54 research outputs found
Karl Proske’s Musica Divina and the popularity of Giuseppe Ottavio Pitoni’s Cantate Domino and Laudate Dominum
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What Can the Organ Partitura to Tomás Luis de Victoria's Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 Tell Us about Performance Practice?
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Church Reform and Devotional Music in Sixteenth-Century Rome: The Influence of Lay Confraternities
Get PDFTomás Luis de Victoria's role in the development of a Roman polychoral idiom in the 1570s and early 1580s
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