The Clash of Storytelling and History

Abstract

One of the most enduring archetypes of heroic storytelling is the triumph of the underdog: a figure who overcomes great and powerful foes due to their innate virtues, the nobility of their goal, or the hubris of their arrogant and highly flawed enemy. Their triumph illustrates the existence of greater forces of fairness, justice, and righteousness in their story world: a world in which they who are truly deserving of victory find it, and they who are unworthy are cast down – a story which has a spotty record at best in the real world. The narrative does not necessarily have to be so grand, either (the casting down of an enemy is completely optional). The enduring narrative of the self-made-man, for instance, follows a similar path: here is a person who has no material advantages to speak of, but is able to rise to the top of society through their own virtue and skill, triumphing against all odds [excerpt]