Journal of Research (Urdu)
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    کشور ناہید کی نثر کا نفسیاتی مطالعہ

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    Kishwar Naheed is primarily known as a poet, but she is also a prose writer who seems to raise the flag of rebellion. Her autobiography “Buri Aurat Ki Katha” is a philosophical autobiography that reveals the psychological complexities of the situations, events and difficulties that occur between a girl and a woman. Buri Aurat Ki Katha is not the story of any bad woman, but it is the story of every woman who is given the title of bad woman for demanding women’s rights. Kishwar Naheed’s bold style is an expression of the fact that until social and moral standards are set in society, mistreatment of women will continue. The expression of gender in Kishwar Naheed’s prose reflects the sexual oppression in society as well as the theories of important psychologists Adler, Freud and Young.  In this regard, in the light of his writings “Buri Aurat Ki Katha”, “Shenasaiyan Ruswaiyan”, “Buri Aurat Ke Khatoot”, “Kishwar Naheed Ki Notebook”, “Muthi Bhar Yaadeen” and “Buri Aurat Ki Dusri Katha”. This article has done a psychological analysis of his prose writing. Since there is a lack of sex education in the Indian subcontinent, it is believed that such awareness will increase sexual misconduct. In this regard too, Kishwar Naheed’s writings enlighten us with its psychological factors. Also, Kishwar Naheed’s raw analysis in the style of psychological analysis on topics like girls’ choice of marriage, society’s inappropriate attitude towards women in other issues of marital life is an important part of this article

    پریم چند کی تحریروں میں نسائی شعور(خصوصی مطالعہ گئودان)

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    There are many changes that have taken place in literature or in the new critical theories, the movement of feminism has a prominent place. Feminist concepts are presented in the works of male writers. The early fiction writers and novelists like Premchand also presents female characters.  It exists and accordingly, it is natural for feminine concepts to come in. There are clear glimpses of feminine consciousness in Premchand’s personality and art, but in some places, he also imposes many restrictions regarding women under the guise of orientalism.  This paper examines the personality of Premchand and the feminine concepts and female characters presented in Gaudana and tries to clarify the contradictions between his personality and in the novel

    ہائیکو نگاری کے فروغ میں مجلہ’’ سیپ‘‘ کا کردار

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    Haiku is considered a new genre of poetry. This form, which has entered Urdu from the Japanese language, relies on presenting the poet's experiences and observations concisely. Natural phenomena, the colors of objects, water, lakes, plants, seasons, flowers, gardens, and birds are among the favorite themes of haiku. The poet uses these subjects to highlight their thoughts. Haiku was introduced into Urdu through translations by Zafar Iqbal in the magazine *Lail-o-Nihar*. Later, Dr. Parvaiz Pervazi, Abdul Aziz Khalid, and Dr. Muhammad Amin encouraged the growth of haiku in Urdu. Now, in addition to themes of natural scenery, Urdu haiku also includes subjects such as *Hamd* (praise of God), *Naat* (PUBH), and *Salaam* (eulogies for martyrs), giving it a distinct identity. Dr. Riaz Majeed and Akram Kaleem have used this form specifically for *Naat*."Seep" has also adorned its pages with this modern genre of poetry. The prominent haiku poets published in *Seep* include Fatima Hasan, Salman Saeed, Qayyum Tahir, Jameel Malik, Mehr Nigar, Bushra Ijaz, Nigar Sohbai, Nisar Turabi, Naseem Sehar, Saif Hassanpuri, Shahab Safdar, and Sadaf Jafri

    سلمیٰ اعوان کے اُردو سفرنامے : ماحولیاتی پڑھت

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    Travelogue is the name of the historical record of a journey, from the very beginning one gets the idea of ​​the journey. By visiting cities, regions and tribes, one gets to know the geographical conditions of the people, their political, economic and historical traditions. In Urdu literature, travelogue has a great, valuable significance. After Qaam Pakazin, there is a long list of travel writers. Among female travel writers, Salma Awan is the first to be named. Her travelogues highlight the suffering of nature due to climate change. Participation in the suffering of nature, as well as the journey of nature and the struggle against human domination, give Salma Awan's travelogues the dimension that makes environmentalism a fundamental issue

