Finding Music in Chaos: Designing and Composing with Virtual Instruments Inspired by Chaotic Equations

Using chaos theory to design novel audio synthesis engines has been explored little in computer music. This could be because of the difficulty of obtaining harmonic tones or the likelihood of chaos-based synthesis engines to explode, which then requires re-instantiating of the engine to proceed with sound production. This process is not desirable when composing because of the time wasted fixing the synthesis engine instead of the composer being able to focus completely on the creative aspects of composition. One way to remedy these issues is to connect chaotic equations to individual parts of the synthesis engine instead of relying on the chaos as the primary source of all sound-producing procedures. To do this, one can create a physically-based synthesis model and connect chaotic equations to individual parts of the model. The goal of this project is to design a physically-inspired virtual instrument based on a conceptual percussion instrument model that utilizes chaos theory in the synthesis engine to explore novel sounds in a reliable and repeatable way for other composers and performers to use. This project presents a two-movement composition utilizing these concepts and a modular set of virtual instruments that can be used by anyone, which can be interacted with by a new electronic music controller called the Hexapad controller and standard MIDI controllers. The physically-inspired instrument created for the Hexapad controller is called the Ambi-Drum and standard MIDI controllers are used to control synthesis parameters and other virtual instruments

Recent Advances in Signal Processing

The signal processing task is a very critical issue in the majority of new technological inventions and challenges in a variety of applications in both science and engineering fields. Classical signal processing techniques have largely worked with mathematical models that are linear, local, stationary, and Gaussian. They have always favored closed-form tractability over real-world accuracy. These constraints were imposed by the lack of powerful computing tools. During the last few decades, signal processing theories, developments, and applications have matured rapidly and now include tools from many areas of mathematics, computer science, physics, and engineering. This book is targeted primarily toward both students and researchers who want to be exposed to a wide variety of signal processing techniques and algorithms. It includes 27 chapters that can be categorized into five different areas depending on the application at hand. These five categories are ordered to address image processing, speech processing, communication systems, time-series analysis, and educational packages respectively. The book has the advantage of providing a collection of applications that are completely independent and self-contained; thus, the interested reader can choose any chapter and skip to another without losing continuity

Models and analysis of vocal emissions for biomedical applications

This book of Proceedings collects the papers presented at the 3rd International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications, MAVEBA 2003, held 10-12 December 2003, Firenze, Italy. The workshop is organised every two years, and aims to stimulate contacts between specialists active in research and industrial developments, in the area of voice analysis for biomedical applications. The scope of the Workshop includes all aspects of voice modelling and analysis, ranging from fundamental research to all kinds of biomedical applications and related established and advanced technologies

Concatenative Synthesis for Novel Timbral Creation

Modern day musicians rely on a variety of instruments for musical expression. Tones produced from electronic instruments have become almost as commonplace as those produced by traditional ones as evidenced by the plethora of artists who can be found composing and performing with nothing more than a personal computer. This desire to embrace technical innovation as a means to augment performance art has created a budding field in computer science that explores the creation and manipulation of sound for artistic purposes. One facet of this new frontier concerns timbral creation, or the development of new sounds with unique characteristics that can be wielded by the musician as a virtual instrument. This thesis presents Timcat, a software system that can be used to create novel timbres from prerecorded audio. Various techniques for timbral feature extraction from short audio clips, or grains, are evaluated for use in timbral feature spaces. Clustering is performed on feature vectors in these spaces and groupings are recombined using concatenative synthesis techniques in order to form new instrument patches. The results reveal that interesting timbres can be created using features extracted by both newly developed and existing signal analysis techniques, many common in other fields though not often applied to music audio signals. Several of the features employed also show high accuracy for instrument separation in randomly mixed tracks. Survey results demonstrate positive feedback concerning the timbres created by Timcat from electronic music composers, musicians, and music lovers alike

Third-generation femtosecond technology

Chirped pulse amplification in solid-state lasers is currently the method of choice for producing high-energy ultrashort pulses, having surpassed the performance of dye lasers over 20 years ago. The third generation of femtosecond technology based on short-pulse-pumped optical parametric chirped pulse amplification (OPCPA) holds promise for providing few-cycle pulses with terawatt-scale peak powers and kilowatt-scale-average powers simultaneously, heralding the next wave of attosecond and femtosecond science. OPCPA laser systems pumped by near-1-ps pulses support broadband and efficient amplification of few-cycle pulses due to their unrivaled gain per unit length. This is rooted in the high threshold for dielectric breakdown of the nonlinear crystals for even shorter pump pulse durations. Concomitantly, short pump pulses simplify dispersion management and improve the temporal contrast of the amplified signal. This thesis covers the main experimental and theoretical steps required to design and operate a high-power, high-energy, few-cycle OPCPA. This includes the generation of a broadband, high-contrast, carrier envelope phase (CEP)-stable seed, the practical use of a high-power thin-disk regenerative amplifier, its efficient use for pumping a multi-stage OPCPA chain and compression of the resulting pulses. A theoretical exploration of the concept and its extension to different modes of operation, including widely-tunable, high-power multi-cycle pulse trains, and ultrabroadband waveform synthesis is presented. Finally, a conceptual design of a field synthesizer with multi-terawatt, multi-octave light transients is discussed, which holds promise for extending the photon energy attainable via high harmonic generation to several kiloelectronvolts, nourishing the hope for attosecond spectroscopy at hard-x-ray wavelengths

34th Midwest Symposium on Circuits and Systems-Final Program

Organized by the Naval Postgraduate School Monterey California. Cosponsored by the IEEE Circuits and Systems Society. Symposium Organizing Committee: General Chairman-Sherif Michael, Technical Program-Roberto Cristi, Publications-Michael Soderstrand, Special Sessions- Charles W. Therrien, Publicity: Jeffrey Burl, Finance: Ralph Hippenstiel, and Local Arrangements: Barbara Cristi