Come, Gang Awa\u27 Wi\u27 Me

Oh! come my love, the moon shines bright Across yon rippling sea, Come let thy heart be gay and light, And hasten love wi\u27 me. \u27Tis mony a night sin\u27 first we met, Beneath the greenwood tree, Then let thy heart be lighter yet, Come, gang, awa\u27 wi\u27 me. \u27Tis mony a night sin\u27 first we met, Beneath the greenwood tree, Then let thy heart be lighter yet, Come, gang, awa\u27 wi\u27 me. Oh! tarry not, my only love, I\u27ve pledg\u27d myself to thee; And by yon starts that shine above, Forever thine I\u27ll be. \u27Tis mony a night sin\u27 first we met, Beneath the greenwood tree, Then say ere yonder stars have set, Thou\u27lt gang awa\u27 wi\u27 me. \u27Tis mony a night sin\u27 first we met, Beneath the greenwood tree, Then say ere yonder stars have set, Thou\u27lt gang awa\u27 wi\u27 me. Thy features are so fair my love, Thy mind is ever free, Oh! let thy willing heart still prove, The love thou bear\u27st to me. \u27Tis mony a night sin\u27 first we met, Beneath the greenwood tree, Then say ere yonder stars have set, Thou\u27lt gang awa\u27 wi\u27 me. \u27Tis mony a night sin\u27 first we met, Beneath the greenwood tree, Then say ere yonder stars have set, Thou\u27lt gang awa\u27 wi\u27 me

Care of the Dying: The Doctor and Euthanasia

The quality of the doctor patient relationship is central in this discussion of the euthanasia problem. Robert Rizzo, Ph.D., is Assistant Professor in the Department of Religious Studies at Canisius College, Buffalo, N.Y. Joseph Yonder teaches medical ethics at Trocaire College, Buffalo, N.Y. and is also an Inhalation Therapy Technician at Buffalo\u27s Columbus Hospital

Philosophy at Cambridge, Newsletter of the Faculty of Philosophy

Philosophy newsletter. Articles by: Jane Heal: From the Chair Jonathan Lear: Radical Hope. Ben Colburn: Philosophy at Cambridge through the Years Lewis Evans; Adrian Boutel: From Law to Philosophy. Jonathan Brown: Part I, Part II, Part Yonder. Barbara Kay: The Moral Sciences ClubPhilosophy at Cambridge. Newsletter of the Philosophy Facult

Ellalou Dimmock Honors Voice Recital, November 7, 2006

This is the concert program of the Ellalou Dimmock Honors Voice Recital performance on Tuesday, November 7, 2006 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were from Nine Shakespeare Songs by Thomas Augustine Arne, from Mignonlieder, Op. 98a by Robert Schumann, and Airs Chanté by Francis Poulenc. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Moon is Beaming O\u27er the Lake

The moon is beaming o\u27er the lake, Come sail in our light canoe;Sweet sounds of music we\u27ll awake,As we glide o\u27er the waters blue,The moon is beaming o\u27er the lake,Come sail in our light canoe;Sweet sounds of music we\u27ll awake,As we glide o\u27er the waters blue.In our light canoe,Over the rippling silver tide,While free from care,As away we merrily glide. The vesper bell is pealing,From yonder lonely tow\u27r,its tones now gently stealing, Proclaim the vesper hour,The vesper bell is pealing, From yonder lonely tow\u27rIts tunes now gently stealing, Proclaim the vesper hour.Sweet sounds arise,Like one of earth\u27s sweetest melodies,Now sad, now gay,To the tranquil skies,Like one of earth\u27s sweetest melodies

Hallowe'en, October 31, 1994

This is the concert program of the Hallowe'en performance on Monday, October 31, 1994 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Rotae Passionis by Christopher Rouse, Leaden Echo, Golden Echo by Bruce MacCombie, Hallowe'en by Charles Ives, and Hyde and Jekyll by Jon Deak. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Ellalou Dimmock Honors voice recital, November 18, 2003

This is the concert program of the Ellalou Dimmock Honors Voice Recital performance on Tuesday, November 18, 2003 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Puisqui'ici-bas toute âme by Gabriel Fauré; Il pescatore canta, Aprile, Non t'amo più, and L'ultima canzone by Paolo Tosti; Lieder und Gesänge aus "Wilhelm Meister" by Robert Schumann; The Dream, All once I gladly owned..., Night is mournful, and Do not sing, my beauty, to me! by Sergei Rachmaninoff; Tres Poemas, Op. 82 by Joaquín Turina, and Suzel buon di... by Pietro Mascagni. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund

Demonstrative Paradigms in English and Ibibio: Some Contrastive Observations

This paper describes demonstrative paradigms in English and Ibibio based on their syntactic and semantic behaviours, especially with English as the language of education in Nigeria. This study is anchored on Chomsky (1986) generative grammar paradigm to explain the structures of demonstratives in the two languages and argues that the structures resemble and differ from each other in some respects and gives possible linguistic implications for Ibibio speakers of English. While data for English were extracted from English grammar texts, those of Ibibio were extracted by the researcher’s native speaker’s knowledge of the language. From the analyses, it is discovered that while demonstrative paradigm in English is a two-way opposition, Ibibio has a three-way opposition. It explains that all demonstratives in English inflect for person and number whereas of the two classes of demonstratives in Ibibio one class inflects for number while the other does not. It establishes that this grammatical unit functions as subject and determiner in the two languages while in Ibibio it further functions as an article and a verb