2 research outputs found
The Siberian Specificity of the Sculpture of Krasnoyarsk (in the Context of the All-Russian Values)
The Article is devoted to studying the originality of the Siberian sculpture in the aspect of presentation
of all-Russian values. The theme of the article is defined by a series of the humanitarian and social
researches spent in Krasnoyarsk, including: Social designing of the all-Russian national identity in
the Central Siberia, System of culture of region of the Russian Federation: base processes, subjects
and cultural requirements (on a material of incorporated Krasnoyarsk region).
Independence and self-value of a sculpture as fine arts kind is originally studied. The formal signs of a
sculpture defining not only primary position of sculptural images in psychology of perception, but also
plastic receptions of visualization of the Siberian specificity are found out.
The periodization of history of development of a sculpture in territory of Krasnoyarsk region from
the middle of XX-th century to the present time is offered, the spectrum of model products of Siberian
region is defined. The philosophy and art criticism analysis of several masterpieces of Krasnoyarsk
sculptural school is offered.
In the conclusion, the unique artistic touches of the Siberian sculpture visualizing dialectics of the
all-Russian and regional values are formulated. The dominating tradition of classicism in a regional
sculptural plasticity defines process of crystallization of valuable reference points.Π‘ΡΠ°ΡΡΡ ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΠΈΠ·ΡΡΠ΅Π½ΠΈΡ ΡΠ²ΠΎΠ΅ΠΎΠ±ΡΠ°Π·ΠΈΡ ΡΠΈΠ±ΠΈΡΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ Π² Π°ΡΠΏΠ΅ΠΊΡΠ΅ ΠΏΡΠ΅Π·Π΅Π½ΡΠ°ΡΠΈΠΈ
ΠΎΠ±ΡΠ΅ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΡ
ΡΠ΅Π½Π½ΠΎΡΡΠ΅ΠΉ. Π’Π΅ΠΌΠ° ΡΡΠ°ΡΡΠΈ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π° ΡΠ΅ΡΠΈΠ΅ΠΉ Π³ΡΠΌΠ°Π½ΠΈΡΠ°ΡΠ½ΡΡ
ΠΈ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ
ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠΉ, ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΠΌΡΡ
Π² ΠΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠ΅, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅: Β«Π‘ΠΎΡΠΈΠ°Π»ΡΠ½ΠΎΠ΅ ΠΊΠΎΠ½ΡΡΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅
ΠΎΠ±ΡΠ΅ΡΠΎΡΡΠΈΠΉΡΠΊΠΎΠΉ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΈΠ΄Π΅Π½ΡΠΈΡΠ½ΠΎΡΡΠΈ Π² Π¦Π΅Π½ΡΡΠ°Π»ΡΠ½ΠΎΠΉ Π‘ΠΈΠ±ΠΈΡΠΈΒ», Β«Π‘ΠΈΡΡΠ΅ΠΌΠ° ΠΊΡΠ»ΡΡΡΡΡ
ΡΠ΅Π³ΠΈΠΎΠ½Π° Π ΠΎΡΡΠΈΠΉΡΠΊΠΎΠΉ Π€Π΅Π΄Π΅ΡΠ°ΡΠΈΠΈ: Π±Π°Π·ΠΎΠ²ΡΠ΅ ΠΏΡΠΎΡΠ΅ΡΡΡ, ΡΡΠ±ΡΠ΅ΠΊΡΡ ΠΈ ΠΊΡΠ»ΡΡΡΡΠ½ΡΠ΅ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΠΈ (Π½Π°
ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π΅ ΠΎΠ±ΡΠ΅Π΄ΠΈΠ½Π΅Π½Π½ΠΎΠ³ΠΎ ΠΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠΎΠ³ΠΎ ΠΊΡΠ°Ρ)Β».
