Abstract
This thesis explores the creation of the original orchestral score for Memories, a short film by the visual artist TRGNY. The film unfolds as a dreamlike journey through the inner landscape of a character’s past, a world of symbolic figures and green fields transformed into memory-scapes, reflecting on the irreversible nature of memory. The score was composed to mirror this atmosphere: subtle, expressive, and open to interpretation. Through evolving themes, delicate textures, and dynamic pacing, the music supports the film’s emotional undercurrents generally without imposing fixed meaning. This work reflects on the collaborative process and examines how music can give voice to the unspoken in a narrative built on impression rather than plot.https://remix.berklee.edu/graduate-studies-scoring/1311/thumbnail.jpSimilar works
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Last time updated on 08/10/2025
This paper was published in Berklee Research Media and Information Exchange (REMIX).
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