7 research outputs found
Jana Sterbak : Photopractice
In this catalogue for an exhibition that surveys Sterbak’s photography, Nemiroff concludes that the most predominant feature are the photographs that demonstrate the use or the fortune of the artist’s sculptural objects. Far from conferring on them a secondary status, Nemiroff argues that the photographs make clear the importance of performance in Sterbak’s art and contribute to situating her objects in a broader reality. Includes a brief artist statement and excerpts of texts by W.H. Auden and J. Saramango. List of works. 8 bibl. ref
Identity/Identities : An Exploration of the Concept of Female Identity in Contemporary Society
Presentation of seven Canadian and American women artists exploring in diverse media the common theme of multiplicity of self and experience. Madill's text refers to a poststructuralist critique of language and representation, and to the questioning of fixed subjectivity. Personal statements by six of the artists. Biographical notes. 16 bibl. ref
The Impossible Self
Conceived of as a "sequel" to "Space Invaders", the exhibition investigates the relationship between art and popular culture. Work by nine international artists is brought together with two essays, extensive interviews and artist's statements to develop various concepts of the self in Western thought and cultural production
Postmarked New York
Uniting these artists is their expatriate status in New York City and their attention to the culture and history of others. Within this, the differences of practise (in this case, drawing and painting) of each is briefly observed in Walter's statement. Statements by the artists. Biographical notes
Livres d'artistes-femmes : Une exposition de livres contemporains réalisés par des artistes canadiennes comprenant des "livres-objets" uniques ou des livres faisant partie d'éditions à petits tirages = Women's Bookworks : A Survey of Contemporary 4 by Canadian Women Including Unique Book-Objects and Printed Editions
This boxed catalogue assembles separate leaflets (with photographs and artist's statements) documenting 59 books created by 48 Canadian women artists, in addition to works by 9 invited artists. Following a brief history of the genre, McCutcheon traces the project's development, surveys the state of the book-object in Canada, and goes on defining relevant categories. Some artist's statements in French only