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Art Reconstruction of Women's Costume of the Upper Ob Population in the Early Iron Age
Π‘ΡΠ°ΡΡΡ ΠΏΠΎΡΠ²ΡΡΠ΅Π½Π° Π½Π΅ΠΊΠΎΡΠΎΡΡΠΌ Π²ΠΎΠΏΡΠΎΡΠ°ΠΌ Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΡΠ΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΈ ΠΆΠ΅Π½ΡΠΊΠΎΠΉ ΠΎΠ΄Π΅ΠΆΠ΄Ρ Π½Π°ΡΠ΅Π»Π΅Π½ΠΈΡ ΠΠ΅ΡΡ
Π½Π΅Π³ΠΎ ΠΡΠΈΠΎΠ±ΡΡ ΡΠΏΠΎΡ
ΠΈ ΡΠ°Π½Π½Π΅Π³ΠΎ ΠΆΠ΅Π»Π΅Π·Π°. ΠΡΠΌΠ΅ΡΠ°Π΅ΡΡΡ ΠΎΡΠ»ΠΈΡΠΈΠ΅ Π΄Π°Π½Π½ΠΎΠ³ΠΎ Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½ΠΈΡ ΠΎΡ Π³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΎΠΉ, ΠΌΠΎΠ΄Π΅Π»ΡΠ½ΠΎΠΉ ΠΈ 3D-ΡΠ΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΈ ΠΊΠΎΡΡΡΠΌΠ°, ΠΈΡΡ
ΠΎΠ΄Ρ ΠΈΠ· ΡΠ΅Π»ΠΈ Π΅Π΅ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ. ΠΠ±ΠΎΠ±ΡΠ°Π΅ΡΡΡ ΠΎΠΏΡΡ Π·Π½Π°ΠΊΠΎΠΌΡΡΠ²Π° ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΠ°-Ρ
ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠ° Ρ Π°ΡΡ
Π΅ΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΊΠΎΡΡΡΠΌΠΎΠΌ, Π½Π°ΡΠ΅Π΄ΡΠΈΠΉ Π²ΡΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ Π² ΡΠΎΠ·Π΄Π°Π½ΠΈΠΈ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ
Ρ
ΡΠ΄ΠΎΠΆΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ
ΡΠ΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΉ ΠΆΠ΅Π½ΡΠΊΠΎΠ³ΠΎ ΠΊΠΎΡΡΡΠΌΠ° Π½Π°ΡΠ΅Π»Π΅Π½ΠΈΡ ΠΠ΅ΡΡ
Π½Π΅ΠΎΠ±ΡΠΊΠΎΠ³ΠΎ Π±Π°ΡΡΠ΅ΠΉΠ½Π° ΡΠΊΠΈΡΡΠΊΠΎΠ³ΠΎ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ ΠΏΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°ΠΌ ΠΏΠΎΠ³ΡΠ΅Π±Π΅Π½ΠΈΠΉ ΠΈΠ· ΠΌΠΎΠ³ΠΈΠ»ΡΠ½ΠΈΠΊΠΎΠ² ΠΡΡΡΡΠΎΠ²ΠΊΠ°-1 ΠΈ ΠΠΎΠ²ΠΎΡΡΠΎΠΈΡΠΊΠΎΠ΅-2. ΠΠ±ΡΠΈΠΌΠΈ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°ΠΌΠΈ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Π½ΡΡ
Π³ΠΈΠΏΠΎΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΡ
Π³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΡ
ΠΆΠΈΠ²ΠΎΠΏΠΈΡΠ½ΡΡ
ΡΠ΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΉ Π½Π°ΠΌ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»ΡΠ΅ΡΡΡ Π½Π΅ΠΎΡΡΠ΅ΠΌΠ»Π΅ΠΌΠ°Ρ ΡΡΠ±ΡΠ΅ΠΊΡΠΈΠ²Π½ΠΎΡΡΡ ΠΌΠ΅ΡΠΎΠ΄Π° ΠΈ ΠΎΡΠ²Π΅Π΄Π΅Π½ΠΈΠ΅ Π½Π° Π²ΡΠΎΡΠΎΠΉ ΠΏΠ»Π°Π½ ΡΠΎΠ»ΠΈ ΠΏΡΠ΅Π΄ΠΌΠ΅ΡΠ½ΠΎΠ³ΠΎ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ° ΠΎΠ΄Π΅ΠΆΠ΄Ρ. Π‘ΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠΌ Π½Π΅ΠΏΡΠ΅ΠΎΠ΄ΠΎΠ»ΠΈΠΌΡΠΌ Π½Π΅Π΄ΠΎΡΡΠ°ΡΠΊΠΎΠΌ ΡΠ΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΉ ΡΠ²Π»ΡΡΡΡΡ ΡΡΠ°Π³ΠΌΠ΅Π½ΡΠ°ΡΠ½Π°Ρ Π² ΡΠΈΠ»Ρ ΡΠ°Π·Π³ΡΠ°Π±Π»Π΅Π½ΠΈΡ ΠΏΠΎΠ³ΡΠ΅Π±Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ° ΠΈΠ»ΠΈ ΠΏΠ»ΠΎΡ
ΠΎΠΉ ΡΠΎΡ
ΡΠ°Π½Π½ΠΎΡΡΠΈ ΠΎΡΠ³Π°Π½ΠΈΠΊΠΈ ΠΈΡΡΠΎΡΠ½ΠΈΠΊΠΎΠ²Π°Ρ Π±Π°Π·Π°, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΎΡΡΡΡΡΡΠ²ΠΈΠ΅ ΠΏΡΠ΅Π΄ΠΌΠ΅ΡΠ½ΠΎΠ³ΠΎ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΠ° ΠΎΠ΄Π΅ΠΆΠ΄Ρ. ΠΠΎΡΡΠΎΠ·Π΄Π°ΡΡ ΡΠ΅Π»ΡΠ½ΡΠΉ ΠΎΠ±ΡΠ°Π· ΠΊΠΎΡΡΡΠΌΠ° ΠΏΠΎΠ΄ΡΠ°Ρ ΡΡΠ°Π½ΠΎΠ²ΠΈΡΡΡ Π²Π΅ΡΡΠΌΠ° ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°ΡΠΈΡΠ½ΠΎ ΠΈ Π² ΡΠΈΠ»Ρ ΡΠΈΡΡΠ°ΡΠΈΠ²Π½ΠΎΡΡΠΈ ΠΎΡΠΎΡΠΌΠ»Π΅Π½ΠΈΡ ΠΎΠ΄Π΅ΠΆΠ΄Ρ Π΄Π°ΠΆΠ΅ ΠΏΡΠΈ Π½Π°Π»ΠΈΡΠΈΠΈ ΡΡΠ΄Π° Π²Π΅ΡΠΎΠΌΡΡ
. This article is devoted to some issues of artistic reconstruction of womenβs clothing of the Upper Ob population in the Early Iron Age. The difference between the graphical, modelled, and 3D-reconstruction of the costume and the one proposed in the article is pointed out. The experience of a professional artist dealing with an archaeological costume is generalized and implemented for reconstructions of a female costume of the Upper Ob population in Scythian time from Bystrovka-1 and Novotroitskoe-2 burials. The subjectivity of the method and retraction of the elements of the clothing set into the background seem to be common problem areas of graphic pictorial reconstructions. Fragmentary source base caused by looting the burial complex, as well as badly preserved organics, and the absence of the whole clothing set are the main drawbacks of the reconstruction process. To provide costume general reconstruction scheme is sometimes difficult due to the occasional character of clothing decorations even if there are some significant analogies