Systematic Design of Antireflection Coating for Semi-infinite One-dimensional Photonic Crystals Using Bloch Wave Expansion

We present a systematic method for designing a perfect antireflection coating (ARC) for a semi-infinite one-dimensional (1D) photonic crystal (PC) with an arbitrary unit cell. We use Bloch wave expansion and time reversal symmetry, which leads exactly to analytic formulas of structural parameters for the ARC and renormalized Fresnel coefficients of the PC. Surface immittance (admittance and impedance) matching plays an essential role in designing the ARC of 1D PC's, which is shown together with a practical example.Comment: This article may be downloaded for personal use only. Any other use requires prior permission of the author and the American Institute of Physic

Soft Mode Anomalies in the Perovskite Relaxor Pb(Mg1/3Nb2/3)O3

Neutron inelastic scattering measurements of the polar TO phonon mode in the cubic relaxor Pb(Mg1/3Nb2/3)O3, at room temperature, reveal anomalous behavior similar to that recently observed in the Pb(Zn1/3Nb2/3)_{0.92}Ti_{0.08}O3 system in which the optic branch appears to drop precipitously into the acoustic branch at a finite value of the momentum transfer q = 0.20 1/Angstroms, measured from the zone center. By contrast, a recent neutron study showed that PMN exhibits a normal TO phonon dispersion at 800 K. We speculate this behavior is common to all relaxor materials and is the result of the presence of nanometer-scale polarized domains in the crystal that form below a temperature Td, which effectively prevent the propagation of long wavelength (q = 0) phonons.Comment: 5 pages, 4 figures To appear as an AIP Conference Proceedings Volume for the Aspen 2000 Winter Conference on the Fundamental Physics of Ferroelectric

Performance, visuality, and textuality : The case of Japanese poetry

The purpose of this paper is to explore the complex relationship among performance, visuality, and textuality, using examples from traditional Japanese poetry, and to reveal how the interaction among these three elements is integral to understanding Japanese poetry as process or action.Issue title: Performance Literature II