64 research outputs found

    Ming-Hui Lin, flute and Ayako Yoda, piano and harpsichord, April 25, 2015

    Full text link
    This is the concert program of the Ming-Hui Lin, flute and Ayako Yoda, piano and harpsichord performance on Saturday, April 25, 2015 at 8:30 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were Sonata in C major for Flute and Basso Continuo, BWV 1033 by Johann Sebastian Bach, Sonata for Flute and Piano, No. 3 by Philippe Gaubert, Sonatina for Flute and Piano by Eldin Burton, Syrinx for Flute solo by Claude Debussy, and Introduction and Variations on "Trockne Blumen" in E minor for Flute and Piano, D802 by Franz Schubert. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Boston University Early Music Series, January 27, 1995

    Full text link
    This is the concert program of the Boston University Early Music Series performance on Friday, January 27, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in C major for Flute and Basso Continuo, BWV 1033 by Johann Sebastian Bach and Carl Philipp Emanuel Bach, Sonata in G major for Viola da Gamba and Basso Continuo from "Der Getreue Musik-Meister" by Georg Philipp Telemann, Sonata in E minor for Flute and Basso Continuo by Frantisek Benda, Biblical Sonata IV for Harpsichord "Hiskia agonizzante e risanto" by Johann Kuhnau, Sonata in E minor for Flute and Basso Continuo, W. 120 by Carl Philipp Emanuel Bach, and "Paris" Quartet in E minor for Flute, Violin, Viola da Gamba and Basso Continuo by Georg Philipp Telemann. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Concert recording 2015-11-23

    Get PDF
    [Track 01]. Sonata in C major BWV 1033. Andante ; [Track 02]. Allegro ; [Track 03]. Adagio ; [Track 04]. Menuet I ; Menuet II / J.S. Bach -- [Track 05]. Mawal for solo flute / Avi Eilam-Amzallag -- [Track 06]. 2 flutes in 3 scenes. Burghers ; [Track 07]. There were daffodils ; [Track 08]. By royal coach / Gary Schocker -- [Track 09]. Andante and allegretto from Sonata for flute and piano / General John Reid -- [Track 10]. Fantasie / Gabriel Fauré

    John Solum, flauto traverso and Igor Kipnis, harpsichord, November 16, 1984

    Full text link
    This is the concert program of the John Solum, flauto traverso and Igor Kipnis, harpsichord performance on Friday, November 16, 1984 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonata in E minor, K. 81 for flauto traverso and continuo by Domenico Scarlatti, Prelude and Allegro in A minor (before 1720) by George Frideric Handel, Overture to "Allessandro" by G. F. Handel, Sonata in C major, BWV 1033 for unaccompanied flauto traverso (from the sonata for flauto traverso and continuo) by Johann Sebastian Bach, Sonata in D major for flauto traverso and continuo by G. F. Handel, Three Sonatas, in D major, D major, and D minor (K. 118-119-120) by D. Scarlatti, and Sonata in A major, BWV 1032 for flauto traverso and obbligato harpsichord by J. S. Bach. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Emily Sulka, Junior Flute Recital

    Get PDF

    Bridging the Gap: A Study of Compositional Similarities Across Time, The \u27Realization\u27 Techniques of Johann Sebastian Bach and Louis Armstrong

    Get PDF
    This study is an examination of certain compositional techniques during the Baroque and jazz eras and how there are unexpected similarities throughout. The premise of this argument draws attention to the notion that, although the world has changed, this particular compositional technique has remained relatively unaltered. Given the aesthetic differences between these two compositional styles, the unlikely conclusion is that some aspects of music truly never go away, they simply change procedures. By examining the emergence of the figured-bass style in the Baroque period and certain notational features in jazz, the evidence will trace the origins of these compositional techniques as exemplified in the works of Johann Sebastian Bach’s Flute Concerto, BWV 1033 and Louis Armstrong’s Potato Head Blues

    Abigail Karn, Junior Flute Recital

    Get PDF

    Student Ensemble: Guitar and Friends

    Get PDF
    Kemp Recital HallOctober 28, 2015Wednesday Evening7:30 p.m

    Graduate Recital: Stefanie Abderhalden, Flute; Patricia Foltz, Piano; March 30, 2010

    Get PDF
    Kemp Recital HallMarch 30, 2010Tuesday Evening6:00 p.m

    Jeremy McEntire, flute, and Charles Hulin, piano

    Get PDF
    corecore