This article discusses a play published in The Strand Magazine during the First World War which features a cyborg presenting anti-war and pacifist messages,
used by The Strand to create anti-German propaganda. The article draws on theories of disability, cyborgs and the posthuman, and from new research on wartime fiction magazines. The importance of the cyborg character,
Soldier 241, for the literary history of science fiction is explored by focusing on the relations between the mechanical and the impaired body, and on the
First World War as a nexus for technological, surgical and military development. As a cyborg, this character reflects politicized desires that the wartime authorities did not acknowledge: a longing for the end of war, and
refusal to countenance a society that rejected the impaired body
