Strings of Identity: The convergence of Choro and Global Jazz in the 10-String Mandolin

Abstract

This project explores the innovative combination of Brazilian Choro and Global Jazz through the 10-string mandolin, reflecting my personal and musical identity while opening new sonic dimensions for the instrument. Motivated by a desire to expand approaches in Choro and mandolin with the creative freedom of Jazz, I composed seven original pieces that blend Choro’s melodic tradition with Global Jazz concepts, including Tetrachords, Zero Gravity, Comprovisation, and Fear Training. The research explores the mandolin’s polyphonic potential, new harmonic pathways, and rhythmic complexity, proposing a fresh approach to interpreting and performing the instrument. A meaningful experience at the Panama Jazz Festival reinforced my understanding of music as a tool for social impact, cultural exchange, and education, inspiring the project’s commitment to these dimensions. Additionally, the project addresses Choro’s historically male-dominated tradition by advocating for inclusion, mentorship, and gender equity in musical spaces. This work contributes to the field by offering new techniques, creative models, and educational resources that encourage dialogue, empathy, and collaboration, showing how tradition can be honored while inviting innovation to build a more connected and socially conscious musical community.https://remix.berklee.edu/graduate-studies-global-jazz/1189/thumbnail.jp