585 research outputs found
On the top-dimensional -Betti numbers
The purpose of this note is to introduce a trick which relates the
(non)-vanishing of the top-dimensional 2-Betti numbers of actions with
that of sub-actions. We provide three different types of applications: we prove
that the 2-Betti numbers of Aut() and Out() (and of their
Torelli subgroups) do not vanish in degree equal to their virtual cohomological
dimension, we prove that the subgroups of the 3-manifold groups have vanishing
2-Betti numbers in degree 3 and 2 and we prove for instance that has ergodic dimension .Comment: An author added. ''Camille No\^us'' is a scientific consortium
created to affirm the collaborative and open nature of knowledge creation and
dissemination, under the control of the academic community. This scientific
collective, like Bourbaki, Henri Paul de Saint Gervais or Arthur Besse in
mathematics, or Isadore Nabi in biology, takes on the identity of a
scientific personality who embodies the collective contribution of the
academic community. More precisely, Camille No{\^u}s is a collective
individual who symbolizes our deep attachment to the values of ethics and
probation that are carried by the contradictory debate, she is insensitive to
the indicators elaborated by the institutional management of research, she
knows what our results owe to collective construction. This is the meaning of
the ''No{\^u}s'', bearing a collegial We but referring above all to the
concept of ''reason'' (or ''rational'' or ''intellect'') inherited from Greek
philosophy.Some comments added. Annales de la Facult{\'e} des Sciences de
Toulouse. Math\'ematiques., Universit\'e Paul Sabatier, Cellule Mathdoc In
pres
Limited regularity of a specific electronic reduced density matrix for molecules
We consider an electronic bound state of the usual, non-relativistic,
molecular Hamiltonian with Coulomb interactions, fixed nuclei, and N electrons
(N>1). Near appropriate electronic collisions, we prove that the (N-1)-particle
electronic reduced density matrix is not smooth.Comment: 33 page
Pratiques partenariales depuis l’universitĂ©Â : vers des logiques entrepreneuriales ?Â
A partir d’entretiens (N=146) menés avec des acteurs universitaires de 2013 à 2017, cet article interroge dans quelle mesure l’appartenance universitaire façonne les conditions de possibilité de réalisation de partenariats entre enseignants-chercheurs en Sciences Humaines et Sociales (N=51) et acteurs non académiques, dans une perspective comparative entre l’université de Syracuse (Etats-Unis) et de Paris Nanterre (France). Le statut d’universitaire (titulaire) est souligné comme le principal atout par les enquêté.es en termes de sécurité et d’autonomie de travail. En revanche certaines logiques professionnelles, via une transformation des organisations universitaires (surtout en France) et des normes académiques, sont présentées comme des contraintes fortes, bien que modulées par des effets d’appartenance et de positionnement disciplinaires. Face au renforcement de la place de l’établissement dans la différenciation des conditions de travail et d’accès aux ressources professionnelles (financements, partenaires, reconnaissance), différentes stratégies sont mises en œuvre à l’égard de l’université de rattachement. Celles-ci apparaissent marquées par l’adoption – avec ou sans adhésion d’ailleurs – de logiques entrepreneuriales, comme manière se créer soi-même des conditions favorables aux partenariats. Les logiques de compétition et de rémunération sur fonds propres s’étendent alors aux pratiques des universitaires pour voire par les partenariats afin de les (voire se) financer.Based on interviews (N=146) conducted with academic actors from 2013 to 2017, this article investigates to what extend the academic affiliation shapes the conditions of possibility for partnerships between academics in the Humanities and Social Sciences (N=51) and non-academic actors, in a comparative perspective between Syracuse University (USA) and Paris Nanterre (France). The status of academic (tenured) is underlined as the main asset in terms of security and autonomy of work. On the other hand, some professional logics, driven by important transformation of the university organizations (especially in France) and academic norms, are presented as strong constraints, although modulated by disciplinary effects. Taking into account the growing role of the university of affiliation in the differentiation of working conditions and the access to professional resources (funding, partners, recognition), different strategies are implemented by the academics. These strategies are characterized by the adoption - with or without adhesion - of entrepreneurial logics, as a way of creating by oneself the favorable conditions to develop partnerships. Academics then seek to develop their own funds and become more dependent on private resources or competitive calls for projects, in order to finance their partnership projects, or even to use them to finance their other activities
Backtracking reference stores
National audienceFrançois Pottier's unionFind library is parameterized over an underlying store of mutable references, and provides the usual references, transactional reference stores (for rolling back some changes in case of higher-level errors), and persistent reference stores. We extend this library with a new implementation of backtracking reference stores, to get a Union-Find implementation that efficiently supports arbitrary backtracking and also subsumes the transactional interface. Our backtracking reference stores are not specific to unionFind, they can be used to build arbitrary backtracking data structures. The natural implementation, using a journal to record all writes, provides amortized-constant-time operations with a space overhead linear in the number of store updates. A refined implementation reduces the memory overhead to be linear in the number of store cells updated, and gives performance that match non-backtracking references in practice
Planetary Dance d’Anna Halprin
Anna Halprin (née en 1920), danseuse et chorégraphe américaine, invente des pratiques et des explorations du mouvement qui vont transformer considérablement le développement de la danse et de la performance, en particulier dans leurs rapports à l’environnement. Son travail, ancré sur la côte ouest des États-Unis, accompagne les mutations urbaines, la prise de conscience des urgences environnementales, ou encore les problèmes spécifiques rencontrés autour d’un sujet et/ou par une communauté, affecté notamment par la maladie (sida, cancer). Planetary Dance, danse née en 1981 pour soigner le Mont Tamalpais (CA), est l’un des exemples emblématiques de circulation à l’échelle planétaire d’un rituel dansé. Nous examinons ici le contexte d’émergence de cette danse, les formes qu’elle dessine, les techniques corporelles et les expériences perceptives qu’elle offre avant de proposer des filiations avec deux autres rituels dansés également nés en Californie et diffusés à l’international : la Spiral Dance, de Starhawk, et la danse des 5 rythmes, de Gabrielle Roth. En conclusion nous esquissons une analyse « écologique » de ces phénomènes en invitant à penser la repolitisation somaesthétique des énergies et des affects.Anna Halprin (b. 1920), American dancer and choreographer, developed practices and movement explorations that would considerably transform the development of dance and performance, particularly in their relationship to the environment. Her work, anchored on the West Coast of the United States, accompanies urban transformations, the evolution of environmental consciousness, or the specific problems encountered by a subject or a community, particularly in relation to disease (AIDS, Cancer). Planetary Dance, a ritual dance born in 1981 to heal Mount Tamalpais (CA), is one of the emblematic examples of the worldwide circulation of ritual dance. We will examine the context of the emergence of this dance, the forms it draws, the body techniques and the perceptive experiences it offers before proposing filiations with two other danced rituals born in California with an international export story: Starhawk's Spiral Dance and Gabrielle Roth's 5 Rhythms Dance. In conclusion we will attempt an “ecological” analysis of these phenomena by politicized the somaesthetic of energies and affects
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