Note su una canzone anonima contro Carlo IX

Communication présentée à la journée d'étude "Parce que c'estoit luy... ", Giornata di studi in memoria di Michel Simonin, Verona, 1 octobre 2010. [en attente de publication)Edition et étude d'une chanson anonyme manuscrite contre le roi Charles X diffusée en 1573 et conservée à Strasbourg dans les papiers de Johaannes Schenckbecher.Studio ed edizione di una "chanson" anonima manoscritta contro il re Carlo IX di Valois, diffusa nel 1573 e conservata a Strasburgo nella raccolta di Johannes Schenckbecher

Circles of Interpretation and the Printing World: the Case of the Community of " Italian Exiles " in French-Speaking Countries in the Sixteenth Century

The renewal of religious thought in fifteenth-and sixteenth-century Italy was largely determined by the peninsula's geopolitical fragmentation – a fragmentation which manifested in the emergence of multiple centres of interpretation of sacred texts, located in many different places. The spread of evangelist and the reformation theories were likewise linked, especially in the lay population, to regional variations; notably those concerning the literacy rates of the middle and lower classes, which varied according to the economic models adopted by the different regions. The presence of a literate, administrating and trading class in Italy's principal commercial and financial centres (Venice, Genoa, Siena and Florence) frequently went hand in hand with a certain degree of literacy in the lower classes; it was not uncommon, for example, to find craftsmen, artists, barber-surgeons, small shopkeepers and traders who could and did read in the vernacular. In addition, the existence of a network of studii and universities – often situated in relatively out-of-the-way towns with respect to the main religious and political centres of Italy (Padua, Bologna, Pisa) – favoured the development of written culture and reading practices centred, first, around the workshops of copyists and, later, around the first printing presses. If, in addition, we consider the massive presence of literate, regular and secular clergy in the urban milieux, and the organisation of councils in various Italian towns during the 15 th and 16 th centuries, it comes as no surprise that the reinterpretation of religious thought became at this time a major subject of interest for the middle-and, to a certain extent, lower-class urban milieux. The rural world was less affected by these phenomena, at least during the 15 th century. In southern Italy, where the latifundia and general urban rarefaction determined the acculturation of the poorest classes, new circles of interpretation do not seem to have emerged at all. However, in Calabria, Puglia (as in some regions of northwestern Italy), a number of Vaudian communities would respond, in the 16th century, to the call from transalpine reformation movements

Introduzione

Si raccolgono in questa sezione monografica di Italique una serie di studi su autori, questioni e testi noti e meno noti che afferiscono in modi diversi a quella categoria critica, tanto vaga quanto generosamente omnicomprensiva, tradizionalmente denominata “poesia comica”. In realtà le incursioni nella produzione poetica cinquecentesca operate dagli autori di questi studi tendono ad interrogare testi e documenti che, pur rinviando ad una tradizione letteraria ora comica, ora parodica o satir..

In extremis : la manière burlesque de Giovanni Francesco Ferrari

Parmi les recueils poétiques conservés dans le fonds Barbier-Mueller figure un singulier volume de cinquante-cinq textes burlesques, qui, jusqu’à présent, n’a pas retenu l’attention de la critique. Il s’agit de Le rime burlesche sopra varii, et piacevoli soggetti, indirizzate a diversi nobili Signori. Nuovamente composte & date in luce da M. Giovanfrancesco Ferrari. Con la tavola de’ Sommarij. L’ouvrage, imprimé en 1570 à Venise chez les héritiers de Melchiorre Sessa, a dû surprendre plus d’u..

Introduzione

Si raccolgono in questa sezione monografica di Italique una serie di studi su autori, questioni e testi noti e meno noti che afferiscono in modi diversi a quella categoria critica, tanto vaga quanto generosamente omnicomprensiva, tradizionalmente denominata “poesia comica”. In realtà le incursioni nella produzione poetica cinquecentesca operate dagli autori di questi studi tendono ad interrogare testi e documenti che, pur rinviando ad una tradizione letteraria ora comica, ora parodica o satir..

Introduzione

La vastità di implicazioni sociali, politiche e confessionali insite nel dibattito religioso europeo della prima età moderna ha segnato anche la cultura letteraria della penisola italiana, lasciando delle tracce profonde negli scritti in versi e in prosa del tempo. In un momento in cui la questione dell’accesso diretto al testo biblico nelle lingue vernacolari finisce rapidamente per trasformarsi in una sorta di discrimine (quando non in una vera e propria trincea) tra eterodossia e ortodossia..

Hommages à Jean Paul Barbier-Mueller

Jean Paul Barbier-Mueller (17 mai 1930 – 22 décembre 2016) Jean Paul Barbier-Mueller, le fondateur et, depuis vingt ans, le bienfaiteur de la Fondation Barbier-Mueller pour l’étude de la poésie italienne de la Renaissance est mort à Genève, la ville où il a toujours vécu, le 22 décembre 2016, à l’âge de 86 ans. Cette revue ainsi que la collection de livres rares qui l’accompagne lui doivent l’existence. Il n’a cessé d’enrichir le fonds et de veiller à son rayonnement. Avec lui, la Fondation ..

Valenzen des Lachens in der Vormoderne (1250-1750)

Das Lachen war oft Gegenstand theoretischer Reflexion. Untersuchungen zu den spezifischen historischen Konstellationen des Lachens in der Vormoderne fehlen dagegen fast ganz. Diesem Defizit ist der vorliegende Band gewidmet. Über das Lachen lässt sich historisches Selbstverständnis erschließen. Werte und Tabus treten in politischen, historiographischen, literarischen und brieflichen Zeugnissen, die mit dem Lachen befasst sind, in besonders prägnanter Weise hervor. Das Lachen ist eine Form der Kommunikation und sozialen Interaktion, die nicht nur durch Instrumentalisierung in der Propaganda neue Identitäten schaffen und festigen kann. Lachen dient als Machtinstrument, trägt zur gruppeninternen Verständigung bei und ist ein Mittel der Sinnstiftung. Die hier versammelten Beiträge untersuchen die Valenzen des Lachens empirisch und in interdisziplinärer Perspektive vom Mittelalter bis ins 18. Jahrhundert. Exemplarische Studien loten so das Potential einer historischen Erforschung des Lachens aus

Le juste équilibre : recherche fondamentale et diffusion scientifique du Centre d’études supérieures de la Renaissance

ConférenceConférence de Chiara Lastraioli, le vendredi 23 septembre 2022 de 15h à 18h, à l’occasion du séminaire virtuel ReNoV/ReNeW organisé par la Fédération Internationale des Sociétés et Instituts pour l’Étude de la Renaissance (FISIER) "Vulgarisation, transmission : centres, musées et bibliothèques. Vulgarization and disseminarion: centers, museums and libraries