61 research outputs found
Publikumsudvikling â strategier for inddragelse eller institutionel udvikling?
The term âaudience developmentâ is currently employed in cultural policy and within art institutions in order to address questions concerning cultural participation. It centers on two parallel discussions: On the one hand it addresses participation as a democratic ideal, and on the other hand it frames specific forms of audience engagement and the inherent and diverging understandings of participation. This article shows how the discourse developed about audience development reduces the discussion to either legitimizing existing cultural policy practice or to strategies for arts marketing, and it suggests that other important perspectives from e.g. performance studies are overlooked in the discussion of art institutions and their current dilemmas. The article presents a model that sums up four parallel discussions unfolding about audience development: cultural practices, aesthetic strategies for interaction, post performance reflections and everyday life. It is argued that all of these four perspectives need to be addressed for audience development to sincerely challenge the prevailing understanding of art institutions and their current dilemmas
Podcast som eksamenform
I efterĂĽret 2010 indgik podcast-produktion som en del af eksamen i kurset âAnalyse og dokumentationâ pĂĽ Performance-design, RUC. Forsøget udsprang af en grundlĂŚggende interesse for at inddrage digital teknologi i undervisningen og et ønske om at udforske mulighederne i eksamensformen âaktiv deltagelseâ. NĂŚrvĂŚrende artikel diskuteres baggrunden for og evalueringen af forsøget for dels at bidrage med konkrete erfaringer og dels at illustrere de mange fordele ved at lave sĂĽdanne forsøg, som tager udgangspunkt i et ønske om at inddrage digital teknologi i undervisningen pĂĽ en mĂĽde, som kan kombinere faglige og pĂŚdagogiske ambitioner med pragmatiske hensyn
From Forgotten Works - to Staging as Form
This chapter examines Hotel Pro Formaâs staging of Rachmaninovâs Troika: three operas. Aleko, The Miserly Knight and Francesca da Rimini produced at the Belgian opera, La Monnaie and shown at the National Theatre in Brussels
Fra glemte vĂŚrker til iscenesĂŚttelse som form: Hotel Pro Formas opsĂŚtning af Rachmaninov Troika
âOpera is an omnivorous monster. Opera is the result of countless skilled craftsmen, technicians, musicians, singers, artists and administrators work. Opera is passion. Opera is lie and truth in the purest formâ as stage director Kirsten Dehlholm wrote in the program to Rachmaninov Troika â hers and Hotel Pro Formaâs staging of Sergei Rachmaninoffâs three operas: Aleko, The Miserly Knight and Fransisca da Rimini produced by the Belgian opera, La Monnaie in Brussels, June 2015 - the first time these three operas were being staged together. In this article we discuss the concept of the art work by examining how Rachmaninov Troika balances between 1) revitalizing these three more or less forgotten music historical operas and/or is creating a new piece of work
Teater, tid og tendenser
Theatre, Time, and Tendencies Contemporary reflections on historical accounts of performing arts in Denmark In this co-authored paper we examine a selection of publications on theatre history from the last hundred years. Our query has focused on their delimitation of the concept of theatre and the relation between a national Danish and a more comprehensive international perspective. On these grounds we discuss the implications of the various historiographical approaches in their different contexts
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