Welches Interesse haben wir an einer aufklärerischen Ästhetik?

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Mezzo opaco, mezzo trasparente

Taking into consideration two famous philosophical perspectives (Danto’s and Walton’s, respectively) on artistic categories (“style”, principally), this paper focuses on a peculiarity of Paladinos works: the robust interplay between their transparency (when taken as a medium) and the opaqueness of their contents (when taken as images)