52 research outputs found
Theuth versus Thamus: the esoteric Plato revisited
The distinction between esoteric and exoteric readings of Plato will be revisited in this article with respect to two esoteric approaches: the German TĂŒbingen School and the American Straussians (i.e., those interpreters who have been inspired by the work of Leo Strauss). There appears to be a joint motivation for these two approaches, namely, the critique of writing in the dialogue Phaedrus and especially Socratesâ objection that the written text speaks indiscriminately to every audience. While the Straussians claim that the Platonic dialogues are exempt from the critique because they exhibit the flexibility of oral speech, the TĂŒbingen School relates the dialogues to an unwritten Platonic doctrine. In this article, I argue that both approaches rightly alert us to the significance and complexity of the critique of writing, yet provide one-sided readings which do not consider all of Socratesâ arguments and neglect the positions ascribed to Theuth and Thamus. When the different arguments are taken into account, the ambiguity of writing is revealed which does not allow for simple solutions concerning the status of the Platonic dialogues as written texts.The distinction between esoteric and exoteric readings of Plato will be revisited in this article with respect to two esoteric approaches: the German TĂŒbingen School and the American Straussians (i.e., those interpreters who have been inspired by the work of Leo Strauss). There appears to be a joint motivation for these two approaches, namely, the critique of writing in the dialogue Phaedrus and especially Socratesâ objection that the written text speaks indiscriminately to every audience. While the Straussians claim that the Platonic dialogues are exempt from the critique because they exhibit the flexibility of oral speech, the TĂŒbingen School relates the dialogues to an unwritten Platonic doctrine. In this article, I argue that both approaches rightly alert us to the significance and complexity of the critique of writing, yet provide one-sided readings which do not consider all of Socratesâ arguments and neglect the positions ascribed to Theuth and Thamus. When the different arguments are taken into account, the ambiguity of writing is revealed which does not allow for simple solutions concerning the status of the Platonic dialogues as written texts
Social networks as inauthentic sociality
This article argues that social networks constitute an inauthentic form of sociality. The two component concepts of this claim, inauthenticity and sociality, are explored in order to avoid some widespread misinterpretations. Inauthenticity is examined on the basis of the relevant sections in Heideggerâs 'Being and Time', first with respect to its main characteristics, then in terms of what motivates it and its benefits, and finally with respect to its status as a non-normative concept. The second part of the paper explores sociality. Here, a main emphasis is the way in which my body imposes constraints on my social relations in the here and now, which virtuality appears to overcome. Yet such an escape from corporeality is not ultimately possible. The third and final part takes the analysis to the wider level of world, that is, our current historical world which has given rise to such an understanding of sociality
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Whoâs afraid of birth? Exploring mundane and existential affects with Heidegger
While certain levels of fear and anxiety seem quite appropriate to the experience of birth, it is detrimental if they become overwhelming. This article strives to understand birth-related affects more thoroughly by asking which affects are commonly involved, and how they come about. Martin Heidegger provides the most developed phenomenology of affects available to us. A phenomenological perspective proves useful because its close description allows categorising affects into mundane ones like fears (evoked by specific entities and circumstances) and existential ones like anxiety. Anxiety concerns our existence in its entirety and brings us face to face with the fact that we are finite beings in a groundless existence. Giving birth means needing to negotiate existential affects in a mundane situation. The birth-giving woman is dependent on others to take her seriously in her experience of affective turmoil in which anxiety and wonder, fears and anticipatory anxiousness come together
BioRegio, BioProfile and the rise of the German biotech industry
The BioRegio contest and the BioProfile contest initiated by the German Federal Government have drawn much international attention as prototypes of a new kind of technology policy aiming at the exploitation of regional innovation and growth potential through clustering. There is, however, little systematic analysis of their actual impact on the development of commercial biotechnology in Germany. The current paper tries to fill this gap. We find that although these contests have catalyzed the emergence and early growth of German commercial biotech it takes more than isolated policy action by national governments to grow a self-sustainable biotech industry in Europe
Passivity, being-with and being-there: care during birth
This paper examines how to best be with women during birth, based on a phenomenological description of the birth experience. The first part of the paper establishes birth as an uncanny experience, that is, an experience that is not only entirely unfamiliar, but even unimaginable. The way in which birth happens under unknowable circumstances (in terms of when, how, with whomâŠ) creates a set of anxieties on top of the fundamental anxiety that emerges from the existential paradox by which it does not seem possible for a body to give birth to another body. Would homebirth provide a remedy to the uncanniness? The result yielded by medical studies is confirmed by the phenomenological perspective taken here: homebirth might be reassuring for some, but not for everybody; choice of birth place is important. Once the birth process starts happening, another layer of strangeness is added: it turns out to be an experience of radical passivity and waiting, normally. The question thus becomes how to best care for somebody who is exposed to uncanniness, passivity, and waiting. Martin Heideggerâs concepts of care and discourse prove useful in examining how to facilitate rather than interrupt this process. It becomes necessary to think beyond verbal communication towards a wider concept of communication that involves silence and intercorporeality. Birth requires a special kind of being-with as being-there
Between platonic love and internet pornography
The article sets out to show how an holistic approach in matters of sexuality is always more helpful than one-sided approaches. On the issue of internet pornography, the authors suggest that the recent anti-masturbation online movement âno fappingâ is based on wrong conclusions from insufficient evidence. We suggest that a holistic approach is called for, with emphasis on the embodied human. Abstinence or what is understood by âPlatonic loveâ is not a solution, according to Plato himself. From a phenomenological perspective, we suggest owning up to our strange bodies and habitualising sexual activity
The refuge of the good in the beautiful
In the Platonic dialogues, the enigmatic concept of the good tends to retreat at those very moments when it is supposed to show itself. This paper examines the relation between the beautiful and the good as the good takes refuge in the beautiful. Hans-Georg Gadamer holds a particular interest in these retreats since they show that there is actually an emphasis on appearances and the human good in Plato. In contrast, Emmanuel Levinas is critical of the primacy of vision and the beautiful from an ethical perspective. The relevant passages in the dialogues will be interpreted with respect to this divergence
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Review] James Dodd (2004) Crisis and reflection: an essay on Husserl's Crisis of the European sciences
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Die Begegnung mit dem Anderen in der Kunst und im Kitsch. Ueberlegungen zu Heideggers Aufsatz 'Der Ursprung des Kunstwerkes'
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