222,868 research outputs found
The Business Model Canvas
Painel do The Business Model generationThe Business Model Canva
Generating Sentences Using a Dynamic Canvas
We introduce the Attentive Unsupervised Text (W)riter (AUTR), which is a word
level generative model for natural language. It uses a recurrent neural network
with a dynamic attention and canvas memory mechanism to iteratively construct
sentences. By viewing the state of the memory at intermediate stages and where
the model is placing its attention, we gain insight into how it constructs
sentences. We demonstrate that AUTR learns a meaningful latent representation
for each sentence, and achieves competitive log-likelihood lower bounds whilst
being computationally efficient. It is effective at generating and
reconstructing sentences, as well as imputing missing words.Comment: AAAI 201
CanvasGAN: A simple baseline for text to image generation by incrementally patching a canvas
We propose a new recurrent generative model for generating images from text
captions while attending on specific parts of text captions. Our model creates
images by incrementally adding patches on a "canvas" while attending on words
from text caption at each timestep. Finally, the canvas is passed through an
upscaling network to generate images. We also introduce a new method for
generating visual-semantic sentence embeddings based on self-attention over
text. We compare our model's generated images with those generated Reed et.
al.'s model and show that our model is a stronger baseline for text to image
generation tasks.Comment: CVC 201
Endogenous
In my work I explore the exterior parts and interior sensations of the body, using both recognizable and imaginative abstract elements. Through this work I address issues affecting the body, specifically physical, sexual and verbal abuse. I’m interested in moments of trauma and their effects on the body. In my paintings I raise the questions: what goes on in the body? What could go on inside the body? What happens in the mind of person during a time of fear, and how does the body react to that? What would this look like on a canvas? My work explores the ways in which violence and stress affect people and bodies.
In my paintings, I destroy and recreate my own work. I build the thickness of oil paint with wax medium, layering it on canvas then scraping it off. I also use a liquid medium allowing the paint to glide onto the canvas. By pouring it, I only have a certain amount of control over where and how it moves. This tension between my body and the canvas relates to my interest in understanding the body and its inner sensations. Specifically, trying to understand how a type of abuse can affect the body, and how I would imagine that would look with paint. I essentially try to explore this by bringing what’s within, derived internally, out onto the canvas.
Influences for my work come from various sources, for instance, photographs, books, film stills, and personal experiences. When I reference something in my work, I take a part of it, for instance a section of a photograph or film still. By taking only a section from this source and putting it in my work, I’m intentionally hiding something from the viewer. My overall intention is to disorient the viewer leading them to question what is true or false and recognizable or unrecognizable. I explore the unexplainable and unseen, and lead the viewer to question what is true and what is false in the painting. My paintings are filtered through my impulses, memories and imagination. The obscure aspect of my work creates an uneasiness. I play with revealing and hiding what I want the viewer to see
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