Semantic typology of feed-back pictures in the ontology of "full speech" – the chronotope of "city" as (auto)poetic discourse of the literature of (post)modernism

In this article we intend to explore the under-researched poetic and hermeneutic typology and semantics of the chronotope of the city (Bakhtin, Petrov) in Serbian literature from the standpoint of modernist and post-modernist determination of comparative-analytical works of inter-war modernism (Nastasijević: The Seven Lyrical Circles), the modernist post-war actualization of the chronotope (and modelled) chronotopicity of the language of poetic collections of „the second avant-garde” (Pavlović: 87 poems, The Pillar of Memories; Popa: The crust) to the post-modern illumination of the closed/open polyphonic chronotope and mastering of the narrative as a spirituality of the processual form of poetic fantasy (Petrović, The Siege of the Holy Salvation Church). On the ideological plane, this way of recognition is supported by the accomplished logos deriving from a metaphysical conception of the Heideggerian definition of language in the role of the crucial part (the real word), which sublimates in a particular equalization of metaphysical poetic element with the essence of the religious prophetism (Nastasijević), along explorations of the poetic chronotope of the city as a generative matrix of poetic systems and the paradigm of processual form of Vasko Popa and Miodrag Pavlović - to the ontologization of poetry in semi-sphere, on one side, the epiphany of mixing of the primary and secondary worlds, reality and fiction (the real and the virtual) in the totality of Romanesque heterocosmics as a referent system of the text – from the mythical and biblical codes to the matrix of “total literature”, autoreflexivity and historiographical meta-fiction (siege) of Goran Petrović, where the “shortest word is longer than human life”. Applying comparative-analytic, structural-semiotic, philological-rhetoric, psychoanalytical and sociological approaches to the selected works the poetics of the chronotope is explored as a critical discourse, fantastic zeal and poetic consciousness of anti-image in intentional, symptomatic and adaptive aspects of interpretation. The chronotope of the city is actualized as a generative matrix of big and small chronotopes and the dominant valorizing principle not only of the linguistic picture of the world but also of the synchronic-diachronical processuality of spirituality, poetic consciousness of Serbian literature as a conceived space in finding the being and oblivion

Procedural spirituality of the Jewish theme in Andrić's poetics (of truth) as a type of ontologizing the chronotope of the city

U radu se nastoji istražiti procesualna duhovnost jevrejstva i jevrejske teme („duga borba njihovih života”) u ontologizaciji Andrićeve romantičarske vizije bosanskih nacionalnih identiteta i (post)modernističke imanencije i hermeneutike Bića i Bivstva. U pripovedačkom i esejističkom diskursu aktualizuje se ciklotvornost estetskog Bića u iluminativnoj matrici sarajevskog hronotopa. Istražuju se ontološke premise starozavetnog, istorijskog, psihološkog, identitetskog, rodnog i marginalnog aspekta karakterizacije likova u poetskoj duhovnosti procesualne forme Andrićevog diskursa - od uticaja ekspresionističke poetike, iluminativne citatnosti biblijske legende u „Pobedniku” (1922) do reminiscentnosti stradije u ontologizaciji istorijske relјefnosti i sarkastične antiutopije („Pismo iz 1920. godine”, „Na jevrejskom groblјu u Sarajevu”, „Deca”, „Bife Titanik”, „Legenda o pobuni”) u eksplicitnoj i implicitnoj Andrićevoj „poetici detalјa” kao obrascu i simptomu izdvojenosti i opštosti u ontologizaciji balkanske istorije i eshatološke vizije.The paper seeks to explore the procedural spirituality of Jewish themes (“the long struggle of their lives”) in the ontologizing of Andrić's romantic vision of Bosnian national identities and the (post)modernist immanence and hermeneutics of Being. In the narrative and essayistic discourse, the cyclic creation of the aesthetic Being is actualized in the illuminative matrix of the Sarajevo chronotype. The ontological premises of the Old Testament: historical, psychological, those related to identity, gender, and the marginal aspect of characterization in the poetic spirituality of the procedural form of Andrić's discourse are explored - from expressionist lyrics, illuminative citations, Biblical legends in “Pobednik” - “The Winner” (1922) to the reminiscence of suffering in the ontologizing of historical relief and sarcastic anti-utopia (“Na jevrejskom groblju u Sarajevu” - “At the Jewish cemetery in Sarajevo”, “Pismo iz 1920” - “Letter from 1920”, “Ljubav u kasabi” - “Love in the town”, “Bife Titanik” - “Buffet Titanic”) in Andrić's explicit and implicit “poetics of details” as a pattern and symptom of isolation and generality in the ontologizing of Balkan history and the eschatological vision. That is why Sarajevo was an obsessive topic for Andrić. He began and finished his literary work with it - from the origin of the first short story “Put Alije Đerzeleza” - “The Travel of Alija Đerzelez” (1920), “Mustafa Madžar” (1923), “Mara milosnica” - “Marry the Merciful” (1926), “Smrt u Sinanovoj Tekiji” - “Death in Sinan's Tekke” (1932) to the last two, during his life unpublished works, "Omer-paša Latas" (1976) and the collection of short stories "Kuća na osami" - "The Secluded House" (1976), which are connected to Sarajevo via their plot and heroes (Vučković).Izdavanje ovog zbornika podržalo je Ministarstvo prosvete, nauke i tehnološkog razvoja Republike Srbije