ΠΠ΅ΡΠ²ΠΎΠ½Π°ΡΠ°Π»ΡΠ½ΠΎ ΠΈΠ·ΡΡΠ΅Π½Π° ΡΠ°ΠΌΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΠΎΡΡΡ ΠΈ ΡΠ°ΠΌΠΎΡΠ΅Π½Π½ΠΎΡΡΡ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ ΠΊΠ°ΠΊ Π²ΠΈΠ΄Π°
ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π°. ΠΠ±Π½Π°ΡΡΠΆΠ΅Π½Ρ ΡΠΎΡΠΌΠ°Π»ΡΠ½ΡΠ΅ ΠΏΡΠΈΠ·Π½Π°ΠΊΠΈ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ, ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΡΡΠΈΠ΅
Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ΅ ΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΡΡ
ΠΎΠ±ΡΠ°Π·ΠΎΠ² Π² ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΠΈ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΡ, Π½ΠΎ ΠΈ
ΠΏΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΏΡΠΈΠ΅ΠΌΡ Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΡΠΈΠ±ΠΈΡΡΠΊΠΎΠΉ ΡΠΏΠ΅ΡΠΈΡΠΈΠΊΠΈ.
ΠΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½Π° ΠΏΠ΅ΡΠΈΠΎΠ΄ΠΈΠ·Π°ΡΠΈΡ ΠΈΡΡΠΎΡΠΈΠΈ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ Π½Π° ΡΠ΅ΡΡΠΈΡΠΎΡΠΈΠΈ ΠΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠΎΠ³ΠΎ
ΠΊΡΠ°Ρ Ρ ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Ρ XX Π²Π΅ΠΊΠ° ΠΏΠΎ Π½Π°ΡΡΠΎΡΡΠ΅Π΅ Π²ΡΠ΅ΠΌΡ, ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ ΡΠΏΠ΅ΠΊΡΡ ΠΎΠ±ΡΠ°Π·ΡΠΎΠ²ΠΎ-ΠΏΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΡΠ½ΡΡ
ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π‘ΠΈΠ±ΠΈΡΡΠΊΠΎΠ³ΠΎ ΡΠ΅Π³ΠΈΠΎΠ½Π°. ΠΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΎ-ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ΡΠ΅ΡΠΊΠΈΠΉ Π°Π½Π°Π»ΠΈΠ·
Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ
ΠΎΠ±ΡΠ°Π·ΡΠΎΠ²ΡΡ
ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ ΠΊΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΠΎΠΉ ΡΠΊΠΎΠ»Ρ.
Π Π·Π°ΠΊΠ»ΡΡΠ΅Π½ΠΈΠΈ ΡΡΠΎΡΠΌΡΠ»ΠΈΡΠΎΠ²Π°Π½Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠ΅ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΏΡΠΈΠ΅ΠΌΡ ΡΠΈΠ±ΠΈΡΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ,
Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·ΠΈΡΡΡΡΠΈΠ΅ Π΄ΠΈΠ°Π»Π΅ΠΊΡΠΈΠΊΡ ΠΎΠ±ΡΠ΅ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΡ
ΠΈ ΡΠ΅Π³ΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ
ΡΠ΅Π½Π½ΠΎΡΡΠ΅ΠΉ. ΠΠΎΠΌΠΈΠ½ΠΈΡΡΡΡΠ°Ρ
ΡΡΠ°Π΄ΠΈΡΠΈΡ ΠΊΠ»Π°ΡΡΠΈΡΠΈΠ·ΠΌΠ° Π² ΡΠ΅Π³ΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΠΎΠΉ ΠΏΠ»Π°ΡΡΠΈΠΊΠ΅ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ΅Ρ ΠΏΡΠΎΡΠ΅ΡΡ
ΠΊΡΠΈΡΡΠ°Π»Π»ΠΈΠ·Π°ΡΠΈΠΈ ΡΠ΅Π½Π½ΠΎΡΡΠ½ΡΡ
ΠΎΡΠΈΠ΅Π½ΡΠΈΡΠΎΠ²
The Siberian Specificity of the Sculpture of Krasnoyarsk (in the Context of the All-Russian Values)
The Article is devoted to studying the originality of the Siberian sculpture in the aspect of presentation
of all-Russian values. The theme of the article is defined by a series of the humanitarian and social
researches spent in Krasnoyarsk, including: Social designing of the all-Russian national identity in
the Central Siberia, System of culture of region of the Russian Federation: base processes, subjects
and cultural requirements (on a material of incorporated Krasnoyarsk region).
