38 research outputs found

    λ…Έλž˜ μ‹ ν˜Έμ˜ μžλ™ 전사

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    ν•™μœ„λ…Όλ¬Έ (박사)-- μ„œμšΈλŒ€ν•™κ΅ μœ΅ν•©κ³Όν•™κΈ°μˆ λŒ€ν•™μ› μœ΅ν•©κ³Όν•™λΆ€, 2017. 8. 이ꡐꡬ.Automatic music transcription refers to an automatic extraction of musical attributes such as notes from an audio signal to a symbolic level. The symbolized music data are applicable for various purposes such as music education and production by providing higher-level information to both consumers and creators. Although the singing voice is the easiest one to listen and play among various music signals, traditional transcription methods for musical instruments are not suitable due to the acoustic complexity in the human voice. The main goal of this thesis is to develop a fully-automatic singing transcription system that exceeds existing methods. We first take a look at some typical approaches for pitch tracking and onset detection, which are two fundamental tasks of music transcription, and then propose several methods for each task. In terms of pitch tracking, we examine the effect of data sampling on the performance of periodicity analysis of music signals. For onset detection, the local homogeneity in the harmonic structure is exploited through the cepstral analysis and unsupervised classification. The final transcription system includes feature extraction and probabilistic model of the harmonic structure, and note transition based on the hidden Markov model. It achieved the best performance (an F-measure of 82%) in the note-level evaluation including the state-of-the-art systems.Chapter 1 Introduction 1 1.1 Motivation 1 1.2 Definitions 5 1.2.1 Musical keywords 5 1.2.2 Scientific keywords 7 1.2.3 Representations 7 1.3 Problems in singing transcription 9 1.4 Topics of interest 10 1.5 Outline of the thesis 13 Chapter 2 Background 16 2.1 Pitch estimation 17 2.1.1 Time-domain methods 17 2.1.2 Frequency-domain methods 18 2.2 Note segmentation 20 2.2.1 Onset detection 20 2.2.2 Offset detection 23 2.3 Singing transcription 24 2.4 Evaluation methodology 26 2.4.1 Pitch estimation 26 2.4.2 Note segmentation 27 2.4.3 Dataset 28 2.5 Summary 31 Chapter 3 Periodicity Analysis by Sampling in the Time/Frequency Domain for Pitch Tracking 32 3.1 Introduction 32 3.2 Data sampling 34 3.3 Sampled ACF/DF in the time domain 37 3.4 Sampled ACF/DF in the frequency domain 38 3.5 Iterative F0 estimation 40 3.6 Experimental setup 42 3.7 Result 46 3.8 Summary 49 Chapter 4 Note Onset Detection based on Harmonic Cepstrum regularity 50 4.1 Introduction 50 4.2 Cepstral analysis 52 4.3 Harmonic cepstrum regularity 56 4.3.1 Harmonic quefrency selection 57 4.3.2 Sub-harmonic regularity function 58 4.3.3 Adaptive thresholding 59 4.3.4 Picking onsets 59 4.4 Experiments 61 4.4.1 Dataset description 61 4.4.2 Evaluation results 62 4.5 Summary 64 Chapter 5 Robust Singing Transcription System using Local Homogeneity in the Harmonic Structure 66 5.1 Introduction 66 5.2 F0 tracking 71 5.3 Feature extraction 72 5.4 Mixture model 76 5.5 Note detection 80 5.5.1 Transition boundary detection 81 5.5.2 Note boundary selection 83 5.5.3 Note pitch decision 84 5.6 Evaluation 86 5.6.1 Dataset 86 5.6.2 Criteria and measures 87 5.6.3 Experimental setup 89 5.7 Results and discussions 90 5.7.1 Failure analysis 95 5.8 Summary 97 Chapter 6 Conclusion and Future Work 99 6.1 Contributions 99 6.2 Future work 103 6.2.1 Precise partial tracking using instantaneous frequency 103 6.2.2 Linguistic model for note segmentation 105 Appendix 108 Derivation of the instantaneous frequency 108 Bibliography 110 초 둝 124Docto

    고온 유리 κ³± μ„±ν˜• κ³΅μ •μ˜ 해석

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    Thesis (doctoral)--μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› :기계항곡곡학뢀,2002.Docto

    Development of multiband dynamic range compressor regarding noise characteristics

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    ν•™μœ„λ…Όλ¬Έ (석사)-- μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› : μ „κΈ°. 컴퓨터곡학뢀, 2011.2. 성ꡉλͺ¨.Maste

    κ°„μ„­μ œκ±°κΈ°λ²•μ„ μ μš©ν•œ λ‹€μ€‘λ°˜μ†‘νŒŒ DSCDMA μ‹œμŠ€ν…œμ˜ μ„±λŠ₯뢄석

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    Thesis (master`s)--μ„œμšΈλŒ€ν•™κ΅ λŒ€ν•™μ› :전기곡학뢀,1999.Maste

    ꡬ리 Fuse Opening Switchλ₯Ό μ΄μš©ν•œ κ³ μ „μ•• νŽ„μŠ€ λ°œμƒ 연ꡬ

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