Reverse engineering of double compressed images in the presence of contrast enhancement

Abstract-A comparison between two forensic techniques for the reverse engineering of a chain composed by a double JPEG compression interleaved by a linear contrast enhancement is presented here. The first approach is based on the well known peak-to-valley behavior of the histogram of double-quantized DCT coefficients, while the second approach is based on the distribution of the first digit of DCT coefficients. These methods have been extended to the study of the considered processing chain, for both the chain detection and the estimation of its parameters. More specifically, the proposed approaches provide an estimation of the quality factor of the previous JPEG compression and the amount of linear contrast enhancement

Motion hints based video coding

The persistent growth of video-based applications is heavily dependent on the advancements in video coding systems. Modern video codecs use the motion model itself to describe the geometric boundaries of moving objects in video sequences and thereby spend a significant portion of their bit rate refining the motion description in regions where motion discontinuities exist. This explicit communication of motion introduces redundancy, since some aspects of the motion can at least partially be inferred from the reference frames. In this thesis work, a novel bi-directional motion hints based prediction paradigm is proposed that moves away from the traditional redundant approach of careful partitioning around object boundaries by exploiting the spatial structure of the reference frames to infer appropriate boundaries for the intermediate ones. Motion hint provide a global description of motion over specific domain. Fundamentally this is related to the segmentation of foreground from background regions where the foreground and background motions are the motion hints. The appealing thing about motion hints is that they are continuous and invertible, even though the observed motion field for a frame is discontinuous and non-invertible. Experimental results show that at low bit rate applications, the motion hints based coder achieved a rate-distortion (RD) gain of 0.81 dB, or equivalently 13.38% savings in bit rate over the H.264/AVC reference. In a hybrid setting, this gain increased to 0.94 dB and 20.41% bit rebate is obtained. If both low and high bit rate scenarios are considered then the hybrid coder showed a RD performance of 0.80 dB, or equivalently 16.57% savings in bit rate. The usage of higher fractional pixel accurate motion hint, predictive coding of motion hint, a memory-based initialization for motion hint estimation improved the RD gain to 0.85 dB and 17.55% of bit rebate. The prediction framework is highly flexible in the sense that the motion model order for the hints can be content adaptive i.e. it can accommodate different motion models like affine, elastic, etc. Detecting motion discontinuity macroblocks (MBs) is a challenging task and the prediction paradigm managed to detect a significant number of such MBs. If the motion hints based prediction is used as a prediction mode for MBs, at low bit rates almost 50% of the motion discontinuity MBs chose to use affine hint mode and this number increased to 60% if elastic hint is used

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field