Art-making and identity work: A qualitative study of women living with chronic fatigue syndrome/myalgic encephalomyelitis (CFS/ME)

This is the author's accepted manuscript. The final published article is available from the link below. Copyright @ 2010 Taylor & Francis.Aims: Identity is at risk in chronic fatigue syndrome/myalgic encephalomyelitis (CFS/ME) because of physical dysfunction, role loss and stigmatisation. This qualitative study explored the contributions of leisure-based art-making to the positive reconstruction of identity for women living with this condition. Method: Thirteen women with CFS/ME participated. They offered reflective accounts about their engagement in art-making in interviews or in writing, which were then thematically analysed. Findings: All described identity loss since becoming ill, and described art-making as offering restorative experiences. Some contrasting themes emerged. About half of the sample portrayed their art projects as constrained by ill-health, and as demonstrating the reality of CFS/ME to others. This sub-group struggled with limited aspirations, tended to create art alone and did not identify themselves as being artists. They were interpreted as “salvaging” aspects of identity through their art-making. Art-making appeared to offer others more substantial identity reconstruction, despite continuing ill-health. Participants in this sub-group described more positive aspirations, fellowship with other art-makers and typically perceived themselves as having become artists since the onset of illness. Conclusion: The study contributes new understandings of the contribution of art-making to the protection and reformulation of identity of people living with CFS/ME

Women's experiences of increasing subjective well-being in CFS/ME through leisure-based arts and crafts activities: A qualitative study

This is the author's accepted manuscript. The final published article is available from the link below. Copyright © 2008 Informa Plc.Purpose. To understand the meanings of art-making among a group of women living with the occupational constraints and stigma of CFS/ME. The study explored their initial motives for art-making, and then examined how art-making had subsequently influenced their subjective well-being. Method. Ten women with CFS/ME were interviewed; three provided lengthy written accounts to the interview questions. Findings. Illness had resulted in devastating occupational and role loss. Participants took many years to make positive lifestyle changes. Art-making was typically discovered once participants had accepted the long-term nature of CFS/ME, accommodated to illness, and reprioritized occupations. Several factors then attracted participants specifically to art-making. It was perceived as manageable within the constraints of ill-health. Participants also tended to be familiar with craft skills; had family members interested in arts and crafts, and some desired a means to express grief and loss. Once established as a leisure activity, art-making increased subjective well-being mainly through providing increased satisfaction in daily life, positive self-image, hope, and contact with the outside world. Participants recommended provision of occupational/recreational counselling earlier in the illness trajectory. Conclusions. Creative art-making occurred as part of a broader acceptance and adjustment process to CFS/ME, and allowed some psychological escape from a circumscribed lifeworld

The international phase 4 validation study of the EORTC QLQ-SWB32: a stand-alone measure of spiritual wellbeing (SWB) for people receiving palliative care for cancer

The EORTC Quality of Life (QL) Group has just completed the final phase (field-testing and validation) of an international project to develop a stand-alone measure of spiritual wellbeing (SWB) for palliative cancer patients. Participants (n= 451) - from 14 countries on four continents; 54% female; 188 Christian, 50 Muslim, 156 with no religion - completed a provisional 36-item measure of SWB plus the EORTC QLQ-C15-PAL (PAL), then took part in a structured debriefing interview. All items showed good score distribution across response categories. We assessed scale structure using Principal Component Analysis and Rasch analysis, and explored construct validity, and convergent/divergent validity with the PAL. Twenty-two items in four scoring scales (Relationship with Self, Relationships with Others, Relationship with Something Greater, and Existential) explained 53% of the variance. The measure also includes a global SWB item and nine other items. Scores on the PAL global QL item and Emotional Functioning scale weakly-moderately correlated with scores on the global SWB item and two of the four SWB scales. This new validated 32-item SWB measure addresses a distinct aspect of QL, and is now available for use in research and clinical practice, with a role as both a measurement and an intervention tool

A dataset of acoustic measurements from soundscapes collected worldwide during the COVID-19 pandemic

Political responses to the COVID-19 pandemic led to changes in city soundscapes around the globe. From March to October 2020, a consortium of 261 contributors from 35 countries brought together by the Silent Cities project built a unique soundscape recordings collection to report on local acoustic changes in urban areas. We present this collection here, along with metadata including observational descriptions of the local areas from the contributors, open-source environmental data, open-source confinement levels and calculation of acoustic descriptors. We performed a technical validation of the dataset using statistical models run on a subset of manually annotated soundscapes. Results confirmed the large-scale usability of ecoacoustic indices and automatic sound event recognition in the Silent Cities soundscape collection. We expect this dataset to be useful for research in the multidisciplinary field of environmental sciences

Conservation unit status inferred for plants by combining interspecific crosses and AFLP

Hybridization and introgression are common in plants and lead to morphological similarity between species and taxonomic confusion. This gene flow with closely related species can complicate efforts to determine whether an endangered taxon is evolutionarily distinctive and should be identified as a separate conservation unit. Potentilla delphinensis is a rare and threatened endemic species of the Southern French Alps. Two common related taxa (P. grandiflora and P. thuringiaca) are morphologically similar and occur in the same geographical locations. Thus, whether P. delphinensis represents a reliable conservation unit remained unclear. Our evaluation procedure based on a combination of molecular biology and interspecific crosses was used to define taxa within these plants. Plants were sampled from a total of 23 single and mixed localities for the three supposed taxa and were genotyped with 68 polymorphic Amplified Fragment Length Polymorphism (AFLP) loci. Fourty-one seedlings from interspecific crosses were obtained and genotyped. Amplified Fragment Length Polymorphism markers identified four genetically distinct units (P. delphinensis, P. grandiflora and two distinct groups of P. thuringiaca). All individuals of P. delphinensis formed a homogeneous and distinct taxon. This taxon was most probably an old allopolyploid from P. grandiflora and the related group of P. thuringiaca. Interspecific crosses gave low seed set and low germination rate. Furthermore, assignment test indicated that seedlings obtained from interspecific crosses were essentially apomictic rather than hybrids. These results suggest that a reproductive barrier exists between the different taxa. In conclusion, all results supported P. delphinensis as a true biological species and justified its conservation unit status. A surprising outcome of this work was the evidence of a potential new cryptic species. This study demonstrated the need to combine a molecular marker-based approach and pollination experiments for an accurate evaluation of plant taxa