Baird, Charles C., 1911-2006 (SC 2463)

Finding aid only for Manuscripts Small Collection 2463. Phonograph record with recorded letter from Charles Baird to Tom Baird in care of Scott Tobacco Company, Bowling Green, Kentucky. Mailing envelope is postmarked San Francisco, California and labeled: This is a recorded message from your Man in Service. Both phonograph and cover note: Courtesy of Pepsi Cola and contain the company logo

Spirited Away

At first sight the fields of magic and science do not have much of an overlap. This notion however is completely untrue for the fairly long period between 1860 and 1930. A surprisingly high number of scientists and inventors of this time were fascinated by spiritualism and believed in the existence of paranormal forces. Marie Curie for example regarded mediumistic séances as "scientific experiments" and thought it possible to discover in spiritualism the source of an unknown energy that would reveal the secret of radioactivity. Thomas Ava Edison for his part announced an extension to his phonograph in 1921 that would extract thoughts and feelings from dead bodies in order to store and play them back. He claimed that this was possible due the existence of "life units" - tiny energy particles that are the scientifically proved equivalent to the human soul Away from ideological judgment these examples illuminate an interesting crossover between the utopian vision of a boundless technology that helps to reveal even more mysteries of the immaterial world and an anti-modernist thought-space that is filled and nourished by ghost stories, an animistic world outlook and a dazzling array of esoteric philosophies. In this context the praxis of the commercial magical show plays a very interesting and intermediate roll that connects and correlates these two assumed opposite spheres

I Have No Pride : William Kennedy Laurie Dickson In His Own Words - An Autobiography

An early pioneer of cinema technology, author, photographer, and film director W.K.L. Dickson\u27s was one of the first people to perform a new type of subjectivity that we understand as multi-media. Working in the laboratory of Thomas Alva Edison, Dickson\u27s papers, photographs, and films have been carefully preserved as part of the Edison Papers Project and an examination of this archive rises to the level of autobiography. Authors Wyn Wachhorst, Paul Israel, and Charles Musser help to bring to life the world of the Edison Laboratory, the world\u27s first pure research and development company. Dickson\u27s own work speaks across the decades. He inscribed himself into the world\u27s earliest cinema and tells his own story from cinema space and through the materials in his copious archive

Disembodiment: Reproduction, Transcription, And Trace

This article poses the question, what is so great about the body? Recent scholarship has emphasized the concept of an embodied cognition and reminded us of the significance of embodiment in musical performance. Yet, vital as these observations may be, they offer only a limited view of what ‘touch’ can mean. Following the semiotic notion of the index as a sign with a real connection to its object, writers and artists such as Friedrich Kittler, Ai Weiwei, Kenneth Goldsmith and Nicolas Donin have reflected on how the reproductions of the gramophone needle, the calligrapher's brush, the blogger's keyboard, and the programmer's code can trace meaningful points of contact. Examples from my own practice illustrate some of the many possible ways that digital traces can be touching

Morgan's canon, Garner's phonograph, and the evolutionary origins of language and reason

`Morgan's canon' is a rule for making inferences from animal behaviour about animal minds, proposed in 1892 by the Bristol geologist and zoologist C. Lloyd Morgan, and celebrated for promoting scepticism about the reasoning powers of animals. Here I offer a new account of the origins and early career of the canon. Built into the canon, I argue, is the doctrine of the Oxford philologist F. Max Mu$ller that animals, lacking language, necessarily lack reason. Restoring the Mu$ llerian origins of the canon in turn illuminates a number of changes in Morgan's position between 1892 and 1894. I explain these changes as responses to the work of the American naturalist R. L. Garner. Where Morgan had a rule for interpreting experiments with animals, Garner had an instrument for doing them: the Edison cylinder phonograph. Using the phonograph, Garner claimed to provide experimental proof that animals indeed spoke and reasoned

Sound Scholarship: Scope, Purpose, Function and Potential of Phonorecord Archives

published or submitted for publicatio

UA94/6/2 Student / Alumni Personal Papers WKU Hilltoppers Quartet

Records created by and about the Hilltoppers quartet. The collection includes phonograph records, copies of scrapbooks, promotional materials and sheet music

Eat what you hear: Gustasonic discourses and the material culture of commercial sound recording

This article analyzes discursive linkages between acts of listening and eating within a combined multisensory regime that the authors label the gustasonic. Including both marketing discourses mobilized by the commercial music industry and representations of record consumption in popular media texts, gustasonic discourses have shaped forms and experiences of recorded sound culture from the gramophone era to the present. The authors examine three prominent modalities of gustasonic discourse: (1) discourses that position records as edible objects for physical ingestion; (2) discourses that preserve linkages between listening and eating but incorporate musical recordings into the packaging of other foodstuffs; and (3) discourses of gustasonic distinction that position the listener as someone with discriminating taste. While the gustasonic on one hand serves as an aid to consumerism, it can also cultivate a countervailing collecting impulse that resists music’s commodity status and inscribes sound recording within alternative systems of culture value

Vampires, Viruses and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-siècle science

This paper considers Bram Stoker’s novel Dracula, published in 1897, as a window into techno-scientific and sociocultural developments of the fin-de-siècle era, ranging from blood transfusion and virology up to communication technology and brain research, but focusing on the birth of psychoanalysis in 1897, the year of publication. Stoker’s literary classic heralds a new style of scientific thinking, foreshadowing important aspects of post-1900 culture. Dracula reflects a number of scientific events which surfaced in the 1890s but evolved into major research areas that are still relevant today. Rather than seeing science and literature as separate realms, moreover, Stoker’s masterpiece encourages us to address the ways in which techno-scientific and psycho- cultural developments mutually challenge and mirror one another, so that we may use his novel to deepen our understanding of emerging research practices and vice versa (Zwart 2008, 2010). Psychoanalysis plays a double role in this. It is the research field whose genealogical constellation is being studied, but at the same time (Lacanian) psychoanalysis guides my reading strategy. Dracula, the infectious, undead Vampire has become an archetypal cinematic icon and has attracted the attention of numerous scholars (Browning & Picart 2009). The vampire complex built on various folkloristic and literary sources and culminated in two famous nineteenth-century literary publications: the story The Vampyre by John Polidori (published in 1819)2 and Stoker’s version. Most of the more than 200 vampire movies released since Nosferatu (1922) are based on the latter (Skal 1990; Browning & Picart 2009; Melton 2010; Silver & Ursini 2010). Yet, rather than on the archetypal cinematic image of the Vampire, I will focus on the various scientific ideas and instruments employed by Dracula’s antagonists to overcome the threat to civilisation he represents. Although the basic storyline is well-known, I will begin with a plot summary