Independence and self-value of a sculpture as fine arts kind is originally studied. The formal signs of a
sculpture defining not only primary position of sculptural images in psychology of perception, but also
plastic receptions of visualization of the Siberian specificity are found out.
The periodization of history of development of a sculpture in territory of Krasnoyarsk region from
the middle of XX-th century to the present time is offered, the spectrum of model products of Siberian
region is defined. The philosophy and art criticism analysis of several masterpieces of Krasnoyarsk
sculptural school is offered.
In the conclusion, the unique artistic touches of the Siberian sculpture visualizing dialectics of the
all-Russian and regional values are formulated. The dominating tradition of classicism in a regional
sculptural plasticity defines process of crystallization of valuable reference points.Π‘ΡΠ°ΡΡΡ ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° ΠΈΠ·ΡΡΠ΅Π½ΠΈΡ ΡΠ²ΠΎΠ΅ΠΎΠ±ΡΠ°Π·ΠΈΡ ΡΠΈΠ±ΠΈΡΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ Π² Π°ΡΠΏΠ΅ΠΊΡΠ΅ ΠΏΡΠ΅Π·Π΅Π½ΡΠ°ΡΠΈΠΈ
ΠΎΠ±ΡΠ΅ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΡ
ΡΠ΅Π½Π½ΠΎΡΡΠ΅ΠΉ. Π’Π΅ΠΌΠ° ΡΡΠ°ΡΡΠΈ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π° ΡΠ΅ΡΠΈΠ΅ΠΉ Π³ΡΠΌΠ°Π½ΠΈΡΠ°ΡΠ½ΡΡ
ΠΈ ΡΠΎΡΠΈΠ°Π»ΡΠ½ΡΡ
ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠΉ, ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΠΌΡΡ
Π² ΠΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠ΅, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅: Β«Π‘ΠΎΡΠΈΠ°Π»ΡΠ½ΠΎΠ΅ ΠΊΠΎΠ½ΡΡΡΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅
ΠΎΠ±ΡΠ΅ΡΠΎΡΡΠΈΠΉΡΠΊΠΎΠΉ Π½Π°ΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΠΈΠ΄Π΅Π½ΡΠΈΡΠ½ΠΎΡΡΠΈ Π² Π¦Π΅Π½ΡΡΠ°Π»ΡΠ½ΠΎΠΉ Π‘ΠΈΠ±ΠΈΡΠΈΒ», Β«Π‘ΠΈΡΡΠ΅ΠΌΠ° ΠΊΡΠ»ΡΡΡΡΡ
ΡΠ΅Π³ΠΈΠΎΠ½Π° Π ΠΎΡΡΠΈΠΉΡΠΊΠΎΠΉ Π€Π΅Π΄Π΅ΡΠ°ΡΠΈΠΈ: Π±Π°Π·ΠΎΠ²ΡΠ΅ ΠΏΡΠΎΡΠ΅ΡΡΡ, ΡΡΠ±ΡΠ΅ΠΊΡΡ ΠΈ ΠΊΡΠ»ΡΡΡΡΠ½ΡΠ΅ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΠΈ (Π½Π°
ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π΅ ΠΎΠ±ΡΠ΅Π΄ΠΈΠ½Π΅Π½Π½ΠΎΠ³ΠΎ ΠΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠΎΠ³ΠΎ ΠΊΡΠ°Ρ)Β».
ΠΠ΅ΡΠ²ΠΎΠ½Π°ΡΠ°Π»ΡΠ½ΠΎ ΠΈΠ·ΡΡΠ΅Π½Π° ΡΠ°ΠΌΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΠΎΡΡΡ ΠΈ ΡΠ°ΠΌΠΎΡΠ΅Π½Π½ΠΎΡΡΡ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ ΠΊΠ°ΠΊ Π²ΠΈΠ΄Π°
ΠΈΠ·ΠΎΠ±ΡΠ°Π·ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΈΡΠΊΡΡΡΡΠ²Π°. ΠΠ±Π½Π°ΡΡΠΆΠ΅Π½Ρ ΡΠΎΡΠΌΠ°Π»ΡΠ½ΡΠ΅ ΠΏΡΠΈΠ·Π½Π°ΠΊΠΈ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ, ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΡΡΠΈΠ΅
Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ΅ ΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΡΡ
ΠΎΠ±ΡΠ°Π·ΠΎΠ² Π² ΠΏΡΠΈΡ
ΠΎΠ»ΠΎΠ³ΠΈΠΈ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΡ, Π½ΠΎ ΠΈ
ΠΏΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΏΡΠΈΠ΅ΠΌΡ Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΡΠΈΠ±ΠΈΡΡΠΊΠΎΠΉ ΡΠΏΠ΅ΡΠΈΡΠΈΠΊΠΈ.
ΠΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½Π° ΠΏΠ΅ΡΠΈΠΎΠ΄ΠΈΠ·Π°ΡΠΈΡ ΠΈΡΡΠΎΡΠΈΠΈ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ Π½Π° ΡΠ΅ΡΡΠΈΡΠΎΡΠΈΠΈ ΠΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠΎΠ³ΠΎ
ΠΊΡΠ°Ρ Ρ ΡΠ΅ΡΠ΅Π΄ΠΈΠ½Ρ XX Π²Π΅ΠΊΠ° ΠΏΠΎ Π½Π°ΡΡΠΎΡΡΠ΅Π΅ Π²ΡΠ΅ΠΌΡ, ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ ΡΠΏΠ΅ΠΊΡΡ ΠΎΠ±ΡΠ°Π·ΡΠΎΠ²ΠΎ-ΠΏΠΎΠΊΠ°Π·Π°ΡΠ΅Π»ΡΠ½ΡΡ
ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π‘ΠΈΠ±ΠΈΡΡΠΊΠΎΠ³ΠΎ ΡΠ΅Π³ΠΈΠΎΠ½Π°. ΠΡΠ΅Π΄Π»ΠΎΠΆΠ΅Π½ ΡΠΈΠ»ΠΎΡΠΎΡΡΠΊΠΎ-ΠΈΡΠΊΡΡΡΡΠ²ΠΎΠ²Π΅Π΄ΡΠ΅ΡΠΊΠΈΠΉ Π°Π½Π°Π»ΠΈΠ·
Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ
ΠΎΠ±ΡΠ°Π·ΡΠΎΠ²ΡΡ
ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ ΠΊΡΠ°ΡΠ½ΠΎΡΡΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΠΎΠΉ ΡΠΊΠΎΠ»Ρ.
Π Π·Π°ΠΊΠ»ΡΡΠ΅Π½ΠΈΠΈ ΡΡΠΎΡΠΌΡΠ»ΠΈΡΠΎΠ²Π°Π½Ρ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠ΅ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΏΡΠΈΠ΅ΠΌΡ ΡΠΈΠ±ΠΈΡΡΠΊΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΡ,
Π²ΠΈΠ·ΡΠ°Π»ΠΈΠ·ΠΈΡΡΡΡΠΈΠ΅ Π΄ΠΈΠ°Π»Π΅ΠΊΡΠΈΠΊΡ ΠΎΠ±ΡΠ΅ΡΠΎΡΡΠΈΠΉΡΠΊΠΈΡ
ΠΈ ΡΠ΅Π³ΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ
ΡΠ΅Π½Π½ΠΎΡΡΠ΅ΠΉ. ΠΠΎΠΌΠΈΠ½ΠΈΡΡΡΡΠ°Ρ
ΡΡΠ°Π΄ΠΈΡΠΈΡ ΠΊΠ»Π°ΡΡΠΈΡΠΈΠ·ΠΌΠ° Π² ΡΠ΅Π³ΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΉ ΡΠΊΡΠ»ΡΠΏΡΡΡΠ½ΠΎΠΉ ΠΏΠ»Π°ΡΡΠΈΠΊΠ΅ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΠ΅Ρ ΠΏΡΠΎΡΠ΅ΡΡ
ΠΊΡΠΈΡΡΠ°Π»Π»ΠΈΠ·Π°ΡΠΈΠΈ ΡΠ΅Π½Π½ΠΎΡΡΠ½ΡΡ
ΠΎΡΠΈΠ΅Π½ΡΠΈΡΠΎΠ²