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Disciplinary departures and discipline formation: The institutional rationale
This paper analyses the institutional relationship between Creative Writing and Literary Studies, with their erstwhile close association and current drift towards disciplinary separation in view. It is in three parts. The first outlines some histories of the academic discipline of Creative Writing in the university. The second examines what’s involved for Creative Writing in discipline formation in the university, and touches on the role played by professional associations (with a particular emphasis on the case of NAWE in Britain). The third part comments on recent moves towards developing Creative Writing Studies
Brave New Worlds: Transcending the Humanities/STEM Divide through Creative Writing
Creative writing offers a critical and innovative form of inquiry promoting integrative learning that transcends disciplinary barriers. Authors first provide an overview of the scholarship on creative writing pedagogy, its unique capacity to engage a range of knowledge domains, and its significance for honors education. They then offer primary examples of incorporating creative writing projects into two honors classes that bridge STEM fields and the humanities. Analyses of student reflections (n = 35) in relation to learning outcomes strongly suggest that creative writing helps students explore course concepts through several ways of knowing—critical, situational, and affective—while fostering new perspectives on these concepts, their interconnections, and their implications. The value of creative writing as a platform for self-directed and interdisciplinary learning within the transdisciplinary context of honors is discussed
Recipients of the DLSU mini-grants for creative writing AY 2021-2022
The College of Liberal Arts Office of Research & Advanced Studies in cooperation with Office of the Vice President for Research & Innovation and Bienvenido N. Santos Creative Writing Center announced the recipients of the DLSU Mini-Grants for Creative Writing 2021-2022
The Undergraduate Creative Writing Workshop
More and more institutions are offering undergraduate Creative Writing Programmes. Many of these offer the workshop as part of that programme. The undergraduate
creative writing workshop differs from the postgraduate one and is also different from workshops offered outside of the academy. This paper defines that workshop, and
discusses some of its advantages and disadvantages. It offers some further thoughts about the undergraduate creative writing workshop in general. It looks at the format used at one institution, showing how previous modules feed into a Level 3 two semester long workshop. It illustrates the practice of one particular lecturer, giving
special emphasis to how work is marked and feedback given within sessions to ensure maximum confidence and progress in students. Suggestions are made of useful strategies for workshop facilitators. This paper proposes that participating in a workshop is a skill that needs to be taught and that that skill is enhanced in students as
they progress through the three levels, which in turn leads to the nature of the workshop changing as they progress
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