The Emberá, tourism and indigenous archaeology: "rediscovering" the past in Eastern Panama

En este artículo nos referimos al interés de los Emberá (un grupo indígena Amerindio) en adquirir conocimientos de los restos materiales del pasado - como fragmentos cerámicos coloniales y prehispánicos - que se encuentran fácilmente en el Panamá Oriental. Situamos el interés de los Emberá (y su deseo de aprender más del pasado) en el contexto del turismo indígena, que ha inspirado la articulación de nuevas narrativas sobre la historia e identidad de los Emberá. Adicionalmente, el descubrimiento accidental por los Emberá de restos materiales de períodos pasados ha instigado y facilitado la investigación arqueológica, un proceso que ha resultado en el intercambio recíproco de conocimientos entre los Emberá e investigadores académicos. Argumentamos aquí que esta relación recíproca puede contribuir a la descolonización de la arqueología, crear sinergias entre la antropología y la arqueología e incrementar la representación indígena en el turismo

Places in placelessness — notes on the aesthetic and the strategies of place–making

The paper discusses the aesthetic aspects of place‑making practices in the urban environment of Western metropoles that are struggling with the progressive undifferentiation of their space and the weakening of communal and personal bonds. The paper starts by describing the general characteristics of an urban environment as distinct from the traditional vision of a city as a well‑structured entity, and in relation to formal and informal aesthetics and participatory design ideas. The author then focuses on two contrary but complementary tactics for translating a space into a positively evaluated p l a ce: by dome ticating it through introducing nature into an urbanscape; and by accentuating its alienness with the example of the urban exploration movement. The growing popularity of the latter is presented in relation to the discourses related to the decline of cities and the romantic endeavours for reaching into the realm of the unknown or the uncanny in order to rediscover and enrich the unique identity of a place. The paper ends with conclusions that present the necessity for the cultivation of a multidimensional aesthetic awareness and an aesthetic engagement as a crucial issue in the complex task of endowing places with a density of meaning

The Museum on the Edge of Forever

This article argues that understanding any space or site relies on a knowledge of its fourth dimension - the timescape. It will explore this by situating the investigation in the museum - a place of heightened contrivance which could easily be shallowly interpreted as "mere style". It will defend a new method of investigating museum temporality which combines both phenomenology and literary theory, and will replace the idea of geo-epistemology with geochronic epistemology: an understanding of context and situation which takes on time as well as spatial location. In so doing, it moves on from notions of the museum as a place out of time, situating it in the networks of meaning, power and politics in which we have lived and are living. Thus, "the whole space of the exhibition" as Lyotard said, "becomes the remains of all time": the Museum on the Edge of Forever

Encountering the other: multiculturalism in Asian Australian women's fiction

In 2003 Tsen Ling Khoo pointed out that a new generation of Asian-Australians would soon be hailed by a body of diasporic texts that would reflect the experience of living in a white society as a minority group (108). What this experience might consist of as white Australia’s attitudes toward race relations have shifted from negative stereotyping to reify racial divisions and propagate a masked racism, a move described as ‘acceptance through difference, inclusion by virtue of otherness’, is both varied and predictable (Ang, 2001 146). In contemporary fiction written by second and third generation migrants contestations of selfhood, origin and identity experienced by hyphenated Asian-Australians, are represented through recurring narrative tropes: incomplete belonging encourages the multiracial protagonist to other the Asian ‘other’ in an attempt to diminish social alienation and difference: but there is also exoticising of such subjects as ’other’ by white Australians; return visits to the original Asian homeland in the hope of redressing the absences and tensions constitutive of migration reinforce the lack of belonging to either place. With reference to novels by authors like Simone Lazaroo, Michelle de Kretser and Alice Pung, read as strategic interventions into identity-based politics, this paper asks how recent Asian-Australian writing maps new cultural coordinates in the national landscape and negotiates interstitial positions between the white Australian present and the Asian heritage

Western colonial representations of the other: the case of Exotica Tibet

Alexandra David-Néel had influenced many belletrists as well as academics interested in Tibet by her travelogues and notes from journeys to Tibet, China, Nepal, Mongolia, and India. This text focuses on the image of her personality outlined in one of her most famous books, Voyage d'une Parisienne a Lhassa à Pied et en Mendiant de la Chine à l'Inde à Travers le Thibet, 1927. The image of a woman travelling to the forbidden mystical country, early anthropologist fascinated by Tibetan customs, and capable writer of novels pervades her books and gives an understanding of perspective oriental studies and early beginnings of Tibetan studies in Europe

Artistic Identities and Professional Strategies : Francophone Musicians in France and Britain

Funding This work was supported by Arts and Humanities Research Council [grant number AH/E508628/1] and European Commission [grant number HPSE-CT-2002-00133].Peer reviewedPostprin

Researching transitional justice in the Balkans: the victims of war crimes and their civic voice

In 2015, Dr Denisa Kostovicova was awarded a Leverhulme Research Fellowship that has allowed her to delve into the merits and limitations of a regional approach to transitional justice in the Balkans. In a series of blogs, Dr Kostovicova explores broader issues about the politics of confronting mass atrocity, and the ethics of studying how people and communities come to terms with the violent past. She begins with a discussion of her work in the field and the issue of victims and their civic voice

Moving the Maasai: A Colonial Misadventure

The history of the Maasai moves, land alienation and resistance in colonial British East Africa. In 1904, in order to make way for white settlers in what was to become Kenya, the Maasai were forcibly moved into two reserves, robbing them of the best part of their land in British East Africa. Using unique oral testimony and archival evidence, this book tells the true story behind the making of the 'White Highlands', and the repercussions of these events to the present day

Phantasms of Africa: Teatro Praga’s Zululuzuand mala voadora’s Moçambique

Recensão dos espetáculos Zululuzo de Teatro Praga e Moçambique de mala voadorainfo:eu-repo/semantics/publishedVersio