منٹو کے خطوط بنام چچا سام: تجزیاتی مطالعہ

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mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Arial; mso-bidi-theme-font:minor-bidi;} A series of rhetorical "Letters to Uncle Sam" Manto wrote in the early 1950s. There were nine in total; this seems to have changed a bit with his nine letters to Uncle Sam. The backdrop was perhaps the new economic, technological and cultural power assumed by the US in the wake of the Second World War, coupled with the beginning of a relationship between the Pakistani establishment and Washington Manto happily describes his poverty, and contrasts it to the image of fabulous American wealth. In this essay  author academically discussed the  various aspects of these letters .</p

منٹو کے ادبی و شخصی مضامین: موضوعاتی جائزہ

  Manto's essays in Urdu essay writing are characterized by their unique and legendary style of expression, deep humor and different genres have their own identity with respect to the topics. These essays not only reveal Manto's concept of short story but also express his attitude to words various literary and journalistic figures. These essays are especially helpful in understanding his concept of short story writing

مراثی ِ دبیر میں رثائیت کے عناصر

Mirza Dabeer is one of the most prominent marsiya writers in the history of Urdu literature. Mirza Dabeer belonged to Lucknavi School of Thought. Generally, it is said that elements of mourning are lesser in the marsiyas of Mirza Dabeer. He had focused more on other elements. Marsiya is a literary genre. It deals with the incidents of someone’s death. The marsiya writer’s main purpose is to make people mourn the dead. In this article, effort has been made to find and elaborate the elements of mourn in the marsiyas of Mirza Dabeer.

منٹو:فکشن،استعماری جبراوربغاوت

After the failure of independence war in 1857 the British fully subjugated the sub-continent. Every school of thought raised its voice against British mischievous imperialism. Saadat Hassan Manto is also one of the most important literary figures who raised his voice against the prevailed darkness by the British.  Most of his stories such as Tamasha, Khooni thook, Inqilab Pasand, Deewana shayar, Naya Qanoon, depicted the so called judicial justice and the violence,tyranny, government's feigns, despotic surg of  occupation, machination and deceits of the British rule.  

قیامِ پاکستان کے بعد اردو شاعری میں ہند اسلامی تہذیب کی عکاسی

After the arrival of Muslims in India, they had a profound impact on the intellectual and cultural atmosphere there. Although Muslims and Hindus are two separate nations whose history, religion, clothing, lifestyle, customs and moral values ​​are different from each other, however a new civilization was formed by their social interaction, which had all the colours of the local society and Islam as well. This new civilization is called Indo-Islamic civilization and the formation of Urdu language is the most prominent manifestation of this common culture. The elements of Indo-Islamic civilization can be clearly seen in the early examples of Urdu poetry and prose. The tradition started by the Sufis regarding Indo-Islamic cultural elements in Urdu poetry. Even after the establishment of Pakistan, poets continued it and thus this tradition of reflection of Indo-Islamic civilization in Urdu poetry is vibrant with all possibilities. In this article, the analysis has been presented regarding reflection of Indo-Islamic civilization in Urdu poetry after creation of Pakistan