    اُردو ادیبوں کی آپ بیتیوں میں ہجرت اور فسادات کی پیشکش

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    Autobiography is a very close relative or special form of Biographical Literature. In this research article we included those autobiographies which were written by those literary persons who were part of partition in subcontinent in 1947. Collectively in this thesis we discussed literary autobiographies of those literary persons who faced difficulties in the shapes of migration and religious intolerance at the time of partition. These autobiographies are parallel narrative of history, culture, Hindu-Muslim collaboration, religious respect, festivals, brotherhood and human behaviour. In these autobiographies cruel memories are saved. Middle of twentieth century was life-changing moment for these literary figures and rest of subcontinent. Now these autobiographies are important piece of literature

    خطوط مودودی میں تذکرۂ اقبال

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    oai:jorurdu.bzu.edu.pk:article/6862b77535a54Syed Abuala Maududi has mentioned and quote Allama Iqbal so many times in his letters. These letters through light on the aspects of thoughts, trends and interests of Allama Iqbal. There is a similarity found in their thoughts. The thought of both thinkers shows their concern on Islam and Muslims. The main purpose of both personalities was the revolution of Islam. Allama Iqbal was greatly impressed by the magazine “Tarjuman ul Quran” by Maududi. Allama Iqbal and Syed Maududi established the institute “Darul Islam” for the grooming of Muslims

    گوجری لوک ادب کا تہذیبی مطالعہ

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    "The Gujari language is the mother of Urdu, and its folk songs encompass diverse themes. When a mother puts her child to sleep, she prays for his future; women's songs express their desires for beauty, jewelry, and marriage. Wedding songs in Gujari reflect the community's customs and traditions, such as the ceremony of draping the groom's attire, cooperation from relatives, the ritual of filling water, welcoming the groom's procession, farewell, dowry, and advice on responsibilities in the in-laws' home. Gujari songs deeply express emotions like separation, migration, longing for a loved one, and a bride's attachment to her parental home. Birds and animals, such as crows, koels, quails, pigeons, goats, buffalo, and horses, highlight the connection with nature and the intensity of the seasons. Songs sung while working in fields are part of the cultural heritage. Stories of love and separation are also an essential part of these songs, such as 'Gujriye', which advises against stubbornness; 'Sipahia', which describes the longing for a loved one; 'Sajtata aur Lomriye', which reminisces about a distant loved one; and 'Qainchi', which is based on the story of Darshi and Manishi

    سید ضمیر جعفری کی طنزیہ و مزاحیہ شاعری میں سماجی شعور

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    Syed Zamir Jafery holds a distinguished position on the canvas of humorist poetry. He used comic poetry in a well behaved, honorable and gentle manner and expressed his deep insight of life in a very simple and easy mode. He has been a victim of irony of life and cruel behavior of community, but never expressed its shadow on his humorist poetry. He skillfully transformed the bitter situations to a pleasant sweet and salty taste and mounted laughter for his audience or readers and remained reluctant to tease in reaction. He maintains opinion of passing life in pleasant way instead of burning and weeping. So the origin of his humorist poetry is the bitter realities of life. His poetry expresses the miseries in economic, moral and social decline, poverty, illiteracy, old and new civilizations and their negative impacts in a very funny tone. To him this is a very alarming situation and he succeeded in conveying its drastic impacts in a very light and pleasant way. In other words, he presented the bitter realities of life as a sugar quoted tablet

    اردو تھیٹر اور ڈرامہ کی روایت

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    Drama is the important genre of Urdu literature. Drama shows its all aspects when it performs at stage and becomes the part of theatrical activities. The study presents chronological analysis of Urdu drama and theatre. Playwright and drama director form the style and dramatic presentation of the drama which plays a key role in the development of theatrical dynamics. Moreover, drama depicts the cultural, social and civic sense of the society which transform with the passage of time

    مجلہ”ہمایوں“ کا تحریک آزادی اور قیامِ پاکستان میں کردار

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    Literary journals have played an important role in the promotion and development of Urdu language. There was a literary service. Humayun tried his best to make the Urdu movement a success. Humayun has been the best reflection of Eastern, cultural, scientific and literary life. Humayun created healthy literature and also expressed healthy values. Humayun tried to make literature bound to a specific oriental style of ethics and did not give it a specific standard. Humayun established a certain standard of literature and aesthetics. In 1937, Bashir Ahmed joined the Muslim League at Bar-at-Law. He was associated with the ideology of the two nations. According to Humayun's magazine, literature and politics are two different things. From 1946 until the founding of Pakistan, Humayun wrote very few articles on politics. When Pakistan was formed, an anthem was written in Humayun's Magazine in September. Humayun's views changed radically in November 1948

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    Journal of Research (Urdu)
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