12,658 research outputs found

    Gravitational ultrarelativistic interaction of classical particles in the context of unification of interactions

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    The response of the ultrarelativistic particle with spin in a Schwarzschild field to the gravitomagnetic components as measured by the comoving observer is investigated. The dependence of the particle's spin-orbit acceleration on the Lorentz \gamma - factor and the spin orientation is studied. The concrete circular ultrarelativistic orbit of radius r=3m is considered as a partial solution of the Mathisson-Papapetrou equations and as the corresponding high-energy quantum state of the Dirac particle. Numerical estimates for protons and electrons near black holes are given. A tendency of gravitational and electromagnetic interactions to approach in quantitative terms at ultrarelativistic velocities is discussedComment: 16 page

    Review Of An Introduction To Buddhist Psychology By P. DeSilva

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    Review Of The Microbial Models Of Molecular Biology: From Genes To Genomes By R. H. Davis

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    Review Of The Late Henry Moss By S. Shepard And Performed By Signature Theatre Company

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    Review Of Chicago Sociology, 1920-1932 By R. E.L. Faris

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    Review Of The Elizabethan Country House Entertainment: Print, Performance, and Gender By E. Z. Kolkovich

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    Review Of Selling Empire: India In The Making Of Britain And America, 1600–1830 By J. Eacott

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    Sports For All The Right Reasons

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    Fertilization Narratives In The Art Of Gustav Klimt, Diego Rivera And Frida Kahlo: Repression, Domination And Eros Among Cells

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    Fertilization narratives are powerful biological stories that can be used for social ends, and 20th-century artists have used fertilization-based imagery to convey political and social ideas. In Danae, Gustav Klimt used an esoteric stage of early human embryos to indicate successful fertilization and the inability of government repression to stifle creativity. In Man, Controller of the Universe, Diego Rivera painted a mural of a man controlling an ovulating ovary, depicting Trotsky\u27s view that society will rationally regulate human fertilization. His former wife, Frida Kahlo, refuted this view in Moses: Nucleus of Creation, wherein she painted images of fertilization and embryo formation as the ultimate acts of erotic consummation and generation
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