A quick search method for audio signals based on a piecewise linear representation of feature trajectories

This paper presents a new method for a quick similarity-based search through long unlabeled audio streams to detect and locate audio clips provided by users. The method involves feature-dimension reduction based on a piecewise linear representation of a sequential feature trajectory extracted from a long audio stream. Two techniques enable us to obtain a piecewise linear representation: the dynamic segmentation of feature trajectories and the segment-based Karhunen-L\'{o}eve (KL) transform. The proposed search method guarantees the same search results as the search method without the proposed feature-dimension reduction method in principle. Experiment results indicate significant improvements in search speed. For example the proposed method reduced the total search time to approximately 1/12 that of previous methods and detected queries in approximately 0.3 seconds from a 200-hour audio database.Comment: 20 pages, to appear in IEEE Transactions on Audio, Speech and Language Processin

Onset Event Decoding Exploiting the Rhythmic Structure of Polyphonic Music

(c)2011 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other users, including reprinting/ republishing this material for advertising or promotional purposes, creating new collective works for resale or redistribution to servers or lists, or reuse of any copyrighted components of this work in other works. Published version: IEEE Journal of Selected Topics in Signal Processing 5(6): 1228-1239, Oct 2011. DOI:10.1109/JSTSP.2011.214622

K-Space at TRECVid 2007

In this paper we describe K-Space participation in TRECVid 2007. K-Space participated in two tasks, high-level feature extraction and interactive search. We present our approaches for each of these activities and provide a brief analysis of our results. Our high-level feature submission utilized multi-modal low-level features which included visual, audio and temporal elements. Specific concept detectors (such as Face detectors) developed by K-Space partners were also used. We experimented with different machine learning approaches including logistic regression and support vector machines (SVM). Finally we also experimented with both early and late fusion for feature combination. This year we also participated in interactive search, submitting 6 runs. We developed two interfaces which both utilized the same retrieval functionality. Our objective was to measure the effect of context, which was supported to different degrees in each interface, on user performance. The first of the two systems was a ‘shot’ based interface, where the results from a query were presented as a ranked list of shots. The second interface was ‘broadcast’ based, where results were presented as a ranked list of broadcasts. Both systems made use of the outputs of our high-level feature submission as well as low-level visual features

Using the beat histogram for speech rhythm description and language identification

In this paper we present a novel approach for the description of speech rhythm and the extraction of rhythm-related features for automatic language identification (LID). Previous methods have extracted speech rhythm through the calculation of features based on salient elements of speech such as consonants, vowels and syllables. We present how an automatic rhythm extraction method borrowed from music information retrieval, the beat histogram, can be adapted for the analysis of speech rhythm by defining the most relevant novelty functions in the speech signal and extracting features describing their periodicities. We have evaluated those features in a rhythm-based LID task for two multilingual speech corpora using support vector machines, including feature selection methods to identify the most informative descriptors. Results suggest that the method is successful in describing speech rhythm and provides LID classification accuracy comparable to or better than that of other approaches, without the need for a preceding segmentation or annotation of the speech signal. Concerning rhythm typology, the rhythm class hypothesis in its original form seems to be only partly confirmed by our results

Deep Learning for Audio Signal Processing

Given the recent surge in developments of deep learning, this article provides a review of the state-of-the-art deep learning techniques for audio signal processing. Speech, music, and environmental sound processing are considered side-by-side, in order to point out similarities and differences between the domains, highlighting general methods, problems, key references, and potential for cross-fertilization between areas. The dominant feature representations (in particular, log-mel spectra and raw waveform) and deep learning models are reviewed, including convolutional neural networks, variants of the long short-term memory architecture, as well as more audio-specific neural network models. Subsequently, prominent deep learning application areas are covered, i.e. audio recognition (automatic speech recognition, music information retrieval, environmental sound detection, localization and tracking) and synthesis and transformation (source separation, audio enhancement, generative models for speech, sound, and music synthesis). Finally, key issues and future questions regarding deep learning applied to audio signal processing are identified.Comment: 15 pages, 2 pdf figure

Performance Following: Real-Time Prediction of Musical Sequences Without a Score

(c)2012 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other users, including reprinting/ republishing this material for advertising or promotional purposes, creating new collective works for resale or redistribution to servers or lists, or reuse of any copyrighted components of this work in other works