Mihailo Petrović Alas developed his ideas on mathematical phenomenology
at the time when Husserl’s phenomenology was quite
influential, however, it seems that Petrović’s understanding of phenomenology
isn’t related to Husserl’s. Instead of mechanisms of consciousness,
mathematical phenomenology mostly deals with natural
phenomena and aims to provide mathematical models of physical
processes. While the phrase “mathematical phenomenology” can
be traced back to Ludwig Boltzmann, Petrović’s work is more closely
linked to the ancient Pythagorean-Platonic philosophy of nature
and the ideas of thinkers like Descartes and Leibniz. In ancient times,
mathematical analogies were often tied to the concepts of musical
harmony and symmetry. In modern philosophy and science, even
though symmetry retains an important role, mathematical analogies
are based on observed patterns in physical phenomena, which
don’t have to include any degree of musical harmony, as Plato and
the Pythagoreans would have thought. In a certain way, mathematical
phenomenology of Mihailo Petrović Alas bridges the gap between
aesthetically inspired natural-philosophical theories and contemporary
developments in non-linear physics and dynamics. This raises
important questions: how much has mathematical modelling evolved
since antiquity? After simplifying complex ideas, do we still rely on
the same foundational concepts? What are the limits of mathematical
modelling?Balkan Analytic Forum 3: Intentionality & Intentionality of Emotions
International Conference, 2–12. October 2025. Belgrad
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