Cycling through Dark Space: Apprehending the Landscape Otherwise

By investigating the experience of night-cycling, this paper redresses the overwhelming focus in mobility studies on the apprehension of landscape by daylight. Drawing on Matt’s cycling diary of his regular night rides through rural Bedfordshire, we explore the distinctive ways in which dark landscape is experienced. We discuss various effects: the shaping of perception by the beam of the head torch; an ongoing attunement to differing levels of light and dark; the affordances of the cycle and other equipment; enhanced awareness of the vital rhythms of landscape; and imaginaries stimulated by passage through darkness. We, thereby, aim to contribute to revaluing darkness

Spaces of Vernacular Creativity Reconsidered

Case No. 900303-CA Category No. 2 PETITION FOR REHEARING

The affective and sensory potencies of urban stone: textures and colours, commemoration and geologic convivialities

In drawing out how human lives are always already inextricably entangled with the non-human elements of the world, this paper explores how stone, as a constituent of urban materiality, provokes a wealth of emotional, sensory and affective impacts in the experience of place. The paper discusses how the sonic, tactile and visual qualities of stone contribute to the sensory and affective experience of places, shape the symbolic meanings and affective impacts of diverse memorials, and trigger a powerful sense of geological conviviality

What color is this place?

This paper considers how a color-conscious approach to place might be explored. After focusing on the symbolic and affective qualities, of color, attention shifts to the persistent chromophobia that continues to influence western approaches to designing places and the distribution of the sensible. I investigate how contemporary design is shaped by heritage concerns, increased colored illumination and commodified color. The paper concludes with four innovative color designs that challenge our perceptual, affective and cultural engagements with place. I look at a vernacular creative practice, an architectural example, a playful interior environment and an artistic installation

Heritage assemblages, maintenance and futures: Stories of entanglement on Hampstead Heath, London

This paper investigates a heritage assemblage in which the most prominent elements are an old brick arch and a massive beech tree, entwined together on Hampstead Heath. In drawing upon the figure of the assemblage, I explore how the practices of maintenance and management must take account of numerous human and nonhuman agencies that shape the ongoing emergence of the arch-tree assemblage. These multiple interactions continue to emerge and vanish according to divergent temporalities. I argue that in resisting reified, reductive accounts, more complex, layered narratives about heritage objects might be compiled to detail their historical entanglements with multiple forces and agencies. An awareness of these complexities also informs contemporary maintenance practices and provoke diverse conjectures about their futures

Learning from Hampstead’s Pergola: walking and image-making at a spectacular Edwardian structure

This paper focuses on the extraordinary 245-metre-long Pergola on Hampstead Heath, designed by renowned landscape architect Thomas Mawson between 1905 and 1925, and funded by William Lever, Lord Leverhulme, owner of the property. The paper focuses on the Pergola’s potential as an exemplar for considering more creative, sensory and sociable provision for urban pedestrians After detailing its origins and key features, the discussion explores the shifting uses of the Pergola over the past hundred years as it has changed from private realm to public space, yet these changes have accentuated its enduring landscape architectural qualities as a structure for pleasurable walking. The paper particularly focuses how the structure has been adopted as a contemporary site for walking and as a venue for numerous photographic and filmic practices. I conclude by suggesting that these virtues might inform more assiduous pedestrians provision following the rise in walking during the COVID-19 pandemic

Dreamlands: stories of enchantment and excess in a search for lost sensations

This paper reflects on the search for a lost, obscure piece of experimental architecture that appeared on the west coast of Scotland in the late 1960s. Encouraged by cultural geography’s efforts to recuperate storytelling as a valid mode of inquiry and to adopt a more enchanted, affirmative disposition to our endeavors, we develop a geographical story intended to draw out how enchanted experiences gained through curiosity and an openness to contingencies can serve as a vital force for sustaining geographical ways of being, doing and knowing with the world. This account focuses on our encounters with various research sites that we identify as ‘dreamlands’ to express the idiosyncratic, unregulated, unexpected sensations of wonder and delight that such places evoked, the excessive materialities they revealed and the imaginative processes they elicited. We argue that such dreamlands are not as superfluous as might be assumed by their uncanny absence from the polished end-products of scholarship, and instead, allude to the latent forces of enchantment to which geographers might become better attuned when conducting and crafting their research