Politics and contemporary poetry

The paper is a Meditation (variant on the manner of Aurelius and Descartes) concerning the immediate situation, in the United States, of poetry as a discourse of political engagement. As such, the paper is a highly personal one. It means to offer an account of the peculiar limits within which contemporary poetry in the United States is forced to get carried on, as well as an explanation of the context in which those limits were defined. It also suggests possible ways to exploit the special resources of contemporary poetry (formally and socially conceived) for political discourse and social critique. The paper is most centrally concerned to illuminate the special kinds of critical reflection which contemporary poetry, by virtue of its marginal position, makes available. The paper's two main sections involve the author's own reflexive analysis of his encounters with certain texts by Hans Magnus Enzensberger, Theodor Adorno, and Carolyn Forche

Self-discovery from Byron to Raban: The long afterlife of romantic travel

Despite the heterogeneity of Romantic-era travel writing, the idea of Romantic travel has become all but identified with a’subjective turn’ in the late eighteenth century, and with narratives of self-realisation or self-discovery, illustrated here chiefly with reference to the work of Byron, Goethe, and de Staël. Despite the adoption in much modern travel writing of a rhetoric of belatedness and self-mocking irony, such narratives can be shown to inhere in travel works by authors as different as V. S. Naipaul, Edward Marriott, Jenny Diski, Bruce Chatwin, and Roland Barthes. A rich instance of the enduring legacy of Romantic travel is provided by the innovative work of Jonathan Raban, the most recent of whose series of American travel books, Passage to Juneau (1999), sustains a complex and healthy dialogue with the literature and culture of the Romantic period. Despite the anti-Romantic cast of its intertextual relations with George Vancouver’s 1794 survey of the Inside Passage, which provides the model for Raban’s own expedition, in many respects—not least in its exploration of the maritime culture of the Northwest Coast Indians—Raban’s book gives vigorous new life to the exemplary Romantic trope of self-discovery. © 2005 The White Horse Press