus sont très inter-connectés car la couleur est un sujetfortement inter-disciplinaire

Deep Spatiotemporal Clutter Filtering of Transthoracic Echocardiographic Images Using a 3D Convolutional Auto-Encoder

This study presents a deep convolutional auto-encoder network for filtering reverberation artifacts, from transthoracic echocardiographic (TTE) image sequences. Given the spatiotemporal nature of these artifacts, the filtering network was built using 3D convolutional layers to suppress the clutter patterns throughout the cardiac cycle. The network was designed by taking advantage of: i) an attention mechanism to focus primarily on cluttered regions and ii) residual learning to preserve fine structures of the image frames. To train the deep network, a diverse set of artifact patterns was simulated and the simulated patterns were superimposed onto artifact-free ultra-realistic synthetic TTE sequences of six ultrasound vendors to generate input of the filtering network. The artifact-free sequences served as ground-truth. Performance of the filtering network was evaluated using unseen synthetic as well as in-vivo artifactual sequences. Satisfactory results obtained using the latter dataset confirmed the good generalization performance of the proposed network which was trained using the synthetic sequences and simulated artifact patterns. Suitability of the clutter-filtered sequences for further processing was assessed by computing segmental strain curves from them. The results showed that the large discrepancy between the strain profiles computed from the cluttered segments and their corresponding segments in the clutter-free images was significantly reduced after filtering the sequences using the proposed network. The trained deep network could process an artifactual TTE sequence in a fraction of a second and can be used for real-time clutter filtering. Moreover, it can improve the precision of the clinical indexes that are computed from the TTE sequences. The source code of the proposed method is available at: https://github.com/MahdiTabassian/Deep-Clutter-Filtering/tree/main.Comment: 18 pages, 14 figure